Fringe is back. Not with a bang, but with a subtle, creepy whisper. As far as I can tell,
Inner Child is a prologue of sorts to the remainder of Season 1, laying a foundation of weirdness for the revelations to come.
"He could be significantly older..."
Our Pattern event of the week: the mysterious appearance of what can only be a young Observer. Or perhaps, as Walter theorizes, a young-looking one. He was found in a creepy subterreanean complex that hadn't been opened since the 1930's, and it looked to me like he was hiding from the construction workers in a holding cell of sorts. Was this some kind of abandoned research facility? Was our bald friend left behind by his experimenters to survive on rats and moths?
Or, could he have come through to our "universe" down there more recently? Given our clues from ZFT, it sounds like the Observers hail from a parallel Earth. Perhaps this one picked a bad place to cross over, and has survived down there for years (but not 70 of them).
"Our perp's name is The Artist."
Congratulations, writers. You managed to successfully incorporate a non-Pattern mystery into the show. By using the young Observer to solve the crime, I didn't feel like our time was wasted with the Artist subplot (like I did with the cyber-killer in The No-Brainer).
The Artist himself was nicely cast. He reminded me of John Fowles' The Collector, a novel about a mild-mannered sociopath who kidnaps women. But making surgical and cosmetic alterations and then putting them on display? That's pure Fringe.
"Not a psychic, more a shark."
Walter's shark analogy to explain the child's mental abilities was brilliant. I was spellbound by the implications. I have a feeling Olivia may be capable of similar feats, thus reinforcing my idea that Inner Child acts as a prologue for the rest of the season, where we may learn more about Olivia's cortexiphran effects.
On the same subject, what did Walter pick up with his wire-infested halo ring on the child's head? A signal from the Ghost Network? I have a feeling we'll be hearing that recording again soon.
Stray Thoughts
- Best Line of the Night: "Don't be such a prude. I'm sure Agent Dunham knows what a penis looks like!" John's delivery is perfect, once again.
- This was Anna Torv's strongest performance yet. She's great with action sequences, as we saw in Bound, but her scenes with the young Observer in this ep were touching and filled with nuance.
- Walter's dance is my new favorite scene. It wasn't just hilarious, it was touching. Walter's still got a very big heart underneath all those years of madness.
- Was anyone else reminded of the Green Lantern when Olivia mentioned her avoidance of yellow M&M's? (The Lantern's weakness is anything colored yellow.)
- Ari Graynor and Lily Pilblad are adorable as Olivia's family, and part of me is glad they're apparently here to stay. I do wonder how the writers will incorporate them into the story's meta-narrative.
- Does Walter's halo ring remind anyone else of Doc Brown's similarly-purposed mind-reading device in Back to the Future?
How would you grade "Inner Child"?Adam Morgan is a writer for the page and screen in Chicago, and blogs daily on writing, film, tv, and pop culture at Mount Helicon.
Dunham Done ‘em
Mystery of the Week
In the Pilot, Phillip Broyles theorizes that someone is using the whole world as their lab, with human beings as test subjects for bizarre experiments. But as the show progresses, this explanation becomes less and less relevant. If you wanted to experiment with a weaponized parasite, why on earth would you target two prominent epidemiologists? It doesn’t add up. Unless it’s more than an experiment. A demonstration of power, perhaps? A cunning move in a worldwide game of human chess? More on this later.
Mitchell Loeb and the Big Tease
In Bound, Mitchell is revealed to be even more than he seems once again. We all assumed he was a villain since the end of episode 107, In Which We Meet Mr. Jones. But Loeb’s seemingly genuine confession to Olivia in the interrogation room makes him sound like a misunderstood protagonist. JJ Abrams is up to his old tricks. See Benjamin Linus and virtually every character from Alias.
They weren’t kidnapping Olivia to kill her, but to save her. Who is “they”? And who or what were they saving her from? Loeb’s next lines were the highlight of the night for me: “Do you not understand the rules? What we're up against? Who the two sides are?” Talk about a can of worms. In just a few seconds, Loeb revealed a huge, fundamental layer in Fringe’s mythology.
We were initially led to believe the Pattern was some kind of experimentation by Massive Dynamic. I think we’ve moved beyond that now. To make a Lost analogy, I think that’s like “the Monster is a dinosaur” or “they’re all in purgatory”. Now it appears as though there are two competing factions contributing to the Pattern, both of whom aim to achieve still-illusive objectives that somehow directly involve Olivia Dunham and the research of Walter Bishop. Brilliant. It hints at so much yet to come.
Overall, this was a huge breakthrough for the show. Almost like a second pilot. I’ve enjoyed Fringe from the beginning, but was waiting for an episode to launch the story into the stratosphere with the greats like Lost and The Prisoner.
I think the wait is over.
Stray Thoughts