Welcome to Part 5 of 'The 8 Most Important Episodes of Fringe.'
Every day until the next episode airs on Fringe Friday, December 7th, I will post a review of an episode I believe is most important to the series, and a commentary on why I believe it is so.
The World of Brown Betty(Episode 2.19)
Exploring the mysteries
by Cerissa Cheffy
08/31/12
Once upon a time in a land not so far away, there lived a father and his two sons. The older son was a brilliant man, using intelligence and wit to gain success with his peers. Over time, he developed a small, but devoted group of followers that inspired him to continue sharing his wisdom. The younger son, on the other hand, became wildly popular almost overnight with very little effort. He quickly gained a substantial group of followers. These two brothers were such total opposites that their paths rarely crossed and the only thing that connected them were their father’s love. One day, the father decided to throw a party to celebrate the younger son’s sudden success. In an attempt to show solidarity in the family, he asked the older son to contribute to the party by putting on a shin his brother’s honor. The older son’s followers scoffed at this request, citing that it was a travesty to his intelligent ways. But the older son wanted to honor his father’s request while also staying true to himself. So he put on a show that was infused with his own clever and intuitive ideas that would satisfy both groups of people.
Yes, this is the story about how a serious, gut-wrenching, mind-bending, jaw-dropping show that is known as Fringe would come to have an unexpected but equally delightful musical episode that would not only begin a tradition of having the 19th episode of every season be out-of-the-imagination-box, but would hold countless clues as to the show’s future. At the time, season 2 of Fringe was going full-force. The shocking revelations about Peter’s childhood were coming one after the other culminating in the moment when Peter learned on his own that he had been lied to by the two people that he trusted more than anyone else. He disappeared in the middle of the nigh and as we wait anxiously to find out how the team would work through this latest setback, we get…wait for it…a musical! What? As you can imagine and perhaps remember, there were some people upset by this publicity stunt on Fox’s part. At the top edge of your seat moment of the season, it’s announced that all of Fox’s shows will do a musical number to honor Glee. So what do the writers of Fringe do with this curveball? They do what they do best. Rise to the occasion and adapt to the unusual circumstances. And the result? Hidden clues and symbolism that is still playing out as we near the end of the series.
Can everything that played out in Brown Betty be translated to reality for our beloved team? Of course not. Even if it was intended to play out a certain way, ideas change, stories change, as time goes on. But what if even parts of it foreshadowed the coming seasons? What if Walter’s drug trip was more than a mere distraction? What if Walter’silly entertainment for a child was actually a different perspective on the events surrounding this “little family unit?” I happen to be a firm believer that most of Brown Betty is relevant to the very premise of the entire series(except perhaps Gene’s multicolored dots…I can’t find any meaningful reason for that one…)
The 8 Most Important Episodes of Fringe-Part 6
By fringeobsessed Email Post 12/05/2012 09:54:00 PM Categories: Episode Review, Fringe, Season 5
The 8 Most Important Episodes of Fringe-Part 5
By fringeobsessed Email Post 12/04/2012 03:16:00 PM Categories: Episode Review, Fringe, Season 5
Welcome to Part 5 of 'The 8 Most Important Episodes of Fringe.'
Every day until the next episode airs on Fringe Friday, December 7th, I will post a review of an episode I believe is most important to the series, and a commentary on why I believe it is so.
4.17 'White Tulip'
Fringe: Season 4 through the eyes of 2.17, 'White Tulip,' or is it the other way around? (written by cortexifan 09/08/12)
WALTER: “I don't know my way around here. Other people, I suppose, find comfort being in chapels, speaking to you. I have no other place to turn. I asked you for a sign, and you sent it to me. A white tulip.”
Bullet recap:
-Walter is struggling to tell Peter the truth about where Peter really comes from.
-Olivia knows the truth as well but also has not told Peter.
-Walter thinks a letter will do it.
-Alistair Peck appears on a train, killing everything in it.
-He discovered how to bend time so he can go back to save his fiancé.
-He hasn’t figured out how to go back to that day though, leaving innocent people dead.
-Because of his limited time jumps he comes back to the train, starting the day over for the team and they don’t remember.
-Walter, understanding Peck’s motive, becomes an ambassador trying to talk Peck out of jumping back that far to save his fiancé because he will never be able to live with the consequences.
-Walter is hoping for a sign of forgiveness from God. He thinks if God forgives him, so will Peter.
-Peck still jumps back to that day but instead of saving his fiancé he dies with her.
-The day begins anew with Walter writing a letter.
If you are still not sure what this episode was about you can read it here.
2.17 White Tulip is a special case. It started with Walter writing a letter to Peter, trying to explain why Walter kept the secret from Peter that he is from the other universe.
It ended that way as well which means the only one remembering that case is Alistair Peck. The case in a sense never really happened for the team.
Peter in S4 is the only one remembering everyone and all the cases.
Later in S4 Olivia is regaining our Olivia’s memories but I’m not counting it because they were “cortexiphan-enduced”. I still haven’t figured out how exactly she remembered all the stuff but it seems those memories only served the purpose for her to activate her abilities through cortexiphan to be able to collapse the two universes.
Every day until the next episode airs on Fringe Friday, December 7th, I will post a review of an episode I believe is most important to the series, and a commentary on why I believe it is so.
4.17 'White Tulip'
Fringe: Season 4 through the eyes of 2.17, 'White Tulip,' or is it the other way around? (written by cortexifan 09/08/12)
WALTER: “I don't know my way around here. Other people, I suppose, find comfort being in chapels, speaking to you. I have no other place to turn. I asked you for a sign, and you sent it to me. A white tulip.”
Bullet recap:
-Walter is struggling to tell Peter the truth about where Peter really comes from.
-Olivia knows the truth as well but also has not told Peter.
-Walter thinks a letter will do it.
-Alistair Peck appears on a train, killing everything in it.
-He discovered how to bend time so he can go back to save his fiancé.
-He hasn’t figured out how to go back to that day though, leaving innocent people dead.
-Because of his limited time jumps he comes back to the train, starting the day over for the team and they don’t remember.
-Walter, understanding Peck’s motive, becomes an ambassador trying to talk Peck out of jumping back that far to save his fiancé because he will never be able to live with the consequences.
-Walter is hoping for a sign of forgiveness from God. He thinks if God forgives him, so will Peter.
-Peck still jumps back to that day but instead of saving his fiancé he dies with her.
-The day begins anew with Walter writing a letter.
If you are still not sure what this episode was about you can read it here.
2.17 White Tulip is a special case. It started with Walter writing a letter to Peter, trying to explain why Walter kept the secret from Peter that he is from the other universe.
It ended that way as well which means the only one remembering that case is Alistair Peck. The case in a sense never really happened for the team.
Peter in S4 is the only one remembering everyone and all the cases.
Later in S4 Olivia is regaining our Olivia’s memories but I’m not counting it because they were “cortexiphan-enduced”. I still haven’t figured out how exactly she remembered all the stuff but it seems those memories only served the purpose for her to activate her abilities through cortexiphan to be able to collapse the two universes.
The 8 Most Important Episodes of Fringe-Part 4
By fringeobsessed Email Post 12/03/2012 09:16:00 PM Categories: Episode Review, Fringe, Season 5
Welcome to Part 4 of 'The 8 Most Important Episodes of Fringe.'
Every day until the next episode airs on Fringe Friday, December 7th, I will post a review of an episode I believe is most important to the series, and a commentary on why I believe it is so.

Episode 2.04 Momentum Deferred(review written by samspade on 08/10/11)
Momentum Deferred is an important episode in the overall story of the show. It's importance stems from the fact that previously Agent Charlie Francis had become a shape-shifter and no-one is the wiser on the Fringe team.
The episode centers around Olivia trying to recover her memories from crossing over to the other side. Her attempt in doing so in the beginning of the episode involves her drinking flatworms to help trigger her memory. Meanwhile multiple cryogenics facilities have been robbed and someone seems to be targeting frozen heads across the country. One of the corpses found at the scene bleeds silver (mercury) and left behind one of the devices used to help him shape-shift. Charlie begins to suffer the effects of his previous shape-shifting, having been in the body too long and in an attempt to heal himself, drinks mercury to recompose himself. It seems to be a temporary fix.
Olivia takes the shape-shifting device to Massive Dynamic where they work at rendering the image of the last shape-shifter and promise to have it on a public server for Olivia the minute they figure out who it is. Meanwhile Peter takes Walter to visit Rebecca Kibner, a previous test subject that had the ability to recognize people from the other side. Rebecca eagerly agrees to come back with them to the lab to undergo tests once again in order to help.
While in the lab, they ring the bell while Rebecca is under. The sound immediately affects Olivia as she passes out onto the floor and is unresponsive. During this time, we get a flashback of Olivia and William Bell from the otherside. Olivia is told that she is the gatekeeper, the strongest of all the children protected. She is informed that very few can cross over and that her ability makes her special and that she is just now coming into it. She must also remember the symbol on the back of the shape-shifters neck and show it to Nina Sharp . Peter revives Olivia painfully with a needle filled with adrenaline straight to the heart. Jolting up, she gasps that she needs to speak with Nina Sharp. Olivia remembered her time crossing over.
Nina breaks it down to Olivia, telling her about the Pauli Exclusion Principle and the last great storm. Olivia is interrupted by her phone and sees Charlie is calling. He tells her that Nina is the shapeshifter and to get out. Olivia quickly excuses herself, confessing to Charlie that she almost gave the information to Nina, that the body is at “Laston-Hennings Cryonics.” Just as she tells him, she sees another message on her phone and looks down to see the reconstruction of Charlie as the shape-shifter. Charlie manages to make the call, assaulting Olivia and attempting to kill her. She has no choice but to defend herself and finds that she has to shoot him in the head to kill him. In the end, the facility had already been cleaned out and presumably had taken whatever it was they were looking for. We see a head being strangely reattached in the final seconds of the episode.
New questions raised in this episode that remain unanswered:
Charlie is dying in his body and needs a new device to survive. How long is a typical shape-shifter in their body? Do they use the device for anything other than changing bodies?
The frozen head that the shape-shifters are after – where was the body prior to being frozen? What led him to this state?
What does the symbol mean on the back of the shape-shifters head? Why does he have it?
Bell tells Olivia that most people are torn apart that try to cross over. How many others have tried to cross over? We know Olivia has a natural ability to cross over but how was Walter and Peter able to cross over? What about William Bell? Is that why he needs the oxygen mask?
Did William Bell know that by ringing the bell it would later help jog Olivia’s memory?
How does William Bell know the phrase “Einai kalytero... Anthropo apo toy... Patera toy” Did he know Peter’s mother more intimately than we’ve been told?
Why Episode 2.04 is on the 8 most important episodes list:
Momentum Deferred is on the most important episode list because of the conversation Olivia Dunham has with William Bell in the middle of this episode. It's so important that I'm going to post here:
WILLIAM BELL: You'll have to forgive me. The method by which I brought you over here was crude, and I'm sorry for that, but there were people who were trying to prevent our meeting. This is not at all the kind of reunion I had always envisioned. OLIVIA: The reunion that you had envisioned? Doctor Bell, I have been trying to meet with you for over a year.
