I have created a simple Fringe trivia quiz, for the Pilot episode. Leave a message in the comments on what your score was, or you can even post your own Fringe quiz. Fringe Trivia Quiz: Episode 1 - Pilot
I have created a simple Fringe trivia quiz, for the Pilot episode. Leave a message in the comments on what your score was, or you can even post your own Fringe quiz. 

The FRINGE viral website for Massive Dynamic launched today. The site is HUGE, and reminds me of The Lost Experience's Hanso Foundation website - with lots of information and sections to check out.
If you weren't aware that the series premiere of Fringe was tonight... welcome to FringeTelevision.com for the first time!
Also, don't forget to check out the original Fringe Wiki - Fringepedia.net. Fringepedia.net contains a wealth of information about the latest episode, characters, and "The Pattern". Just like Lostpedia or Wikipedia, any one can join and help contribute to the ultimate Fringe Encylopedia.
Fox is doing everything it can to turn Sunday’s encore presentation of the “Fringe” pilot into an event—including offering viewers advance looks at feature films “The Day the Earth Stood Still,” “24: Redemption” and the second episode of “Fringe.”Forbes - Q&A: JJ Abrams Talks 'Fringe':
In an unusual move, Fox will follow Sunday’s 8 p.m. “Fringe” repeat with a broadcast of the first four minutes of the second episode of the series.
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Your work tends to generate a lot fan interest online--do you read what your viewers write? How has it impacted your story telling?
J.J. Abrams: I do read it. Not all of it, of course, because there's a lot out there. We're living at a time where if you do a Google search for a 'show, review and network,' you'll get The New York Times and Pete Billingsley from a town you've never heard of on the same results page. It's kind of democratizing the process so that everyone has access to a distribution system to express themselves.
It's amazing to me how the consensuses is no longer [garnered from] ripping open the newspaper or getting the printouts from the studio or network, but rather going online and seeing what the people--paid professional, amateur fan, casual viewer--have to say.
How does that impact where you take a story and how you tell a story?
J.J. Abrams: The experience of doing a TV show is a very unique one--and it's one of the reasons that I wanted to do a show again. Unlike a movie, which is sort of a one-off, there's an evolution, an ongoing transformation that happens when you do a TV series. You're always reacting to the stuff that you're seeing, whether it’s the stuff on screen in the editing room or the stuff on screen on your computer at home.
So I wouldn't say the fan's reaction ever dictates anything, but they are not only appreciated and in many ways the reason that we're doing the show, but also people with whom we have a dialogue. We take what they think and what they feel to heart.
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Fox's gambit will let the method stand for an entire season's run of programs. A mock "Remote-Free TV" version of "Fringe" reviewed by Advertising Age doesn't break for an ad until the episode runs for 16 minutes. Only one ad appears. The next break comes at 32 minutes into the program, with two ads. A third break, at 39 minutes, contains two ads and a single promo for a Fox show. Breaks grow more frequent the longer the show goes on; presumably, viewers who have stuck with the plot this deep into the episode will want to stick around and see how the stories end. No ad break contains more than two commercials.Hollywood.com - Five Questions for 'Fringe' Creator JJ Abrams:
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Hollywood.com: Can you shed some light on Blair Brown’s character [Nina Sharp]?
J.J. Abrams: In the shows that we’ve been working on since the pilot, too, the question of sort of, you know, is she to be trusted? Is she good or bad? She’s sort of the kind of like guru character. She is sort of this amazing font of information and I think that the fun about who she is and what she is obviously will reveal itself as the show goes on, but what I love is the ambiguity of her character, that you think from the beginning this Massive Dynamic company sort of looks like, oh, it’s the big bad conspiracy company, but you start to get a different taste of that as the thing goes on.
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In the second "mini" episode of the Fringe Dwellers Podcast, Jen and Adele discuss their new affiliation with FringeTelevision.com, the Fringe comics, the Fringepedia.net Fringe Wiki, and the importance of ratings for Fringe's premiere, and what you can do to help make Fringe a success.
Sci-fi blog io9 has a great summary of all the Fringe viral marketing that has happened so far, including the Radio ads, Case 0091, Fringe Press Kit, Fibonacci numbers, and Music videos.
Did you purposely, were you staying away with the purpose for the last five years of not wanting to go back to TV and try to define yourself as not that character you had played? Or was it with intent or just happenstance, I guess is my question.Underwire - Two-Headed Brain Trust Injects Fear Into Fringe:
Joshua Jackson: There was some purpose in that TV is exhausting. It takes a little while to recover, but I don't know. It's hard to say. I try not to live my life as much as possible defining myself against something. So I wasn't really too worried about coming back and being labeled as "Pacey" or as that guy from Dawson's Creek because that's really an actor's job. If I get labeled as that, it's probably because I'm not good enough to define myself as something else. So I wasn't purposely running from that, but I certainly wasn't looking ....
Can you tell us who is playing her boss and how soon we might see him?
J.J. Abrams: I can't tell you that yet, but I can tell you that you will definitely meet him, he'll definitely be a featured part of the show. We want to make sure that when you meet him it's something you're hungry for, as opposed to something that you're just experiencing. So the way it's going to happen, which will happen over time, but by the end of the first season you'll meet "William Bell."
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Wired.com: Mythology arcs are tricky to pull off. When it works on shows like The X-Files or Lost, or Heroes during its first season, audiences get hooked. But if the serialized story line gets too dense, you risk alienating the fans. How much mythology are you building into Fringe?
Kurtzman: Each episode will be close-ended with beginning, middle and end. If you miss an episode or two or even three, you can come in and catch up immediately. That's our mandate. We are also going to dole out little bits of the mystery over the course of a long period of time.
Orci: Our ambition was to create a new formula based on where we tend to err, which is to be overly complicated, and what we tend not to have that much of an instinct for, which is classic procedural storytelling. We're trying to crash those two sensibilities together and see if we can find the tightrope that is not on TV right now.
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