Fringe is now available on Amazon's Video On Demand (formerly Amazon Unbox) and iTunes for $1.89/$1.99 per episode.
When the Fringe pilot episode was "leaked" onto the internet back in June, J.J. Abrams and crew were quick to point out that the editing was not finished, scenes were missing, and different music would be used. Interestingly, even the "final cut" version we received in the Fringe Press Kit was slightly different from the broadcast. The run times were about the same, so what were the changes?
The opening title sequence was completely new (you can see the original version here).
Four big changes were added to the story line:
Also added was the glyph sequence at the very end, which may be some sort of key to hidden Easter Eggs.
Massive Dynamic not only changed names (from Massic Dynamics), they changed locations. The original building was modeled after the The Royal Ontario Museum, where as the new building is a typical New York skyscraper.
The Synaptic Transfer sequence has subtle changes, mostly a darker mood. The inscription on the Kayak changed from CONSTANT 1.61803 to ZENO, the tombstone changed from BLANK to HE'S NOT DEAD, and the screen monitoring John and Olivia got a makeover (although you can still see the old screen in some shots)
Nina Sharp's robotic are got a slight makeover, making it a little more see-through.

I have created a simple Fringe trivia quiz, for the Pilot episode. Leave a message in the comments on what your score was, or you can even post your own Fringe quiz. 

The FRINGE viral website for Massive Dynamic launched today. The site is HUGE, and reminds me of The Lost Experience's Hanso Foundation website - with lots of information and sections to check out.
If you weren't aware that the series premiere of Fringe was tonight... welcome to FringeTelevision.com for the first time!
Also, don't forget to check out the original Fringe Wiki - Fringepedia.net. Fringepedia.net contains a wealth of information about the latest episode, characters, and "The Pattern". Just like Lostpedia or Wikipedia, any one can join and help contribute to the ultimate Fringe Encylopedia.
Fox is doing everything it can to turn Sunday’s encore presentation of the “Fringe” pilot into an event—including offering viewers advance looks at feature films “The Day the Earth Stood Still,” “24: Redemption” and the second episode of “Fringe.”Forbes - Q&A: JJ Abrams Talks 'Fringe':
In an unusual move, Fox will follow Sunday’s 8 p.m. “Fringe” repeat with a broadcast of the first four minutes of the second episode of the series.
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Your work tends to generate a lot fan interest online--do you read what your viewers write? How has it impacted your story telling?
J.J. Abrams: I do read it. Not all of it, of course, because there's a lot out there. We're living at a time where if you do a Google search for a 'show, review and network,' you'll get The New York Times and Pete Billingsley from a town you've never heard of on the same results page. It's kind of democratizing the process so that everyone has access to a distribution system to express themselves.
It's amazing to me how the consensuses is no longer [garnered from] ripping open the newspaper or getting the printouts from the studio or network, but rather going online and seeing what the people--paid professional, amateur fan, casual viewer--have to say.
How does that impact where you take a story and how you tell a story?
J.J. Abrams: The experience of doing a TV show is a very unique one--and it's one of the reasons that I wanted to do a show again. Unlike a movie, which is sort of a one-off, there's an evolution, an ongoing transformation that happens when you do a TV series. You're always reacting to the stuff that you're seeing, whether it’s the stuff on screen in the editing room or the stuff on screen on your computer at home.
So I wouldn't say the fan's reaction ever dictates anything, but they are not only appreciated and in many ways the reason that we're doing the show, but also people with whom we have a dialogue. We take what they think and what they feel to heart.
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Fox's gambit will let the method stand for an entire season's run of programs. A mock "Remote-Free TV" version of "Fringe" reviewed by Advertising Age doesn't break for an ad until the episode runs for 16 minutes. Only one ad appears. The next break comes at 32 minutes into the program, with two ads. A third break, at 39 minutes, contains two ads and a single promo for a Fox show. Breaks grow more frequent the longer the show goes on; presumably, viewers who have stuck with the plot this deep into the episode will want to stick around and see how the stories end. No ad break contains more than two commercials.Hollywood.com - Five Questions for 'Fringe' Creator JJ Abrams:
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Hollywood.com: Can you shed some light on Blair Brown’s character [Nina Sharp]?
J.J. Abrams: In the shows that we’ve been working on since the pilot, too, the question of sort of, you know, is she to be trusted? Is she good or bad? She’s sort of the kind of like guru character. She is sort of this amazing font of information and I think that the fun about who she is and what she is obviously will reveal itself as the show goes on, but what I love is the ambiguity of her character, that you think from the beginning this Massive Dynamic company sort of looks like, oh, it’s the big bad conspiracy company, but you start to get a different taste of that as the thing goes on.
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