WILLIAM BELL: Please, call me William... or Willam - if that feels warmer to you. Willam -- that's what you always called me when you were a girl. How do you like your tea?
OLIVIA: I don't want any tea. I want answers. [rumbling]
WILLIAM BELL: [laughs] You're still a little disoriented from the time slips, aren't you? Happened to me when I first came here. You're -- you're out of sync with this side. You're lucky. Most people who cross dimensions, without your natural talent, are simply torn apart.
OLIVIA: Well, 'lucky' isn't the word that I would choose. [rumbling] [gas hissing] [breathing deeply]
WILLIAM BELL: Ahh. I don't know how much Walter's told you by now. I don't know how much he remembers.
OLIVIA: He told me what you two did to me when I was just a girl... how you conducted drug trials on young children.
WILLIAM BELL: We weren't trying to hurt you, Olivia. We weren't trying to hurt anybody.
OLIVIA: Hey, guess what? [chuckles] You did. I've met some of the others. To say that they are permanently damaged would be an understatement.
WILLIAM BELL: Yes. In any search for knowledge, there are always unintended consequences -- victims, you might say. But not you. I can see that... just by looking at you. In fact, you're just coming into your ability. [rumbling] [echoing] I've seen history repeat itself enough times to know a war is coming, just as we predicted, Walter and I, years ago, and we knew that we had to prepare a guardian, someone to watch the gate.
OLIVIA: The gate?
WILLIAM BELL: Between this side and yours. I would like to say 'ours', because that's where I came from, but I'm afraid I would sound disingenuous.
OLIVIA: Go on.
WILLIAM BELL: For reasons that will become clear in time, I cannot go back yet, maybe not ever. But now we know how difficult it is to cross over. I can count on my hand the number of people who've done it safely. But on this side, they've become more insidious. They have designed hybrids -- part organic tissue, part machine -- that can do things that humans can't. They can change shapes, taking the form of human beings. Over here, they call them 'the first wave'.
OLIVIA: So you're saying that these hybrids are already on our side.
WILLIAM BELL: I know it's difficult to grasp.
OLIVIA: Oh, I can grasp it just fine. I don't trust you, Doctor Bell... or William, or... Willam... or whatever cutesy name you think might appeal to my childhood instincts. It won't. Your company has been involved in, if not directly responsible for, some of the most horrific things that I have ever seen, to say nothing of the fact that you just yanked me into a parallel universe to warn me about an inter-dimensional war that I believe you are responsible for starting. So what I want is not warmth, or tea. It's the truth.
WILLIAM BELL: The truth will come out. It always does. Livvy, you don't have to trust me. You don't even have to like me, but you can't deny I have a unique perspective, shaped by having lived in two worlds. I know the difference a wrong choice can make... or a right one. For example, this building is still standing because different choices were made. So, Livvy, if you can look past your anger, you may find that I am more of an ally than you think. [rumbling] [voices echoing] A storm is coming, perhaps the last and worst storm of all. And when it is over, I fear there will be little left of our world. The shape-shifters on your side are looking for someone, someone to open the door between universes, and if they find him, there will be no stopping them, and that is why you must find him first.
OLIVIA: Me?
WILLIAM BELL: You are the one, Olivia. Of all the children that Walter and I prepared, you were the strongest. You were always the strongest. [rumbling] Remember this symbol. It's hidden on their leader. That's how you'll know him. [echoing] Show this to Nina Sharp. [rumbling] She can help you. We're out of time. [bell dings] Olivia. [echoing voices] [rumbling]
WILLIAM BELL: You should stand. I think it'll be less painful that way. OLIVIA: What will?
WILLIAM BELL: And remember this -- Einai kalytero... Anthropo apo toy... Patera toy. Tell that to Peter. You're going to need him by your side. Tell it to him. He'll know what it means. [rumbling]
WALTER: We have to shock her heart. There's a vial of adrenaline, Peter.
WILLIAM BELL: And I'm afraid there's no avoiding what has to happen next. I pulled you out of a moving car. Momentum can be deferred, but it must always be paid back, in full. [rumbling]
And Nina Sharp adds some perspective to William Bell's definition of 'storm':
NINA: A storm? OLIVIA: Yeah. What?
NINA: It was a phrase he used. When Doctor Bell realized the existence of the other side, the thing he dreaded most was the inevitable collision... if our two universes ever came together.
OLIVIA: Collision?
NINA: The Pauli Exclusion Principle means that no two objects can occupy the same space at the same time. Doctor Bell was afraid that if the doorway between the two sides was ever opened... that the unavoidable conclusion... only one world would remain. It's what he called the last great storm.
While these conversations set the stage nicely for the rest of Season 2 going into Season 3, I believe there's quite a bit of foreshadowing here.
We know Alt-Olivia found one man with the Omega mark on his head, Thomas Jerome Newton. But, we have not seen Olivia Dunham(the blue and amber version) operating as a gatekeeper. And we have not seen her repeat that famous Greek phase, "Be A Better Man Than Your Father," since 2.04 aired.
This is just my opinion, but I think William Bell's 'Great Storm' is the final showdown between our Fringe team, and the powerful enemy(whoever that is, ie. Windmark and Company?) I believe this conversation combined with Emmanuele Grayson's words about the upcoming war(from 1.19) give us a little hint about the series' finale.
Every day until the next episode airs on Fringe Friday, December 7th, I will post a review of an episode I believe is most important to the series, and a commentary on why I believe it is so.

Episode 2.04 Momentum Deferred(review written by samspade on 08/10/11)
Momentum Deferred is an important episode in the overall story of the show. It's importance stems from the fact that previously Agent Charlie Francis had become a shape-shifter and no-one is the wiser on the Fringe team.
The episode centers around Olivia trying to recover her memories from crossing over to the other side. Her attempt in doing so in the beginning of the episode involves her drinking flatworms to help trigger her memory. Meanwhile multiple cryogenics facilities have been robbed and someone seems to be targeting frozen heads across the country. One of the corpses found at the scene bleeds silver (mercury) and left behind one of the devices used to help him shape-shift. Charlie begins to suffer the effects of his previous shape-shifting, having been in the body too long and in an attempt to heal himself, drinks mercury to recompose himself. It seems to be a temporary fix.
Olivia takes the shape-shifting device to Massive Dynamic where they work at rendering the image of the last shape-shifter and promise to have it on a public server for Olivia the minute they figure out who it is. Meanwhile Peter takes Walter to visit Rebecca Kibner, a previous test subject that had the ability to recognize people from the other side. Rebecca eagerly agrees to come back with them to the lab to undergo tests once again in order to help.
While in the lab, they ring the bell while Rebecca is under. The sound immediately affects Olivia as she passes out onto the floor and is unresponsive. During this time, we get a flashback of Olivia and William Bell from the otherside. Olivia is told that she is the gatekeeper, the strongest of all the children protected. She is informed that very few can cross over and that her ability makes her special and that she is just now coming into it. She must also remember the symbol on the back of the shape-shifters neck and show it to Nina Sharp . Peter revives Olivia painfully with a needle filled with adrenaline straight to the heart. Jolting up, she gasps that she needs to speak with Nina Sharp. Olivia remembered her time crossing over.
Nina breaks it down to Olivia, telling her about the Pauli Exclusion Principle and the last great storm. Olivia is interrupted by her phone and sees Charlie is calling. He tells her that Nina is the shapeshifter and to get out. Olivia quickly excuses herself, confessing to Charlie that she almost gave the information to Nina, that the body is at “Laston-Hennings Cryonics.” Just as she tells him, she sees another message on her phone and looks down to see the reconstruction of Charlie as the shape-shifter. Charlie manages to make the call, assaulting Olivia and attempting to kill her. She has no choice but to defend herself and finds that she has to shoot him in the head to kill him. In the end, the facility had already been cleaned out and presumably had taken whatever it was they were looking for. We see a head being strangely reattached in the final seconds of the episode.
New questions raised in this episode that remain unanswered:
Charlie is dying in his body and needs a new device to survive. How long is a typical shape-shifter in their body? Do they use the device for anything other than changing bodies?
The frozen head that the shape-shifters are after – where was the body prior to being frozen? What led him to this state?
What does the symbol mean on the back of the shape-shifters head? Why does he have it?
Bell tells Olivia that most people are torn apart that try to cross over. How many others have tried to cross over? We know Olivia has a natural ability to cross over but how was Walter and Peter able to cross over? What about William Bell? Is that why he needs the oxygen mask?
Did William Bell know that by ringing the bell it would later help jog Olivia’s memory?
How does William Bell know the phrase “Einai kalytero... Anthropo apo toy... Patera toy” Did he know Peter’s mother more intimately than we’ve been told?
Why Episode 2.04 is on the 8 most important episodes list:
Momentum Deferred is on the most important episode list because of the conversation Olivia Dunham has with William Bell in the middle of this episode. It's so important that I'm going to post here:
WILLIAM BELL: You'll have to forgive me. The method by which I brought you over here was crude, and I'm sorry for that, but there were people who were trying to prevent our meeting. This is not at all the kind of reunion I had always envisioned. OLIVIA: The reunion that you had envisioned? Doctor Bell, I have been trying to meet with you for over a year.
WILLIAM BELL: Please, call me William... or Willam - if that feels warmer to you. Willam -- that's what you always called me when you were a girl. How do you like your tea?
OLIVIA: I don't want any tea. I want answers. [rumbling]
WILLIAM BELL: [laughs] You're still a little disoriented from the time slips, aren't you? Happened to me when I first came here. You're -- you're out of sync with this side. You're lucky. Most people who cross dimensions, without your natural talent, are simply torn apart.
OLIVIA: Well, 'lucky' isn't the word that I would choose. [rumbling] [gas hissing] [breathing deeply]
WILLIAM BELL: Ahh. I don't know how much Walter's told you by now. I don't know how much he remembers.
OLIVIA: He told me what you two did to me when I was just a girl... how you conducted drug trials on young children.
WILLIAM BELL: We weren't trying to hurt you, Olivia. We weren't trying to hurt anybody.
OLIVIA: Hey, guess what? [chuckles] You did. I've met some of the others. To say that they are permanently damaged would be an understatement.
WILLIAM BELL: Yes. In any search for knowledge, there are always unintended consequences -- victims, you might say. But not you. I can see that... just by looking at you. In fact, you're just coming into your ability. [rumbling] [echoing] I've seen history repeat itself enough times to know a war is coming, just as we predicted, Walter and I, years ago, and we knew that we had to prepare a guardian, someone to watch the gate.
OLIVIA: The gate?
WILLIAM BELL: Between this side and yours. I would like to say 'ours', because that's where I came from, but I'm afraid I would sound disingenuous.
OLIVIA: Go on.
WILLIAM BELL: For reasons that will become clear in time, I cannot go back yet, maybe not ever. But now we know how difficult it is to cross over. I can count on my hand the number of people who've done it safely. But on this side, they've become more insidious. They have designed hybrids -- part organic tissue, part machine -- that can do things that humans can't. They can change shapes, taking the form of human beings. Over here, they call them 'the first wave'.
