German television station Pro7 (ProSieben) began showing Fringe last week, and to promote the show, they aired these fake news stories featuring scenes from The Same Old Story and The Dreamscape. Apparently, some people in Germany were offended, since they are not used to that type of viral marketing over there.UPDATE: Here are transcripts of the two videos, translated to English by Kosmopol!
A fascinating and cruel phenomenon was experienced by an midwife and two medical specialists in the birth room of a New York clinic yesterday. After they had delivered the freshly born baby, they witnesses the newborn rapidly age. A colleague was able to catch these terrible scenes with a camera. The body of the new-born grew so quickly that it was able to be born only through a need of a Cesarean section. Its body soon became the size of a fully grown man. The head of the clinic explained they were not clear yet whether it would due to a genetic defect or a rare illness. It's clear that this was an unprecedented medical case, and medical and science specialists were informed. The debate on this highly mysterious case continues. On March 16th, a special unit will be assembled, and will investigate this phenomenon. You learn more information about these unusual events after the News and exclusively on PRO7.
It happened at a US research center in NY. After a meeting of Massive Dynamic employees, a 43 years old man was attacked in the office building by butterfly-like insects and was injured. As his colleagues were about to help him, he was assaulted by an entire swarm of butterflies. Another colleague made these recordings with his mobile phone. According to witness testimony the man was injured so strongly with facial cuts that he had to be hospitalized. The man is seriously injured and in shock and could not report about this incident yet. One of the aggressive animals was caught and will be examined. The debate on this highly mysterious case continues. On March 16th, a special unit will be assembled, and will investigate this phenomenon. You learn more information about these unusual events after the News and exclusively on PRO7.[source: Kosmopol, video: worldofpromises0, ASiMAlMassiva]
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Q. Are we going to see more of you after Ability?
A. I don't know! I'm in pretty bad shape.
Q. You personally? Or Mr. Jones?
A. Jones. He's in pretty bad shape, and I'm not sure where it's going. That episode opens some pretty interesting doors about the connection between [Mr. Jones] and Olivia, and about the Pattern. It's a really good episode. A page-turner of a script. I absolutely loved it when I read it.
Q. Jones certainly seems obsessed with Olivia.
A. Yeah, there were all those drawings a few episodes back. I mean, she's very good looking, but I think it's more than that with him. He needs her, he's trying to manipulate her into trusting him so that she'll do something for him. It's not answered in [Ability] but it's developed a little further.
Q. I sure hope you're coming back; Mr. Jones is my favorite character.
A. Is he? That's very sweet of you to say. My favorite character is the cow. I can't say enough about the cow. I love John Noble, I think he's brilliant, where he takes that character. The dynamic between him and Peter is fantastic. They make me chuckle a lot. And I'm a huge fan of Lance from The Wire. As an actor, he's just incredibly precise, utterly convincing.
Q. What's your experience been like on the set?
A. It's a really good atmosphere there. I mean, it's hard work. For one hour of dramatic television, you're basically shooting a movie every nine days. It's very ambitious. But the atmosphere is very good. There's good banter, a great sense of humor. It's an exciting show, and you can sense that from the attitude of the people involved. They all enjoy what they're doing. It's a great vibe. And of course everyone plays the game that we are right now, try to guess where things are going. The guy that runs Massive Dynamic, William Bell, he always comes up at lunchtime.
Q. Which scene was your favorite to film?
A. The opening scene in Ability definitely ranks up there among my favorites. I love that shot where I'm in the shadows, out of focus in the background, and then I suddenly pop up behind [Mr. Kohl]. That look of insanity in Jones' eyes. He's a nutcase!
Q. How much time is there between when you shoot an episode and when it airs.
A. Well this one (Ability), we finished about two weeks before it aired. That's a really fast turnaround. Normally there's about six weeks turnaround for post-production, but for some reason this one was unusually fast.
Q. As an actor, how do you approach this role on a television show differently from a role in a film, like Captain Mike in Benjamin Button?
A. With Captain Mike, I knew I had that part three or four months before I started shooting. The longer you have to work with a character, the more connections you can make with your own life, your own history. The characterization becomes more detailed and deeper, more intense. It's very hard on Fringe, when you don't know where the story's going. It's much more impressionistic. You go with your gut in the moment, but it's difficult. Some of the choices that you make are probably going to be contradicted later on, and that can be frustrating as an actor.
Q. Yeah, with a film you know the entire arc of the story, whereas with television you only get bits at a time.
A. But it's exciting too. The great thing about television is that it's so immediate. We shot it two weeks ago and now it's coming out. And people are so excited about Fringe, it's this immediate feedback. With Benjamin Button, I shot that two years before it came out. With Lady in the Water, I did an audition without reading the script and then went on my honeymoon. I was in the bush, on safari, with no telephones, and when I got back by agent said we'd made a deal. Then I finally read the script, and I was like "Oh. So that's what this is about." [Laughs]
Q. What's it like to sit in front of the television and watch yourself?
A. It's great fun. When you watch yourself in anything, it's quite a laugh. You can't really concentrate on the story! You remember everything about the day you shot it, the shots and the lines they cut out. You've got an emotional memory of that day. It takes a long time for that to drop away, to just see the character. It takes a couple years to just see it for what it was.
Q. I imagine it's the same for a writer or director, to get that personal experience out of the way.
A. I don't know how directors do it, because they have watch the movie or the episode two or three hundred times. I don't know how they keep the audience's anticipations in their head, how they shape that experience, since they can't trust their own gut reactions anymore. It's amazing how they do that.
Q. Do you have any advice for budding actors out there looking to be as successful as you've been these last few years?
A. It's a tough job. You have to develop a really skin. You're going to get knocked down a lot, but you've got to dust yourself off and get back off. The one thing that keeps you going is your passion. You've got to keep in touch with that part of yourself. Acting itself is the fun part. I love auditioning for that reason. Any day you actually get to do a bit of acting is a good day.