Judging from the previews, you might have expected another fun standalone episode this week, and the first few acts of
may have lulled you into the same conclusion. But after the introduction of
-recruit Nick Lane, fans were rewarded with a huge mythology download to propel us towards this season's finale.
Academy award winner Akiva Goldsman did a wonderful job writing and directing this eerie episode, bolstered by gorgeous location shooting in gothic New York City. The script was a huge change of pace from
Unleashed's horror-fest, but this week's subtlety was thoughtful and effective. I especially loved the way Goldsman chose to insert the dream sequences directly into the narrative without transitional cues, leaving us in constant suspense as to whether a scene was real or dreamed. My opinion doesn't really matter, but
Bad Dreams currently ranks third on my best list, behind only
Ability and
Bound.
"Sometimes an intense bond could form..."
Nick Lane looked like another throw-away villain until Act IV. Turns out, Nick was broadcasting his consciousness to his childhood lab-experiment partner, Olivia, in a desperate cry for help. I'm assuming Nick's cortexiphan exposure heightened his hyper-emotive personality into the lethal psychic contagion we saw in
Bad Dreams, but that it remained dormant in his consciousness until he was "activated" by "the man in the glasses." There are two easy targets for Nick's recruiter:
Mr. Jones--a passionate
ZFTer who, in a sense, activated Olivia in
Ability--or
William Bell himself. My money is on Mr. Jones. What do
you think?
And what aspects of Olivia's personality--like Nick's hyper-emotiveness--will manifest themselves as unnatural abilities? Her willpower? That could explain how she turned off those lights to defuse the bomb (and the Green Lantern allusion in
Inner Child, a superhero whose willpower is the source of his strength). It would certainly tie in to Peter's comment tonight that "reality is both subjective and malleable."
"Is the incident contained?"Hands down, the best tag of the season, (tag = script-talk for the final, twisty scene before the credits roll), as well as the most mythologically fertile. We finally hear the iconic voice of
William Bell, which was a great surprise (even if you knew about his casting), and John Noble did a great job making himself sound twenty-five years younger. Could the female voice have been a younger
Nina Sharp?
Poor Olive. Looks like captive drug experimentation didn't sit well with three-year-old Dunham. HD screencaps confirm that the room on the tape has been burned, except for the walls around little Olivia. But don't be quick to label her a "
firestarter." I doubt her abilities are that limited. I imagine Olivia--consciously or not--psychically manipulated her immediate environment, not unlike Nick Lane. After all, fire's just the oxidation of combustable material.
But there may be more--
much more--to this scene than I originally suspected. During our
weekly FringeTelevision Live Chat, a particularly clever fan named
Batshade made a brilliant connection: could the fire Olivia started when she was three years old have been the same fire that killed Walter's lab assistant? Perhaps the lab assistant was "Brenner," the individual mentioned on the tape whose whereabouts are unknown after the fire.
Walter wasn't institutionalized until 1991, but the lab assistant fire wouldn't necessarily have to directly proceed his internment in St. Claire's. (Olivia's thirty years old, meaning her videotaped pyrotechnics occured in 1982, assuming
Fringe takes place in 2009). Also, Walter specifically reminded viewers of his lab assistant's death in
Bad Dreams, with his "where's the fire" joke. Interesting coincidence? Or intentional plant?
I'll leave you with a burning question: in the prophesied war between our world and a parallel universe, why does it have to be us or them? ZFT claims it won't be out of anger or hatred, but one of survival. Why can't our worlds coexist?
Stray Thoughts- Best Line of the Night: (Walter's response to Nick's mental institute) "Well I'm not going there." John Noble made me laugh out loud at last five times in this ep.
- Lots of great supporting performances, especially Nick Lane, Mouse, and the NYC cop played by Lost's Mrs. Klugh.
- Lots of possible pop-culture allusions as well. The stroller bouncing down the stairs in Grand Central? The Untouchables. The red balloon and red door on Nick's apartment? The Sixth Sense.
- I can't believe Fox didn't use Anna Torv's steamy kiss with the dancer in their previews! Mistresses, anyone?
- Michael Giacchino's score was perfect tonight, especially the cue when Liv and Peter realize Nick's a ZFT recruit and we cut to Astrid in the lab.
- The rooftop scene reminded me of the worst movie I've ever seen: The Happening. Loved Walter's nonchalant reaction to the stray jumper!
- Two rants. One, I wish Ella could be more than just a narrative device for the writers to insert foreshadowing and analogous commentary on each ep's premise. And two, Peter doesn't work for me when he's reduced to a string of constant one-liners. And has Joshua Jackson sounded a little congested to anyone else lately?
- Anna and John really brought their A-games. Olivia's nuanced conflict was moving, while Walter's comedic timing was perfect. I can see now why the hotel room scene was Anna's favorite. It really brought Olivia further into the Bishop family dynamic.
Adam Morgan is a writer for the page and screen in Chicago, and he blogs daily at
Mount Helicon.
For each episode of Fringe, Popular Mechanics asks experts to analyzes the science of Fringe, and separate the science fact from the science fiction.
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