OLIVIA: So you're saying that these hybrids are already on our side.
WILLIAM BELL: I know it's difficult to grasp.
OLIVIA: Oh, I can grasp it just fine. I don't trust you, Doctor Bell... or William, or... Willam... or whatever cutesy name you think might appeal to my childhood instincts. It won't. Your company has been involved in, if not directly responsible for, some of the most horrific things that I have ever seen, to say nothing of the fact that you just yanked me into a parallel universe to warn me about an inter-dimensional war that I believe you are responsible for starting. So what I want is not warmth, or tea. It's the truth.
WILLIAM BELL: The truth will come out. It always does. Livvy, you don't have to trust me. You don't even have to like me, but you can't deny I have a unique perspective, shaped by having lived in two worlds. I know the difference a wrong choice can make... or a right one. For example, this building is still standing because different choices were made. So, Livvy, if you can look past your anger, you may find that I am more of an ally than you think. [rumbling] [voices echoing] A storm is coming, perhaps the last and worst storm of all. And when it is over, I fear there will be little left of our world. The shape-shifters on your side are looking for someone, someone to open the door between universes, and if they find him, there will be no stopping them, and that is why you must find him first.
OLIVIA: Me?
WILLIAM BELL: You are the one, Olivia. Of all the children that Walter and I prepared, you were the strongest. You were always the strongest. [rumbling] Remember this symbol. It's hidden on their leader. That's how you'll know him. [echoing] Show this to Nina Sharp. [rumbling] She can help you. We're out of time. [bell dings] Olivia. [echoing voices] [rumbling]
WILLIAM BELL: You should stand. I think it'll be less painful that way. OLIVIA: What will?
WILLIAM BELL: And remember this -- Einai kalytero... Anthropo apo toy... Patera toy. Tell that to Peter. You're going to need him by your side. Tell it to him. He'll know what it means. [rumbling]
WALTER: We have to shock her heart. There's a vial of adrenaline, Peter.
WILLIAM BELL: And I'm afraid there's no avoiding what has to happen next. I pulled you out of a moving car. Momentum can be deferred, but it must always be paid back, in full. [rumbling]
And Nina Sharp adds some perspective to William Bell's definition of 'storm':
NINA: A storm? OLIVIA: Yeah. What?
NINA: It was a phrase he used. When Doctor Bell realized the existence of the other side, the thing he dreaded most was the inevitable collision... if our two universes ever came together.
OLIVIA: Collision?
NINA: The Pauli Exclusion Principle means that no two objects can occupy the same space at the same time. Doctor Bell was afraid that if the doorway between the two sides was ever opened... that the unavoidable conclusion... only one world would remain. It's what he called the last great storm.
While these conversations set the stage nicely for the rest of Season 2 going into Season 3, I believe there's quite a bit of foreshadowing here.
We know Alt-Olivia found one man with the Omega mark on his head, Thomas Jerome Newton. But, we have not seen Olivia Dunham(the blue and amber version) operating as a gatekeeper. And we have not seen her repeat that famous Greek phase, "Be A Better Man Than Your Father," since 2.04 aired.
This is just my opinion, but I think William Bell's 'Great Storm' is the final showdown between our Fringe team, and the powerful enemy(whoever that is, ie. Windmark and Company?) I believe this conversation combined with Emmanuele Grayson's words about the upcoming war(from 1.19) give us a little hint about the series' finale.
The 8 Most Important Episodes of Fringe-Part 3
By fringeobsessed Email Post 12/02/2012 09:18:00 PM Categories: Episode Review, Fringe, Season 5
Welcome to Part 3 of 'The 8 Most Important Episodes of Fringe.'
Every day until the next episode airs on Fringe Friday, December 7th, I will post a review of an episode I believe is most important to the series, and commentary on why I believe it is so.
Episode 1.19 The Road Not Taken(review written by Aimee Long on 08/05/11)
One of the things that I enjoy most about Fringe is how the show has always challenged the audience to think, to imagine, to ponder, and to look at situations at more than just face-value, but at a different angle.
Long before Fringe aired, I had often wondered how my own life would have been different if certain choices were made instead of others. There is one choice I made, that although seemingly harmless at the time, changed the course of my life forever.
The series progressed with this key theme in mind: “The road not taken.” The "what-ifs’" that plague every person's thoughts, as they sit and ponder their lives and the nature of existence. As the alternate universe showed quite well, small differences can mold a person’s life in many ways. The choice to shoot a step-father, the death of a sister, the absence of one person - Peter - can alter not only one person’s life, but that of many. Peter’s absence from his universe of origin changed its destiny. How will his absence in the blue universe affect its course and that of Olivia and Walter?
The penultimate episode for Fringe Season One is jam-packed as it quickly recaps the events of the season leading up to a crescendo of action and new information. This episode is special to me because this was the first episode that I watched live.
My Observations
William Bell is suspected of funding ZFT. Right off the bat, Broyles makes an interesting statement about the ZFT group and their manifesto while briefing agents on the case. He says that their ultimate goal is to either start or get ready for war. An agent asks a question that all viewers should be asking after season 3:
“War with whom?”
It seemed that Susan Pratt’s pyro-ability was triggered by an extreme emotional response in the form of fear.
Walter shows Peter and Astrid the typewriter that he bought for William Bell. The ‘y’ character is slightly offset above the rest of the characters. (It is interesting that old typewriters are used to communicate with their quantum-entangled counterparts Over There, and that Walternate's operatives use a vintage typewriter shop as their safe-house.)
Peter is dumbfounded at the idea that not only may have Bell funded ZFT, but he may have also written the manifesto as well. Walter asserts that there is no way that Bell did this. Also, he points out that there is a missing Ethics chapter, referenced throughout the manuscript. Someone had removed it.
Charlie goes over the details of the crime scene with Olivia. He speaks of a woman… As they are walking, Olivia sees two charred bodies.
Olivia remarks to Walter that she’ll have the coroner prep the "bodies" to be taken back to his lab, which of course confuses Walter because he only sees one body. Olivia sees two, and then it shifts to one right before her eyes.
Nina Sharp: Just Whose Side is She On?
At FBI Boston headquarters, we see the stoic Nina Sharp trying to hold her composure as the FBI prepares to scour Massive Dynamic. Was she really afraid of what they might find? Something that had nothing to do with William Bell funding ZFT, but far scarier - the existence of another universe?
Nina tries to intimidate Broyles, but he’s not buying it. I still wonder how Nina and Broyles know each other. They have obviously worked together in the past.
Nina tells Broyles, “I’m not one of your street thugs that you can bully, Philip.” Is that how she thought of Olivia and the FBI? Or, does Broyles have connection to actual street thugs, possibly the same guys that were after Peter?
Nina declares that “William Bell is not the enemy.” For the longest time, fans have not been sure what to make of Bell’s allegiances. Even now, after the events of Lysergic Acid Diethylamide, I still do not know what to make of Bell’s past with Walter and his true motivations. What he told Peter in Over There still bother me: “You’re holding up better than expected.” If Bell is not the enemy, then why did he make weapons for Walternate, why did the machine appear to be his design, why did he hide the First People books from our fringe team, and why did he use Olivia as his host, at the callous risk of her life?
Walter may have called Bell names, but he always defended him in his overall motivations.
Conservation of Energy
Walter’s statement concerning the massive amount of potential energy in an adult person comes back into play when William Bell sacrifices his body to power the doorway to return Peter, Walter and Alt-Livia to our universe.
Also, Peter remarks that “we’re just not very good at releasing it.” Could there be a possibility that at some point in a time-line, either he or Walter found a way to harness this energy? Energy can be used to create or destroy. Did this cause the existence of the other universe? Maybe I’m grasping for straws, but it’s a fun idea to contemplate.
But this we do know: Peter tells Walter that he took some parts from his electron microscope to use on a project he‘s been working on. Walter bellows “The potential for destruction in each of us is infinite!” As we know, why yes, Peter destroyed an entire universe which led to a path of infinite destruction.
A Science-Fiction Parable?
When Peter and Olivia visit Emmanuel Grayson, the man seems nuts. But his story is interesting in hindsight. Grayson claims that William Bell is having his drug trial subjects activated to prepare them for a coming war with “renegade Romulans from the future. Sent to change the time-line.”
Who are these "renegade Romulans?" In the Star Trek universe, the Vulcan species tries to distance themselves from emotional responses and feeling, depending on logic in all things. In the Fringe mythology, there is a parallel found with the Observers. They seem cold and detached, and are not supposed to get involved in matters. Romulans are cousins of the Vulcans and have emotional responses. Are these renegades actually "rogue Observers" like John Mosley? Or is the reference concerning the First People, because Walter sent the machine back in time so that Peter would make a different choice to save both universes?
Olivia's Perception
I remember being so confused about Olivia’s glimpse into the other side when this episode first aired. Why was she seeing this now? We know from later episodes that she needs a trigger for her abilities. Are time-lines converging? Is it NOT the other universe but another time-line occurring simultaneously? Is Olivia experiencing déjà vu as Walter claims? This Broyles speaks of two victims, further confusing Olivia.
Sanford Harris makes it very clear that he does not want any Federal investigation into William Bell or Massive Dynamic.Why would he be protecting them?
The books that Olivia sees on the bookshelf in Susan Pratt’s apartment are of great interest for those that like to look closer.
When Charlie asks Liv if she thought that their was something wrong with Susan, because she’s a good looking woman in the prime of her life, with no boyfriend, I could just feel my heart hurt because this is the life Olivia is living. Complete with the ‘uniform.’ Pratt’s wardrobe reveals a fondness for grays…
Olivia’s confrontation with Sanford Harris makes me love her even more as a character. She just seethes at his questioning her judgment and professionalism. Her anger however seems to have fueled her perceptive capability, as she flashes to another reality long enough to see the file about the burned twins there.
At this point, I’m confused. We see Charlie with a scar, just like Charlie in the ‘red’ universe. He tells Olivia that half of Boston is in quarantine lock-down. We know that Boston had a huge Fringe event Over There that resulted in massive Amber quarantines. But I’m still not sure about what, when and where concerning Olivia’s perception.
A man named Isaac Winters cut a large check to Susan Pratt. A photo of Winters shows an older man wearing glasses. Nick Lane mentioned in Bad Dreams that someone came to him. In Olivia. In the Lab. With a Revolver James Heath mentioned that a man wearing glasses also came to visit him. Susan Pratt’s answering machine message mentioned the word “tests.” Like the tests that were in the box in Ability? Since we see the light box as Olivia tries to save the twin, I’d say so.
Walter and Peter
Peter is drinking a lot of alcohol in this episode. First, at the lab when Walter is explaining the divergence of paths due to choices, then at the FBI office when he takes some of Olivia's stash for his coffee. Is he really stressed out?
Yet he seems OK as he retrieves some cereal from the grocery store for Walter. He also makes a device to aid in digitizing Walter’s records. Then employs it in reading sound waves from melted glass in order to figure out what happened to Nancy Lewis. Astrid even cracks that he sounds just like Walter, and Peter does not get upset. Walter says something of concern when he tells a story of how Peter made him a popsicle napkin holder when he was five. We know that THIS Peter, is not the same boy. Would the Peter from this universe be mechanically inclined if he had lived?
