Adele and Jason tackle Fringe episode 113, The Transformation. Look out for some interesting theories, some John Scott closure, emails and Adele geeking out.Show notes are available at the Fringe Dwellers homepage.
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"A taser won't do anything..."
I was hoping Walter would elaborate on the "transformation" itself. We know Bowman's genes were rapidly altered by the virus, but I was interested in the details. What physiological changes did it cause, and why was the virus designed to cause them? I suppose Conrad's just a modern-day Dr. Moreau, which "happens" to be Conrad's last name.
The Exchange
The exchange sequence was also nice way to get Peter involved, which I hope becomes a regular occurence. I was impressed by his improvisations, and by Olivia's resolve. These are smart characters, and that's one of the reasons they're so much fun to watch. Olivia's quip to Conrad at the end was an especially nice touch.
Dead Man Talking
I'm still a little iffy on the dreamlike tank sequences. I like the idea; it's cool when Olivia watches herself in the past. But the logic is a little funny. When John interacts with her, what exactly is happening? Is a part of John still alive inside Olivia's brain? Is it only possible because of the cryogenic chamber his body's in at Massive Dynamic? Or are we really just watching Olivia's subconscious cope with her conscious emotions?
Conclusion
The concerns I had after last week have been washed away. The Transformation was a fun ride, and deftly handled the notion of a procedural/serial hybrid. The biggest questions: what's with those glass discs? And where do John Scott and his colleagues fit in the "two sides" scheme of Mitchell Loeb? Maybe next week's ep, which features the return of Jared Harris' wonderful Mr. Jones, will offer some clues.
Stray Thoughts