Scenemaker is a behind-the-scenes look at the making of Fringe. This episode shows the making of the Flight 718 plane crash, from the Fringe episode The Transformation.You can watch previous episode's scenemaker videos here.
Scenemaker is a behind-the-scenes look at the making of Fringe. This episode shows the making of the Flight 718 plane crash, from the Fringe episode The Transformation.
Later today, we will be interviewing Jared Harris, who plays David Robert Jones on Fringe.
For each episode of Fringe, Popular Mechanics asks experts to analyzes the science of Fringe, and separate the science fact from the science fiction.
- Project 269 - Exploration 20 -
She comes to me one more time, demanding another dip in the tank — to commune with the dead man who lives on in her mind — to ask him more questions — to plumb his thoughts... Plumbing! How did I now see it?
The fluid in the reservoir maintains a constant level, even when small quantities of fluid are added, as the excess flows out of the siphon pipe. But! Forcing a larger volume of fluid (say 7.5 L) into the reservoir completely fills the pipe, at which point gravitational pull on the fluid in the pipe creates a suction that nearly empties the reservoir of its contents.
Crucial caveat: Any solids within the reservoir must be smaller than the diameter of the siphon pipe, or at least soft enough to squeeze through. Otherwise the solid matter may become stuck in the pipe. The the excess fluid accumulates in the reservoir, overflowing once its surface reaches the rim.
Likewise, Scott's consciousness has become lodged in the plumbing of Dunham's brain, interrupting the free flow of neural impulses. Additional thoughts, encountering the obstruction yet failing to dislodge it, accumulate in the reservoir of the mind. Overflow naturally results — and as homeowners know too well, the watery mess oft contains bits of the obstruction, unpleasant reminders of the past.
Restoration of function requires enough force to remove the blockage from the tube. A rubber bulb affixed to a rod can be of utmost assistance here, as proper positioning in the mouth of the siphon pipe creates a powerful suction. Like Poseidon's trident, whose watery bursts bring forth the tide. The two basic operations are PUSH and PULL. Forward thrusting of the rod PUSHES the obstruction toward the tail end of the pipe, while retraction of the rod PULLS the obstruction back toward the reservoir. Once the blockage breaks free, siphon action takes over — resulting, one hopes, in a satisfying flush.
The synaptic transfer system provides our metaphorical bulb on a rod: a means of PUSHING and PULLING the neural blockage to an fro in the theater of mind. With appropriate manipulation of the chemical formula, the suction should be powerful enough to overcome the neural friction. With luck, Dunham may at last achieve the purging she seeks.
When the Fringe Division delves into another bizarre occurrence aboard an international jumbo jet, freakish remains are discovered at the crash site. Memories tip the team toward some promising leads, but the bigger picture and mysterious threat eludes them. With limited options and insufficient intelligence, Olivia and Peter go undercover.After the show, you can:
Adele and guest co-host, Jason, cover the two episodes that have screened since the long hiatus - Bound and The No-Brainer.
Q: You work most with Anna. What do you think of her as an actor and as a person?Congratulations and best wishes Anna and Mark!
A: I think she's just a fantastic actor, and I really like working with her, because she has such a solid idea of what's going on in a scene and what her objective is and what she's going to do. Yes, I've enjoyed working with her, and as a person, she's just delightful.

- Contest open to anyone willing to travel (at their own expense) to NYC for the event
- Winners will receive 2 (two) show tickets for the Sunday show, which will be picked up at the show
- Emails must be sent to NYCC@fringetelevision.com
- Please include your real name and phone number in the email (I will only call you if you win
- One entry per person, please.
- Entries not following these rules may not be counted.
- Contest ends at 11:59 pm EDT on February 5th.
- Winners will be announced around February 6th.
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"A taser won't do anything..."
I was hoping Walter would elaborate on the "transformation" itself. We know Bowman's genes were rapidly altered by the virus, but I was interested in the details. What physiological changes did it cause, and why was the virus designed to cause them? I suppose Conrad's just a modern-day Dr. Moreau, which "happens" to be Conrad's last name.
The Exchange
The exchange sequence was also nice way to get Peter involved, which I hope becomes a regular occurence. I was impressed by his improvisations, and by Olivia's resolve. These are smart characters, and that's one of the reasons they're so much fun to watch. Olivia's quip to Conrad at the end was an especially nice touch.
Dead Man Talking
I'm still a little iffy on the dreamlike tank sequences. I like the idea; it's cool when Olivia watches herself in the past. But the logic is a little funny. When John interacts with her, what exactly is happening? Is a part of John still alive inside Olivia's brain? Is it only possible because of the cryogenic chamber his body's in at Massive Dynamic? Or are we really just watching Olivia's subconscious cope with her conscious emotions?
Conclusion
The concerns I had after last week have been washed away. The Transformation was a fun ride, and deftly handled the notion of a procedural/serial hybrid. The biggest questions: what's with those glass discs? And where do John Scott and his colleagues fit in the "two sides" scheme of Mitchell Loeb? Maybe next week's ep, which features the return of Jared Harris' wonderful Mr. Jones, will offer some clues.
Stray Thoughts