The Cortexiphan Children
Walter mentions as he looks at a photo of Nancy, that he had seen her before. Of course, Peter remarks that it is because Walter worked with her dead twin's body. But now we know that most likely Walter knew her as a Cortexiphan trial subject.
When Olivia joins the raid on the facility entered by Harris, she comes across pictures and dossiers on the wall of an office including Pratt, Lewis, Nick Lane, David Robert Jones and - herself. One of the dossiers is for a Samantha Gilmore and shows she born in 1984. If she is a Cortexiphan subject, than the trials were still occurring later than what Nina Sharp previously stated.
Over the course of three seasons, we’ve seen Olivia confront the fates of her Cortexiphan cohorts, such as Nick Lane, James Heath and Simon Phillips, with great understanding and pity.
She encourages Nancy Lewis to harness her power, with success. But Olivia still doubted her abilities, right up to the point of deactivating the machine so that Peter could enter it in The Last Sam Weiss.
I think up until this episode, Olivia showed great reservation in dealing with Walter. But this episode became the straw the broke the camel’s back. I really think that her outburst at Walter finally knocked some sense into him. HE had done terrible things in the name of science. But in his defense, he truly felt he was preparing the children for something terrible, and he couldn’t remember exactly what.
Walter: We were trying to help. We meant no harm.
Olivia: No harm? You were drugging children. Three-year-old children, Walter. Why did you do it?
Walter: We were trying to prepare you. To make you capable. Able. Something terrible is coming.
Walter grabs Peter’s hand after Olivia leaves, and this is where it sinks home just how broken he is and how much he holds on to Peter for stability.
As Olivia sinks into her SUV with a look of utter shock, I think that this is where she begins to seriously consider the possibility that her life has been manipulated from a very young age, and that yes, she is part of The Pattern.
Unanswered Questions
Why was Olivia able to see the other universe sliding into ours?
Was what she saw even another universe at all?
When Sanford Harris said, “He’s losing patience…” Who is he? Jones? Was it Bell? Or someone else?
Was Isaac Winters the ‘man in glasses” that met with Nick Lane and James Heath to activate them?
What did Nina Sharp mean about the Observer when she told Broyles that “you know what happened the last time when he appeared with that kind of frequency.”
What exactly is the ‘time’ that the Observer refers to when he comes to visit Walter?
Why Episode 1.19 is on the 8 most important episodes list:
'The Road Not Taken' is on the list because the series opens a new door in this episode.
Up to this point we were enjoying a show often with a monster-of-the-week theme, and the revelations of an unethical scientist whose former projects keep popping up. A scientist, who as Aimee points out above, participated as his partner administered experimental, perception-altering drugs to 3 year olds! (And 1 of those young experimentees is one of our main characters. Shocking!)
Walter's explanation of deja vu being a view of a different choice we made by seeing a glimpse of an alternate universe sets the stage for the Season 1 finale, and for Seasons 2 and 3, and especially, for another episode on my list.
Books are very important in Fringe. If you see a book or books close up in the series, pay attention!
Executive Producer Joel Wyman admitted this in one of the media conference calls. He told us that he has the technical team set it up so that certain books are well-seen, and there is a reason for this.
Aimee says this above:"The books that Olivia sees on the bookshelf in Susan Pratt’s apartment are of great interest for those that like to look closer." Let's expand upon that. Here's the screen cap of Susan Pratt's bookcase.
Pay attention to the small paperback book near the center, titled "Childhood's End," by Arthur C. Clarke.
The first time I saw this episode it really bothered me that this book was front and center and so I bought it and read it.
In a nutshell, one day strange, highly-intelligent creatures arrived on Earth. The people of Earth did not understand their purpose. These creatures called themselves The Overlords and observed all earthly activity for years. Then they started to take over and change things like industry, recreation, education, etc. and made a utopian society.
They took all the children away from their parents and made them all a part of 1 mind-a hive mind if you will. The Overlords' leader, Karellen, speaks to the Earthlings from his spaceship via a special typewriter, and the Earthlings communicate back to Karelllen via typewriter.
I'm not going to give you the whole story, but can you see the parallels already to parts of the Fringe series?
I tweeted Joel Wyman last year and asked him if Fringe was partly based on this book and he did not respond to my tweet, so I figure...maybe I am onto something. The most interesting thing will be to see if the TV series ends in a similar way to this book.
Every day until the next episode airs on Fringe Friday, December 7th, I will post a review of an episode I believe is most important to the series, and commentary on why I believe it is so.
Episode 1.19 The Road Not Taken(review written by Aimee Long on 08/05/11)
One of the things that I enjoy most about Fringe is how the show has always challenged the audience to think, to imagine, to ponder, and to look at situations at more than just face-value, but at a different angle.
Long before Fringe aired, I had often wondered how my own life would have been different if certain choices were made instead of others. There is one choice I made, that although seemingly harmless at the time, changed the course of my life forever.
The series progressed with this key theme in mind: “The road not taken.” The "what-ifs’" that plague every person's thoughts, as they sit and ponder their lives and the nature of existence. As the alternate universe showed quite well, small differences can mold a person’s life in many ways. The choice to shoot a step-father, the death of a sister, the absence of one person - Peter - can alter not only one person’s life, but that of many. Peter’s absence from his universe of origin changed its destiny. How will his absence in the blue universe affect its course and that of Olivia and Walter?
The penultimate episode for Fringe Season One is jam-packed as it quickly recaps the events of the season leading up to a crescendo of action and new information. This episode is special to me because this was the first episode that I watched live.
My Observations
William Bell is suspected of funding ZFT. Right off the bat, Broyles makes an interesting statement about the ZFT group and their manifesto while briefing agents on the case. He says that their ultimate goal is to either start or get ready for war. An agent asks a question that all viewers should be asking after season 3:
“War with whom?”
It seemed that Susan Pratt’s pyro-ability was triggered by an extreme emotional response in the form of fear.
Walter shows Peter and Astrid the typewriter that he bought for William Bell. The ‘y’ character is slightly offset above the rest of the characters. (It is interesting that old typewriters are used to communicate with their quantum-entangled counterparts Over There, and that Walternate's operatives use a vintage typewriter shop as their safe-house.)
Peter is dumbfounded at the idea that not only may have Bell funded ZFT, but he may have also written the manifesto as well. Walter asserts that there is no way that Bell did this. Also, he points out that there is a missing Ethics chapter, referenced throughout the manuscript. Someone had removed it.
Charlie goes over the details of the crime scene with Olivia. He speaks of a woman… As they are walking, Olivia sees two charred bodies.
Olivia remarks to Walter that she’ll have the coroner prep the "bodies" to be taken back to his lab, which of course confuses Walter because he only sees one body. Olivia sees two, and then it shifts to one right before her eyes.
Nina Sharp: Just Whose Side is She On?
At FBI Boston headquarters, we see the stoic Nina Sharp trying to hold her composure as the FBI prepares to scour Massive Dynamic. Was she really afraid of what they might find? Something that had nothing to do with William Bell funding ZFT, but far scarier - the existence of another universe?
Nina tries to intimidate Broyles, but he’s not buying it. I still wonder how Nina and Broyles know each other. They have obviously worked together in the past.
Nina tells Broyles, “I’m not one of your street thugs that you can bully, Philip.” Is that how she thought of Olivia and the FBI? Or, does Broyles have connection to actual street thugs, possibly the same guys that were after Peter?
Nina declares that “William Bell is not the enemy.” For the longest time, fans have not been sure what to make of Bell’s allegiances. Even now, after the events of Lysergic Acid Diethylamide, I still do not know what to make of Bell’s past with Walter and his true motivations. What he told Peter in Over There still bother me: “You’re holding up better than expected.” If Bell is not the enemy, then why did he make weapons for Walternate, why did the machine appear to be his design, why did he hide the First People books from our fringe team, and why did he use Olivia as his host, at the callous risk of her life?
Walter may have called Bell names, but he always defended him in his overall motivations.
Conservation of Energy
Walter’s statement concerning the massive amount of potential energy in an adult person comes back into play when William Bell sacrifices his body to power the doorway to return Peter, Walter and Alt-Livia to our universe.
Also, Peter remarks that “we’re just not very good at releasing it.” Could there be a possibility that at some point in a time-line, either he or Walter found a way to harness this energy? Energy can be used to create or destroy. Did this cause the existence of the other universe? Maybe I’m grasping for straws, but it’s a fun idea to contemplate.
But this we do know: Peter tells Walter that he took some parts from his electron microscope to use on a project he‘s been working on. Walter bellows “The potential for destruction in each of us is infinite!” As we know, why yes, Peter destroyed an entire universe which led to a path of infinite destruction.
A Science-Fiction Parable?
When Peter and Olivia visit Emmanuel Grayson, the man seems nuts. But his story is interesting in hindsight. Grayson claims that William Bell is having his drug trial subjects activated to prepare them for a coming war with “renegade Romulans from the future. Sent to change the time-line.”
Who are these "renegade Romulans?" In the Star Trek universe, the Vulcan species tries to distance themselves from emotional responses and feeling, depending on logic in all things. In the Fringe mythology, there is a parallel found with the Observers. They seem cold and detached, and are not supposed to get involved in matters. Romulans are cousins of the Vulcans and have emotional responses. Are these renegades actually "rogue Observers" like John Mosley? Or is the reference concerning the First People, because Walter sent the machine back in time so that Peter would make a different choice to save both universes?
Olivia's Perception
I remember being so confused about Olivia’s glimpse into the other side when this episode first aired. Why was she seeing this now? We know from later episodes that she needs a trigger for her abilities. Are time-lines converging? Is it NOT the other universe but another time-line occurring simultaneously? Is Olivia experiencing déjà vu as Walter claims? This Broyles speaks of two victims, further confusing Olivia.
Sanford Harris makes it very clear that he does not want any Federal investigation into William Bell or Massive Dynamic.Why would he be protecting them?
The books that Olivia sees on the bookshelf in Susan Pratt’s apartment are of great interest for those that like to look closer.
When Charlie asks Liv if she thought that their was something wrong with Susan, because she’s a good looking woman in the prime of her life, with no boyfriend, I could just feel my heart hurt because this is the life Olivia is living. Complete with the ‘uniform.’ Pratt’s wardrobe reveals a fondness for grays…
Olivia’s confrontation with Sanford Harris makes me love her even more as a character. She just seethes at his questioning her judgment and professionalism. Her anger however seems to have fueled her perceptive capability, as she flashes to another reality long enough to see the file about the burned twins there.
At this point, I’m confused. We see Charlie with a scar, just like Charlie in the ‘red’ universe. He tells Olivia that half of Boston is in quarantine lock-down. We know that Boston had a huge Fringe event Over There that resulted in massive Amber quarantines. But I’m still not sure about what, when and where concerning Olivia’s perception.
A man named Isaac Winters cut a large check to Susan Pratt. A photo of Winters shows an older man wearing glasses. Nick Lane mentioned in Bad Dreams that someone came to him. In Olivia. In the Lab. With a Revolver James Heath mentioned that a man wearing glasses also came to visit him. Susan Pratt’s answering machine message mentioned the word “tests.” Like the tests that were in the box in Ability? Since we see the light box as Olivia tries to save the twin, I’d say so.
Walter and Peter
Peter is drinking a lot of alcohol in this episode. First, at the lab when Walter is explaining the divergence of paths due to choices, then at the FBI office when he takes some of Olivia's stash for his coffee. Is he really stressed out?
Yet he seems OK as he retrieves some cereal from the grocery store for Walter. He also makes a device to aid in digitizing Walter’s records. Then employs it in reading sound waves from melted glass in order to figure out what happened to Nancy Lewis. Astrid even cracks that he sounds just like Walter, and Peter does not get upset. Walter says something of concern when he tells a story of how Peter made him a popsicle napkin holder when he was five. We know that THIS Peter, is not the same boy. Would the Peter from this universe be mechanically inclined if he had lived?
The Cortexiphan Children
Walter mentions as he looks at a photo of Nancy, that he had seen her before. Of course, Peter remarks that it is because Walter worked with her dead twin's body. But now we know that most likely Walter knew her as a Cortexiphan trial subject.
When Olivia joins the raid on the facility entered by Harris, she comes across pictures and dossiers on the wall of an office including Pratt, Lewis, Nick Lane, David Robert Jones and - herself. One of the dossiers is for a Samantha Gilmore and shows she born in 1984. If she is a Cortexiphan subject, than the trials were still occurring later than what Nina Sharp previously stated.
Over the course of three seasons, we’ve seen Olivia confront the fates of her Cortexiphan cohorts, such as Nick Lane, James Heath and Simon Phillips, with great understanding and pity.
She encourages Nancy Lewis to harness her power, with success. But Olivia still doubted her abilities, right up to the point of deactivating the machine so that Peter could enter it in The Last Sam Weiss.
I think up until this episode, Olivia showed great reservation in dealing with Walter. But this episode became the straw the broke the camel’s back. I really think that her outburst at Walter finally knocked some sense into him. HE had done terrible things in the name of science. But in his defense, he truly felt he was preparing the children for something terrible, and he couldn’t remember exactly what.
Walter: We were trying to help. We meant no harm.
Olivia: No harm? You were drugging children. Three-year-old children, Walter. Why did you do it?
Walter: We were trying to prepare you. To make you capable. Able. Something terrible is coming.
Walter grabs Peter’s hand after Olivia leaves, and this is where it sinks home just how broken he is and how much he holds on to Peter for stability.
As Olivia sinks into her SUV with a look of utter shock, I think that this is where she begins to seriously consider the possibility that her life has been manipulated from a very young age, and that yes, she is part of The Pattern.
Unanswered Questions
Why was Olivia able to see the other universe sliding into ours?
Was what she saw even another universe at all?
When Sanford Harris said, “He’s losing patience…” Who is he? Jones? Was it Bell? Or someone else?
Was Isaac Winters the ‘man in glasses” that met with Nick Lane and James Heath to activate them?
What did Nina Sharp mean about the Observer when she told Broyles that “you know what happened the last time when he appeared with that kind of frequency.”
What exactly is the ‘time’ that the Observer refers to when he comes to visit Walter?
Why Episode 1.19 is on the 8 most important episodes list:
'The Road Not Taken' is on the list because the series opens a new door in this episode.
Up to this point we were enjoying a show often with a monster-of-the-week theme, and the revelations of an unethical scientist whose former projects keep popping up. A scientist, who as Aimee points out above, participated as his partner administered experimental, perception-altering drugs to 3 year olds! (And 1 of those young experimentees is one of our main characters. Shocking!)
Walter's explanation of deja vu being a view of a different choice we made by seeing a glimpse of an alternate universe sets the stage for the Season 1 finale, and for Seasons 2 and 3, and especially, for another episode on my list.
Books are very important in Fringe. If you see a book or books close up in the series, pay attention!
Executive Producer Joel Wyman admitted this in one of the media conference calls. He told us that he has the technical team set it up so that certain books are well-seen, and there is a reason for this.
Aimee says this above:"The books that Olivia sees on the bookshelf in Susan Pratt’s apartment are of great interest for those that like to look closer." Let's expand upon that. Here's the screen cap of Susan Pratt's bookcase.
Pay attention to the small paperback book near the center, titled "Childhood's End," by Arthur C. Clarke.
The first time I saw this episode it really bothered me that this book was front and center and so I bought it and read it.
In a nutshell, one day strange, highly-intelligent creatures arrived on Earth. The people of Earth did not understand their purpose. These creatures called themselves The Overlords and observed all earthly activity for years. Then they started to take over and change things like industry, recreation, education, etc. and made a utopian society.
They took all the children away from their parents and made them all a part of 1 mind-a hive mind if you will. The Overlords' leader, Karellen, speaks to the Earthlings from his spaceship via a special typewriter, and the Earthlings communicate back to Karelllen via typewriter.
I'm not going to give you the whole story, but can you see the parallels already to parts of the Fringe series?
I tweeted Joel Wyman last year and asked him if Fringe was partly based on this book and he did not respond to my tweet, so I figure...maybe I am onto something. The most interesting thing will be to see if the TV series ends in a similar way to this book.
The Fringemunks release Fringe-themed holiday EP, "Yule Freakout!"
By David Wu Email Post 12/02/2012 08:51:00 PM
The Fringemunks - the music group that recaps each Fringe episode
with a song parody - have released a Fringe-themed holiday EP, Yule Freakout!It contains the following songs:
- Happy Xmas (Oppression Is Over)
Parody of "Happy Xmas (War Is Over)" by John & Yoko/Plastic Ono Band - Blight Christmas
Parody of "White Christmas"
- The 12 Days of Fringemas
Parody of "The Twelve Days of Christmas" - Have Yourself a Fine Delicious Egg Stick
Parody of "Have Yourself a Merry Little Christmas" - The Fringemunk Song (with David Wu)
Parody of "The Chipmunk Song (Christmas Don't Be Late)" by Alvin & The Chipmunks
http://davidwumusic.com/fringemunks/yule-freakout!.html
NOTE: The parodies on this EP qualify as fair use under United States copyright law.
Fringe Benefits Inc Podcast - 5.07 Review
By Old Darth Email Post 12/02/2012 10:15:00 AM Categories: FBI Podcast, Podcast
No new Fringe today so we offer up our latest FBI podcast as a small balm to tide you by till Dec 7th.
Frea, Jan, Lou, & Maximus get together after each Fringe episode in this temporarily constructed shared reality known as a podcast to discuss the Fifth & Final Season of Fringe.
Downloadable MP3 version
Frea, Jan, Lou, & Maximus get together after each Fringe episode in this temporarily constructed shared reality known as a podcast to discuss the Fifth & Final Season of Fringe.
Joining us this time is special guest:
Wendy Hembrock from the Tuning Into SciFi TV Podcast
Subbing for Jan this week is Karen Lindsay from the FarScape - Scaper Chronicles & Castle - Storming The Castle Podcast
Subbing for Jan this week is Karen Lindsay from the FarScape - Scaper Chronicles & Castle - Storming The Castle Podcast
Downloadable MP3 version
Intro Music: Intro - 'Lunatic Fringe' - Tom Cochrane
Outro Music: 'The Man Who Sold The World' - David Bowie
The 8 Most Important Episodes of Fringe-Part 2
By fringeobsessed Email Post 12/01/2012 03:08:00 PM Categories: Episode Review, Fringe, Season 5
Welcome to Part 2 of 'The 8 Most Important Episodes of Fringe.'
Every day until the next episode airs on Fringe Friday, December 7th, I will post a review of an episode I believe is most important to the series, and commentary on why I believe it is so.
Episode 1.04 The Arrival(review written by Aimee Long on 07/21/11. Please note this review was written after Season 3 aired.)
The Arrival is an episode of key importance to the Fringe mythology. It is here that viewers have their first look at one of the more enigmatic characters on Fringe, The Observer.
(Of course, we later learn there are several Observers and that they appear in both universes.)
It is interesting that although the audience knows the name of the Observer, September, his name is never mentioned on the show.
The first scene takes place at a diner. Fringe sure loves diners and bars...
The Observer (September) is quite the contrast to the other diner patrons. As chaos unfolds in the construction site next door, he calmly finishes his water, leaves $20 for payment, and he proceeds to leave. As he exits the door, a blue flash of light happens.The camera lenses get covered with dirt and debris as people scatter everywhere. He comes up to a large crater created at the site, makes a call to an unknown party, and announces, “It has arrived.” In the words of rock band Faith No More, viewers are left to wonder, “What is It?” And we still wonder about the exact nature of the cylinder object.
When the Fringe team arrives at the warehouse housing the cylinder, everyone but Walter is dire and ready to get to work. However, Walter is more interested in talking with other agents involved in the investigation. He engages them with "Hellos" and “Good Mornings." Peter tried to herd him away to focus. I found this really sad for Walter, a man that has been denied most human contact for 17 years. He was desperate to connect with other people. It makes his future fate of life imprisonment for his "crimes against nature" so terrible to fathom.
When Walter first sees the cylinder, he has a look of concern, not just amazement. Like his memory had been jogged. He does tell Olivia that he has an idea of what it might be, but he won’t tell because “it’s too early.” Peter cracks a joke about it being “a can of magic soup from outer space” which sends Walter right on the defensive; “Who says it came from space?” What exactly did Walter know? And the words "too early" make me wonder, too early for what?
Peter tells Olivia that he’s leaving after this case. He's feeling the burden of taking care of his mentally unstable father and feels fairly useless. In other words, he doesn't belong. As the series progresses, Peter wants to feel that he knows who he is, and where he belongs. In the third season finale, he has that. But with the world falling apart, it must have been very bittersweet.
When Broyles doesn’t want to transfer the object to the lab, Walter becomes very indignant and angry. Basically his attitude is "it’s my way or the highway." (Walter reminds me very much of Walternate in this scene.)
I find it worth noting that the Iridium element that allowed Roy McComb's ability in The Ghost Network, is the same material used in the cylinder's construction. Also, the Observer can seemingly read thoughts just like Roy McComb was said to do.
The cylinder is said to vibrate at frequencies of 2 mHz and 4 mHz. Does this happen to have anything to do with Peter's frequency as mentioned by Sam Weiss in Concentrate and Ask Again?
Walter mentions working on a project for the Defense Department called "Project Thor." Peter finds the notion of a missile able to penetrate from one side of the Earth to the other, "ridiculous." Walter replies:
"Open your mind, Son, before someone else opens it for you."
Once again, one of Walter's statements lends so much. Not only does Peter get his mind opened in this episode, but it also occurs in The Day We Died. Walter opened the current Peter's mind to the consequences of his actions in the future.
Walter shows some interesting character development in protecting the cylinder. First, he lies to Peter about needing aluminum foil, then he sedates Astrid. Later, he apologizes to Astrid, the start of an interesting dynamic over three seasons. Astrid may be considered a minor character, but I find her place in this odd family unit very endearing.
There are some interesting observations in the scene where Walter has been arrested, and Peter and Olivia are trying to find out where he hid the cylinder. Peter believes in Walter’s "friend" (The Observer) as much as Harvey the Rabbit. After the third season, I'm questioning who is "real" and who is not. Peter is tired of Walter's stalling and angrily tells Walter that the cylinder had nothing to do with him. A very stern Walter looks at Peter and makes the statement, "Maybe it does, Peter." Peter looks concerned at this outburst.
When Walter says that his "friend" could not be found, Peter quips, "Of course not, because he's in the seventh dimension." From what little we do know of the Observers, this seems to more than just Peter being snarky.
Walter is also very aggravated at Peter "treating him like a child," and alludes to him acting like his mother, which thoroughly angers Peter. He leaves the building and goes back to the lab, where he is abducted by the so-called rogue Observer, John Mosely. It is interesting that Mosley wears a knit watch cap with green, green, green, red dots. He has to use some sort of technology to torture Peter into a state of emotion to reveal thoughts concerning the cylinder location - thoughts Walter never told him. The device seemed to be a memory-thought inducing machine. Did the Vacuum machine serve a similar purpose, but on a larger, time-hopping scale?
One other thought: The Cylinder appears in 'Brown Betty' as one of Walter's inventions.
Peter and Olivia
Peter confides in Olivia. She says it was wrong of her to make him feel beholden to her. Peter assures her that he isn't going anywhere until he finds answers.
When Olivia hands Peter his credentials as Civilian Consultant to Homeland Security, there is almost a spark in his eyes. As much as the man wants to run, he is drawn to this thing bigger than himself. He seems to see that he can be useful as his own person and not just as Walter’s son. This is a big step for nomadic Peter, the first root to his father and to Olivia. The first bonds of their “odd little family unit.” The first step on his journey with Olivia as a partner first - leading to friendship, love and marriage.
The first promotion was recently released for Season 4. The spot shows this scene with Peter telling Olivia:
"I'm a fairly open-minded guy, but there are things happening here that I can't even begin to explain. And I am not going anywhere until I can."
It is time to find out about the Observers, the cylinder, and who is Peter Bishop, really?
My crazy fan theories? Peter may really be Robert Bishop. At this point, it seems anything is a possibility when time-lines and paradoxes are involved.
I also feel that the "4" found in the promo resembles a graph.
"4" = quad = quadrants = coordinates
X and Y are standard variables. Add Z for a third dimension. W is a variable for... the Fourth Dimension? Time is considered a type of fourth dimension.
Is the purpose of the beacon cylinder to map or locate coordinates? When lines cross at a certain point, they are said to intersect. Peter has been shown making many such intersections on maps in order to find a location. Somehow, I think that the #WhereIsPeterBishop promo may possibly be a big clue about the beacon cylinder. Or not...
Walter and Peter's Relationship
This episode really delves into the meat and potatoes of one of the driving forces in Fringe: The relationship between Walter and Peter. There is incredible tension between the reluctant son and his until-recently-estranged father. It is said that this relationship was considered of prime importance to show creator J.J. Abrams. Jackson and Noble sell it well.
Peter is very irritated with Walter. He can’t sleep, and he looks terrible. Walter always reminds him of his disappointment that Peter has “squandered his intellect and substantial education.”
Peter insists there is nothing “special” about him. That anyone can “babysit” and “decipher” Walter. Peter insists that he can’t stay, but Olivia tells him that Walter will refuse to cooperate if Peter leaves. The viewer gets a good taste of Peter’s dry wit: “Was he wearing clothes at the time?”
After being tortured by Mosley, and also shot by the Observer with an air-gun, Peter talks with Walter. Walter tells him that thoughts can be shared by proximity. He also recounts the story of how the Observer saved both of their lives - except it is only a half-truth. Peter shows some understanding with Walter: “You must think me insane.” Peter replies, “Not nearly as much as you think.”
(And that air-gun makes another appearance in The Firefly.)
Memory
Both Walter and Peter have fuzzy memories of the past. All of this messing with time-lines that was revealed in the third season just might have something to do with it.
Unsolved Mysteries
•What is the significance of the observations that the Observer makes? Do they have a purpose?
•Why was Walter asked to keep the cylinder safe?
•Who are the Observers, and why do they even care about Walter and Peter? Or any other events for that matter?
•How did Peter know that Walter buried the Cylinder in his grandfather’s grave? Is Robert Bishop's body even in that grave? Why did Robert die young - at age 32?
•Did John Mosley know Robert, and how, because Mosely was not old.
•Why did Walter recognize Mosley?
•Who is John Mosely? Why did he want the cylinder, and why were the Observers concerned about it?
•What papers was Peter digging through as he was arranging for work and getting ready to leave Boston?
•What is the significance of the fact that the cylinder was constructed from Iridium? It was the metal used in Roy McComb's blood in The Ghost Network. Fringe has mentioned a close cousin to this element, Osmium (Os.)
•Why did it vibrate at 2Mhz and then 4MhZ?
•Is there significance to it arriving at Quantico in 1987?
•Why did the cylinder just go away once retrieved by Mosley, and why was he smiling when he died?
•Is there any significance to the words Peter spoke to the Observer when he came face-to-face with him for the first time? Beatles lyrics?
Why Episode 1.04 is on the 8 most important episodes list:
Episode 1.04 is the first episode in the series in which we actually meet and learn about an 'Observer.'
If you are reading this and are brand new to this series, that may not seem that important, but
for those fans who have viewed all the episodes up to and including episode 5.07, they know just how significant a role the Observers play.
We learned somewhere in Season 1 that September can be spotted in every episode, but in episode 1.04
we see him up close, we learn what he eats, we see his famous notebook, in which he writes strange symbols from right-to-left. We see 2 of his cool toys, 1)his laser-impregnated opera glasses and 2)his special phone(and note that in Season 5 we STILL do not know who he is calling!)
We learn that Broyles has had his people looking for September for years, and that Broyles named September 'The Observer' because he seems to have observed at least 3 dozen Pattern-related scenes.
And most interestingly, we learn that September can read Peter's thoughts without the external equipment John Mosley used-a lovely harbinger of all the Observers reading civilians' minds in 'Letters Of Transit,' and Season 5. I think it is quite intruiging that we are near the end of the series and still know so little about John Mosley. Will we learn anymore about him before the series ends?
We learn alot more about Walter Bishop in episode 1.04 as Aimee points out above. As per usual for most of the Season 1 episodes we learn that a project that Walter worked on for the government in the past, plays a role in the current time. In this episode he mentions 'Project Thor.' And even though we have seen the beacon at least three times since this episode('Brown Betty,' 'A Short Story About Love,' and 'Five-Twenty-Ten')we still do not know that much about these things.
In episode 1.04 we learn of the critical relationship between Walter and September. This is the first of these scenes, followed by other Walter/September exchanges in 'There's More Than One Of Everything,' and 'The Firefly.' And we hear at the end of this episode that according to Walter, September is responsible for saving Peter's life when he was drowning in Reiden Lake.
Also, as Aimee mentions above, episode 1.04 is also important in that it makes antsy, nomadic Peter Bishop settle down into a committed role in helping Olivia and the team find answers to The Pattern. In a vague way, 'Old Peter' becomes 'New Peter' by the end.
I also must add that this episode expands upon the Peter/Olivia romantic potential planted in the pilot.
episode. Rewatch this and watch Broyles' face as he looks at Peter and then quickly at Olivia when she arrives to take Peter home from the hospital. Broyles knows, and lets the audience know.
In my personal opinion, the most important dialogue in episode 1.04 is when Peter and Olivia are trying to pry out of Walter in the Federal Building exactly where he hid the beacon:
PETER: Let me explain how this works to you, Walter. You can't inject a federal officer with sedatives, steal government property, and then escape from protective custody, and then ask to be not treated like a criminal.
WALTER: Have you never taken anything that didn't belong to you because you knew it was the right thing to do?
PETER: This isn't about me.
WALTER: Maybe it is, Peter.
We know from looking back this is lovely foreshadowing of the episode 'Peter,' but is there more to it?
Will the Dark Peter in mid-Season 5 take something that didn't belong to him because he knew it was the right thing to do? 'Brown Betty' seems to point to this. All we can do is wait and find out!
Every day until the next episode airs on Fringe Friday, December 7th, I will post a review of an episode I believe is most important to the series, and commentary on why I believe it is so.
Episode 1.04 The Arrival(review written by Aimee Long on 07/21/11. Please note this review was written after Season 3 aired.)
The Arrival is an episode of key importance to the Fringe mythology. It is here that viewers have their first look at one of the more enigmatic characters on Fringe, The Observer.
(Of course, we later learn there are several Observers and that they appear in both universes.)
It is interesting that although the audience knows the name of the Observer, September, his name is never mentioned on the show.
The first scene takes place at a diner. Fringe sure loves diners and bars...
The Observer (September) is quite the contrast to the other diner patrons. As chaos unfolds in the construction site next door, he calmly finishes his water, leaves $20 for payment, and he proceeds to leave. As he exits the door, a blue flash of light happens.The camera lenses get covered with dirt and debris as people scatter everywhere. He comes up to a large crater created at the site, makes a call to an unknown party, and announces, “It has arrived.” In the words of rock band Faith No More, viewers are left to wonder, “What is It?” And we still wonder about the exact nature of the cylinder object.
When the Fringe team arrives at the warehouse housing the cylinder, everyone but Walter is dire and ready to get to work. However, Walter is more interested in talking with other agents involved in the investigation. He engages them with "Hellos" and “Good Mornings." Peter tried to herd him away to focus. I found this really sad for Walter, a man that has been denied most human contact for 17 years. He was desperate to connect with other people. It makes his future fate of life imprisonment for his "crimes against nature" so terrible to fathom.
When Walter first sees the cylinder, he has a look of concern, not just amazement. Like his memory had been jogged. He does tell Olivia that he has an idea of what it might be, but he won’t tell because “it’s too early.” Peter cracks a joke about it being “a can of magic soup from outer space” which sends Walter right on the defensive; “Who says it came from space?” What exactly did Walter know? And the words "too early" make me wonder, too early for what?
Peter tells Olivia that he’s leaving after this case. He's feeling the burden of taking care of his mentally unstable father and feels fairly useless. In other words, he doesn't belong. As the series progresses, Peter wants to feel that he knows who he is, and where he belongs. In the third season finale, he has that. But with the world falling apart, it must have been very bittersweet.
When Broyles doesn’t want to transfer the object to the lab, Walter becomes very indignant and angry. Basically his attitude is "it’s my way or the highway." (Walter reminds me very much of Walternate in this scene.)
I find it worth noting that the Iridium element that allowed Roy McComb's ability in The Ghost Network, is the same material used in the cylinder's construction. Also, the Observer can seemingly read thoughts just like Roy McComb was said to do.
The cylinder is said to vibrate at frequencies of 2 mHz and 4 mHz. Does this happen to have anything to do with Peter's frequency as mentioned by Sam Weiss in Concentrate and Ask Again?
Walter mentions working on a project for the Defense Department called "Project Thor." Peter finds the notion of a missile able to penetrate from one side of the Earth to the other, "ridiculous." Walter replies:
"Open your mind, Son, before someone else opens it for you."
Once again, one of Walter's statements lends so much. Not only does Peter get his mind opened in this episode, but it also occurs in The Day We Died. Walter opened the current Peter's mind to the consequences of his actions in the future.
Walter shows some interesting character development in protecting the cylinder. First, he lies to Peter about needing aluminum foil, then he sedates Astrid. Later, he apologizes to Astrid, the start of an interesting dynamic over three seasons. Astrid may be considered a minor character, but I find her place in this odd family unit very endearing.
There are some interesting observations in the scene where Walter has been arrested, and Peter and Olivia are trying to find out where he hid the cylinder. Peter believes in Walter’s "friend" (The Observer) as much as Harvey the Rabbit. After the third season, I'm questioning who is "real" and who is not. Peter is tired of Walter's stalling and angrily tells Walter that the cylinder had nothing to do with him. A very stern Walter looks at Peter and makes the statement, "Maybe it does, Peter." Peter looks concerned at this outburst.
When Walter says that his "friend" could not be found, Peter quips, "Of course not, because he's in the seventh dimension." From what little we do know of the Observers, this seems to more than just Peter being snarky.
Walter is also very aggravated at Peter "treating him like a child," and alludes to him acting like his mother, which thoroughly angers Peter. He leaves the building and goes back to the lab, where he is abducted by the so-called rogue Observer, John Mosely. It is interesting that Mosley wears a knit watch cap with green, green, green, red dots. He has to use some sort of technology to torture Peter into a state of emotion to reveal thoughts concerning the cylinder location - thoughts Walter never told him. The device seemed to be a memory-thought inducing machine. Did the Vacuum machine serve a similar purpose, but on a larger, time-hopping scale?
One other thought: The Cylinder appears in 'Brown Betty' as one of Walter's inventions.
Peter and Olivia
Peter confides in Olivia. She says it was wrong of her to make him feel beholden to her. Peter assures her that he isn't going anywhere until he finds answers.
When Olivia hands Peter his credentials as Civilian Consultant to Homeland Security, there is almost a spark in his eyes. As much as the man wants to run, he is drawn to this thing bigger than himself. He seems to see that he can be useful as his own person and not just as Walter’s son. This is a big step for nomadic Peter, the first root to his father and to Olivia. The first bonds of their “odd little family unit.” The first step on his journey with Olivia as a partner first - leading to friendship, love and marriage.
The first promotion was recently released for Season 4. The spot shows this scene with Peter telling Olivia:
"I'm a fairly open-minded guy, but there are things happening here that I can't even begin to explain. And I am not going anywhere until I can."
It is time to find out about the Observers, the cylinder, and who is Peter Bishop, really?
My crazy fan theories? Peter may really be Robert Bishop. At this point, it seems anything is a possibility when time-lines and paradoxes are involved.
I also feel that the "4" found in the promo resembles a graph.
"4" = quad = quadrants = coordinates
X and Y are standard variables. Add Z for a third dimension. W is a variable for... the Fourth Dimension? Time is considered a type of fourth dimension.
Is the purpose of the beacon cylinder to map or locate coordinates? When lines cross at a certain point, they are said to intersect. Peter has been shown making many such intersections on maps in order to find a location. Somehow, I think that the #WhereIsPeterBishop promo may possibly be a big clue about the beacon cylinder. Or not...
Walter and Peter's Relationship
This episode really delves into the meat and potatoes of one of the driving forces in Fringe: The relationship between Walter and Peter. There is incredible tension between the reluctant son and his until-recently-estranged father. It is said that this relationship was considered of prime importance to show creator J.J. Abrams. Jackson and Noble sell it well.
Peter is very irritated with Walter. He can’t sleep, and he looks terrible. Walter always reminds him of his disappointment that Peter has “squandered his intellect and substantial education.”
Peter insists there is nothing “special” about him. That anyone can “babysit” and “decipher” Walter. Peter insists that he can’t stay, but Olivia tells him that Walter will refuse to cooperate if Peter leaves. The viewer gets a good taste of Peter’s dry wit: “Was he wearing clothes at the time?”
After being tortured by Mosley, and also shot by the Observer with an air-gun, Peter talks with Walter. Walter tells him that thoughts can be shared by proximity. He also recounts the story of how the Observer saved both of their lives - except it is only a half-truth. Peter shows some understanding with Walter: “You must think me insane.” Peter replies, “Not nearly as much as you think.”
(And that air-gun makes another appearance in The Firefly.)
Memory
Both Walter and Peter have fuzzy memories of the past. All of this messing with time-lines that was revealed in the third season just might have something to do with it.
Unsolved Mysteries
•What is the significance of the observations that the Observer makes? Do they have a purpose?
•Why was Walter asked to keep the cylinder safe?
•Who are the Observers, and why do they even care about Walter and Peter? Or any other events for that matter?
•How did Peter know that Walter buried the Cylinder in his grandfather’s grave? Is Robert Bishop's body even in that grave? Why did Robert die young - at age 32?
•Did John Mosley know Robert, and how, because Mosely was not old.
•Why did Walter recognize Mosley?
•Who is John Mosely? Why did he want the cylinder, and why were the Observers concerned about it?
•What papers was Peter digging through as he was arranging for work and getting ready to leave Boston?
•What is the significance of the fact that the cylinder was constructed from Iridium? It was the metal used in Roy McComb's blood in The Ghost Network. Fringe has mentioned a close cousin to this element, Osmium (Os.)
•Why did it vibrate at 2Mhz and then 4MhZ?
•Is there significance to it arriving at Quantico in 1987?
•Why did the cylinder just go away once retrieved by Mosley, and why was he smiling when he died?
•Is there any significance to the words Peter spoke to the Observer when he came face-to-face with him for the first time? Beatles lyrics?
Episode 1.04 is the first episode in the series in which we actually meet and learn about an 'Observer.'
If you are reading this and are brand new to this series, that may not seem that important, but
for those fans who have viewed all the episodes up to and including episode 5.07, they know just how significant a role the Observers play.
We learned somewhere in Season 1 that September can be spotted in every episode, but in episode 1.04
we see him up close, we learn what he eats, we see his famous notebook, in which he writes strange symbols from right-to-left. We see 2 of his cool toys, 1)his laser-impregnated opera glasses and 2)his special phone(and note that in Season 5 we STILL do not know who he is calling!)
We learn that Broyles has had his people looking for September for years, and that Broyles named September 'The Observer' because he seems to have observed at least 3 dozen Pattern-related scenes.
And most interestingly, we learn that September can read Peter's thoughts without the external equipment John Mosley used-a lovely harbinger of all the Observers reading civilians' minds in 'Letters Of Transit,' and Season 5. I think it is quite intruiging that we are near the end of the series and still know so little about John Mosley. Will we learn anymore about him before the series ends?
We learn alot more about Walter Bishop in episode 1.04 as Aimee points out above. As per usual for most of the Season 1 episodes we learn that a project that Walter worked on for the government in the past, plays a role in the current time. In this episode he mentions 'Project Thor.' And even though we have seen the beacon at least three times since this episode('Brown Betty,' 'A Short Story About Love,' and 'Five-Twenty-Ten')we still do not know that much about these things.
In episode 1.04 we learn of the critical relationship between Walter and September. This is the first of these scenes, followed by other Walter/September exchanges in 'There's More Than One Of Everything,' and 'The Firefly.' And we hear at the end of this episode that according to Walter, September is responsible for saving Peter's life when he was drowning in Reiden Lake.
Also, as Aimee mentions above, episode 1.04 is also important in that it makes antsy, nomadic Peter Bishop settle down into a committed role in helping Olivia and the team find answers to The Pattern. In a vague way, 'Old Peter' becomes 'New Peter' by the end.
I also must add that this episode expands upon the Peter/Olivia romantic potential planted in the pilot.
episode. Rewatch this and watch Broyles' face as he looks at Peter and then quickly at Olivia when she arrives to take Peter home from the hospital. Broyles knows, and lets the audience know.
In my personal opinion, the most important dialogue in episode 1.04 is when Peter and Olivia are trying to pry out of Walter in the Federal Building exactly where he hid the beacon:
PETER: Let me explain how this works to you, Walter. You can't inject a federal officer with sedatives, steal government property, and then escape from protective custody, and then ask to be not treated like a criminal.
WALTER: Have you never taken anything that didn't belong to you because you knew it was the right thing to do?
PETER: This isn't about me.
WALTER: Maybe it is, Peter.
We know from looking back this is lovely foreshadowing of the episode 'Peter,' but is there more to it?
Will the Dark Peter in mid-Season 5 take something that didn't belong to him because he knew it was the right thing to do? 'Brown Betty' seems to point to this. All we can do is wait and find out!
The 8 Most Important Episodes of Fringe
By fringeobsessed Email Post 11/30/2012 11:33:00 PM Categories: Episode Review, Fringe, Season 5
As we soon enter the last stretch of our beloved series let's take a look at what I believe are the most important episodes. Actually, I tweeted this list to executive producer, Joel Wyman, months ago, and shortly after he gave me a one word reply-"Perfect."
Before I list what I believe are the 8 most important episodes of Fringe let me just say that I like all of them,
and this list was not necessarily easy to compile. I am sure there are many fans reading this that will have a list different from mine.
Every day for the next 8 days I will post an episode here with a review and a comment on why I believe this episode is so important to the series. For those of you fairly new to Fringe think of this as a sort of 'Cliff Notes' for Fringe.
THE PILOT EPISODE, or Fringe 101(Note:I wrote this review after Season 3 aired)
Do you remember the first time you watched the pilot? I do. I remember being totally engrossed in it, especially being grossed out by the co-pilot's jaw falling off on Flight 627. Those poor people!
I also remember a strong sense of wanting to know more about these incredibly dysfunctional people named Walter Bishop, Peter Bishop, and Olivia Dunham, and where they were headed.
I wanted to know why any woman would agree to have a nasty-looking probe shoved into her neck, and a cocktail of drugs shoved into her vein, and lie naked in a rusty deprivation tank.
Peter told Olivia, "I hope your guy is worth it," and I was thinking the same thing.
This is where our endless list of Fringe-related questions started, such as:
How did Walter end up in St. Claire's?
Why is Walter so worried about Peter's physical state?
What in the world did John Scott's last words mean?
Why did John Scott murder Richard Steig?
Who else is John Scott work for?
And why did John Scott try to run Olivia off the road for Pete's sake?
Was that Morse Code the streelight was flashing? Don't they know Morse Code works best as audio?
What is The Pattern that Nina Sharp refers to?
Broyles tells Olivia "We're impressed." Who's "we"?
How can Nina Sharp's Massive Dynamic people question John Scott who's been dead for 5 hours?
What does the man's voice say while Olivia is staring at her uncle's kyak that reads "Zeno?" (It sounds like "Zeno sink." Definitely not "heat sink." But still...could be a reference to the heat sink machine we see for the first time in "Over There:Part 2.")
And as Peter Bishop says, "What happened on that plane is just the beginning."
This episode, written by JJ Arams, Alex Kurtzman, and Roberto Orci, is extremely well-written, and got me immediately and hopelessly hooked on 'Fringe.'
Other Notable Stuff From The Pilot:
John Scott tells Liv he loves her but she doesn't reply, but for different reasons than Peter's not replying in 'The Day We Died."
Did you notice Olivia's cut on her forehead is similar to Peter's when he wakes up in 3.21, "The Last Sam Weiss?"
"So you're saying my father was Dr. Frankenstein?" Well, Peter does look like Frankenstein's monster when he wakes up in 3.21!
"Excellent. Let's make some LSD!" We learn quickly that Walter Bishop is fond of his homemade drugs. And of course, LSD takes on a much bigger role in 2.04 and 3.19. (I hope 4.19 will be another hallucinogenic episode-mushrooms maybe?)
"I still think that this is deeply irresponsible. And believe me, I would know." The scene where Peter is putting the electrodes on Olivia's chest, these words, and his voice? The very first of many sexy P/O scenes in Fringe.
Walter to Olivia: "You lose being trusted. Strange how important that is once it's gone."
Now that we've seen 3.22 it gives a new perspective to these words.
There's a tombstone in the graveyard of Liv's mind that reads "He's not dead."
We learned in Season 2 that probably meant Peter. Now it probably has a double meaning, that the Peter we've known through all 3 seasons, is not dead. I often wonder if it also means AlternateBell is not dead(and our Dr. Bell, for that matter!). Bell told us in "Over There:Part 2" that Alternate Bell died in a car accident as a young man, but can we believe that?
We get our first look at Nina Sharp here, in charge of Massive Dynamic. She's blunt, cocky, and obviously withholding information.
I am still fascinated today with the Peter Bishop job bio Olivia reads on the way to Iraq:
wildland fireman, congo pilot, college professor. We learn in "Inner Child" that he also swept the floor in a meat-packing plant. Like Massive Dynamic, what didn't he do? I really hope we get to see him pilot a big plane, like the C-130 transport plane he requisitioned but was refused in 2.02, later in this series.
Why Episode 1.01 is on the 8 most important episodes list:
Every television series needs a starting point. An opportunity for us to meet the main characters and get a sense of what the show will be about. And in a show that has to date essentially 5 different starting points, ie. the season premieres of all 5 Seasons, it is especially important to have a well-written point of origin.
And just as Walter wrapped one edge of the paper around to meet the other edge in his demonstration to Peter and Olivia of how Dr. Peck bent time in 'White Tulip,' will the end of the Fringe series possibly wrap back around to this pilot episode? Only time will tell!
Before I list what I believe are the 8 most important episodes of Fringe let me just say that I like all of them,
and this list was not necessarily easy to compile. I am sure there are many fans reading this that will have a list different from mine.
Every day for the next 8 days I will post an episode here with a review and a comment on why I believe this episode is so important to the series. For those of you fairly new to Fringe think of this as a sort of 'Cliff Notes' for Fringe.
THE PILOT EPISODE, or Fringe 101(Note:I wrote this review after Season 3 aired)
Do you remember the first time you watched the pilot? I do. I remember being totally engrossed in it, especially being grossed out by the co-pilot's jaw falling off on Flight 627. Those poor people!
I also remember a strong sense of wanting to know more about these incredibly dysfunctional people named Walter Bishop, Peter Bishop, and Olivia Dunham, and where they were headed.
I wanted to know why any woman would agree to have a nasty-looking probe shoved into her neck, and a cocktail of drugs shoved into her vein, and lie naked in a rusty deprivation tank.
Peter told Olivia, "I hope your guy is worth it," and I was thinking the same thing.
This is where our endless list of Fringe-related questions started, such as:
How did Walter end up in St. Claire's?
Why is Walter so worried about Peter's physical state?
What in the world did John Scott's last words mean?
Why did John Scott murder Richard Steig?
Who else is John Scott work for?
And why did John Scott try to run Olivia off the road for Pete's sake?
Was that Morse Code the streelight was flashing? Don't they know Morse Code works best as audio?
What is The Pattern that Nina Sharp refers to?
Broyles tells Olivia "We're impressed." Who's "we"?
How can Nina Sharp's Massive Dynamic people question John Scott who's been dead for 5 hours?
What does the man's voice say while Olivia is staring at her uncle's kyak that reads "Zeno?" (It sounds like "Zeno sink." Definitely not "heat sink." But still...could be a reference to the heat sink machine we see for the first time in "Over There:Part 2.")
And as Peter Bishop says, "What happened on that plane is just the beginning."
This episode, written by JJ Arams, Alex Kurtzman, and Roberto Orci, is extremely well-written, and got me immediately and hopelessly hooked on 'Fringe.'
Other Notable Stuff From The Pilot:
John Scott tells Liv he loves her but she doesn't reply, but for different reasons than Peter's not replying in 'The Day We Died."
Did you notice Olivia's cut on her forehead is similar to Peter's when he wakes up in 3.21, "The Last Sam Weiss?"
"So you're saying my father was Dr. Frankenstein?" Well, Peter does look like Frankenstein's monster when he wakes up in 3.21!
"Excellent. Let's make some LSD!" We learn quickly that Walter Bishop is fond of his homemade drugs. And of course, LSD takes on a much bigger role in 2.04 and 3.19. (I hope 4.19 will be another hallucinogenic episode-mushrooms maybe?)
"I still think that this is deeply irresponsible. And believe me, I would know." The scene where Peter is putting the electrodes on Olivia's chest, these words, and his voice? The very first of many sexy P/O scenes in Fringe.
Walter to Olivia: "You lose being trusted. Strange how important that is once it's gone."
Now that we've seen 3.22 it gives a new perspective to these words.
There's a tombstone in the graveyard of Liv's mind that reads "He's not dead."
We learned in Season 2 that probably meant Peter. Now it probably has a double meaning, that the Peter we've known through all 3 seasons, is not dead. I often wonder if it also means AlternateBell is not dead(and our Dr. Bell, for that matter!). Bell told us in "Over There:Part 2" that Alternate Bell died in a car accident as a young man, but can we believe that?
We get our first look at Nina Sharp here, in charge of Massive Dynamic. She's blunt, cocky, and obviously withholding information.
I am still fascinated today with the Peter Bishop job bio Olivia reads on the way to Iraq:
wildland fireman, congo pilot, college professor. We learn in "Inner Child" that he also swept the floor in a meat-packing plant. Like Massive Dynamic, what didn't he do? I really hope we get to see him pilot a big plane, like the C-130 transport plane he requisitioned but was refused in 2.02, later in this series.
Why Episode 1.01 is on the 8 most important episodes list:
Every television series needs a starting point. An opportunity for us to meet the main characters and get a sense of what the show will be about. And in a show that has to date essentially 5 different starting points, ie. the season premieres of all 5 Seasons, it is especially important to have a well-written point of origin.
And just as Walter wrapped one edge of the paper around to meet the other edge in his demonstration to Peter and Olivia of how Dr. Peck bent time in 'White Tulip,' will the end of the Fringe series possibly wrap back around to this pilot episode? Only time will tell!
The Fringe Podcast Episode 515-Feedback For "Five-Twenty-Ten"
By Darrell Email Post 11/21/2012 09:12:00 PM Categories: Podcast, The Fringe Podcast
In this episode of The Fringe Podcast we share some of the listener feedback that we received for the Fringe season 5 episode, "Five-Twenty-Ten." We hear several theories about Peter including some that he will become September, and others predicting he will become Windmark. We also hear various thoughts on the RESIST posters and who might be putting them up. Other theories and thoughts shared in this podcast deal with Walter's transformation, Olivia's role this season, the identity of Donald, and how Peter might be playing right in to Windmark's plan.
We received a ton of amazing feedback from the listeners and we appreciate all the contributions that were sent in. Send in your thoughts, theories and feedback by calling our voice feedback line at 304-837-2278 or email us at feedback@thefringepodcast.com.
Fringe Observiews 5.07 Five-Twenty-Ten
By cortexifan Email Post 11/21/2012 08:49:00 PM Categories: Fringe, Observiews, Review, Season 5
Welcome to the Observiews for Season 5 of Fringe. I call them Observiews because they are more visual observations than deep thinking reviews, if that makes sense.
Screen caps from this episode are taken from fringefiles.com. Dialog is from fringepedia.net.
All observations are mine and therefore could be totally off the wall and/or wrong. I have not read or looked at any recaps or reviews. I could also have missed a few things, oh well…
3.03 The Plateau
SECRETARY BISHOP: "Over time, she will reach a plateau, and her new identity will become fixed."
My consolation with this statement is that it didn't work. Olivia knew who she was, partly because of Peter's projection in her mind. Will there be help for Peter as...
Screen caps from this episode are taken from fringefiles.com. Dialog is from fringepedia.net.
All observations are mine and therefore could be totally off the wall and/or wrong. I have not read or looked at any recaps or reviews. I could also have missed a few things, oh well…
3.03 The Plateau
SECRETARY BISHOP: "Over time, she will reach a plateau, and her new identity will become fixed."
My consolation with this statement is that it didn't work. Olivia knew who she was, partly because of Peter's projection in her mind. Will there be help for Peter as...
FRiNGEcasting podcast for ep 507 Five-Twenty-Ten
By Unknown Email Post 11/21/2012 11:35:00 AM Categories: Fringe, FRiNGEcasting, Podcast, Season 5
FRiNGEcasting With Wayne And Dan podcast: Listen here for episode #110 of the FRiNGEcasting With Wayne And Dan podcast! Wayne and Dan give their reactions and theories for FRiNGE 507 "Five-Twenty-Ten", and share some thought-provoking theories and feedback from the FRiNGEcasting listener community.
Listener feedback voicemail: Call (904) 469-7469 or use the voicemail button at FRiNGEcastingPodcast.com
If your business or website needs voice-overs, I'd love the opportunity to work with you! Details at MediaVoiceOvers.com.
The Fringe Podcast Episode 514-”Five-Twenty-Ten”
By Darrell Email Post 11/18/2012 09:59:00 PM Categories: Podcast, The Fringe Podcast
In episode 514 of The Fringe Podcast we review the season 5 Fringe episode entitled, "5-20-10." We discuss Peter's behavior and the physical changes he is experiencing, talk about other Fringe episodes that tie in to this one, and we share our thoughts on the insight we gained about William Bell and the beacons. We also talk about the return of Nina Sharp, Walter's desire to have portions of his brain removed, the relationship between Olivia and Peter, and a whole lot more!
This episode contains TWO BONUSES!! First, we had the privilege of speaking to Debbie Myers, the GM of Science Channel. She shares some of the original content they will be producing to go along with the Fringe as they begin showing Fringe season 1 this week. Secondly, we reveal the contest winners for our Bridge the Backstory contest! Congrats to the winners.
Thanks to everyone that sent in feedback for this episode. Send in your feedback and theories to 304-837-2278 or feedback@thefringepodcast.com.
Subscribe to:
Posts (Atom)

















