Showing posts with label Review. Show all posts
Showing posts with label Review. Show all posts

Fringe Observiews 4.07 Wallflower

      Email Post       11/21/2011 10:17:00 PM      


Welcome to the Observiews for Season 4 of Fringe. I call them Observiews because they are more visual observations than deep thinking reviews. 
Screen caps from this episode are taken from fringefiles.com
All observations are mine and therefore could be totally off the wall and/or wrong. I have not read or looked at any recaps or reviews. I could also have missed a few things, oh well… 

1.09 The Dreamscape
OLIVIA: “…I'm sorry that it's taken me so long to give you an answer, but I, um, I think I finally have one...”

Fringe Observiews 4.06 And Those We've Left Behind

      Email Post       11/16/2011 02:59:00 PM      



Welcome to the Observiews for Season 4 of Fringe. I call them Observiews because they are more visual observations than deep thinking reviews.

All observations are mine and therefore could be totally off the wall and/or wrong. I have not read or looked at any recaps or reviews. I could also have missed a few things, oh well…

2.17 White Tulip
PECK: “You and I both know there are certain things we take for granted -- the laws of nature for example -- that are not necessarily binding. There are places on this Earth where two plus two most definitely does not equal four.”

Fringe Observiews 4.05 Novation

      Email Post       11/07/2011 02:19:00 PM      



Welcome to the Observiews for Season 4 of Fringe. I call them Observiews because they are more visual observations than deep thinking reviews.

Screen caps are taken from fringefiles.com

All observations are mine and therefore could be totally off the wall and/or wrong. I have not read or looked at any recaps or reviews. I could also have missed a few things, oh well…

3.14 6B
OLIVIA: “I don’t really know what to say.”

Fringe Observiews 4.04 Subject 9

      Email Post       10/18/2011 03:39:00 PM      



Welcome to the Observiews for Season 4 of Fringe. I call them Observiews because they are more visual observations than deep thinking reviews.

All screen caps are taken from fringefiles.com.

All observations are mine and therefore could be totally off the wall and/or wrong. I have not read or looked at any recaps or reviews.

3.10 The Firefly
PETER: “Oh, no, I’m still asleep upstairs in my bed. You are just talking to an astral projection of me.”

'Fringe' report:The beauty of the new season's storytelling, and what it means for the future

      Email Post       10/15/2011 03:29:00 PM      

Oct 14, 2011
11:10 PM ET

'Fringe' report: The beauty of the new season's storytelling, and what it means for the future
by Ken Tucker

The frequently heart-breaking, beautifully romantic yet action-packed season of Fringe continues, with the series moving along on great swells of emotion, as though trying to reach the peaks of the Mozart that Walter was listening to in “One Night in October.” This week, the hour titled “Subject 9″ returned to the series’ most potent, everlasting element of its mythology: the Cortexiphan experiments conducted more than two decades ago on “37 innocent children,” including Olivia (“Olive”) Dunham. Oh, and in part because we saw the writing credits — showrunners Jeff Pinkner and J.H. Wyman plus Akiva Goldsman — we knew we probably were in for some fundamental shifts in the season’s main plot line, the search for Peter Bishop, and we sure got ‘em.
I’m going to leave the close reading of “Subject 9″ to Jeff Jensen and his recap. (Have fun, comrade, with double-gloved Nina!) Here, I’d like to write more broadly about this episode and the season thus far. The apparitions of Peter that both Walter and Olivia had been experiencing this week manifested themselves as a blue charge of amorphous energy. Walter has a theory that it relates to astral projection, which reminds him of experiments he did with William Bell 25 years ago during the Cortexiphan trials. In this Fringe universe, Olivia recalls having set fire to the Florida building but seems less psychically damaged by what she went through — unlike Cameron James, subject number nine in the trials, whose life has been cursed. When anxious, he “sends metal flying,” he tells Olivia and Walter when they visit him, and he’s bitter and depressed about the lonely life he’s led.

That’s just one level of the story-telling. An equally important one is the follow-up on last week’s psychiatric evaluation of Walter. Discovering that St. Claire’s Hospital is seeking Olivia’s opinion as to whether Walter should be re-admitted for further evaluation, Walter is moved to leave his lab for the first time in three years. This placed him in the midst of the action and face-to-face with Cameron James, and the old guilt stole over the older man. He’s still not without guile — he tries to mollify Olivia’s questions about her youth by assuring her, “You were always the strongest; you were always the favorite.” But we are also told that Olivia ran away from Bishop and Bell’s house of pharmaceutical horrors. This is an Olivia who’s suppressed a great deal. With immense yet discreet skill, “Subject 9″ returned us to Fringe’s richest subjects: Children lost (both literally and psychologically), children loved too little and too much.

Read Ken Tucker's entire Entertainment Weekly article here.

Fringe Observiews 4.03: Alone in the World

      Email Post       10/10/2011 10:03:00 AM      


Welcome to the Observiews for Season 4 of Fringe. I call them Observiews because they are more visual observations than deep thinking reviews.

Screen caps are taken from fringefiles.com. All observations are mine and therefore could be totally off the wall and/or wrong. I have not read or looked at any recaps or reviews.

3.17 Stowaway
Lincoln: “… This was a tough one.”

Fringe 403 Review: Alone in the World

      Email Post       10/09/2011 02:24:00 AM      


“I need more time!”

It is interesting to consider the development of television narrative devices. I maintain that TV today is a place of subtle, radical developments in traditional narrative structure, just as much as Victorian novels (particularly the sensational ones) often addressed the grim realities hiding under petticoats and behind cravats. Those wildly popular novels incorporated radical critiques of law and tradition into suspenseful narrative; in the same way, TV today takes radical storytelling risks, trusting the viewer to follow multiple timelines, alternate realities, astonishing improbabilities, and deeply entrenched metaphors amid chase scenes, unrequited love, and everyday travails as experienced by telegenic people.

Fringe Season 4 Episode 3 Review

      Email Post       10/08/2011 07:47:00 PM      

Read Mind Vine Time



‘Alone In The World’


The show continues it’s exploration of what a world without Peter is like and its impact on those he left behind.  Till this episode that journey has been an interesting one with the success of the journey relying heavily on how interesting the case of the week is. In my books translucent shape shifters and serial killers trump killer fungus any day.
‘Gus’ was too flat a threat to get very excited about.
Pity too because John Noble acted the heck out of the episode. So did Anna Torv - when she could break away from the case of the week imposition.  Special marks for Jesika Nicole too.

Oddly enough on our last FBI - Fringe Benefits Inc podcast, (which you can find under the Podcast tab here at FringeTV), we remarked it was curious that Peter was only trying to contact Walter and not Olivia. The previous two episodes had a definite lack of Walter and we hoped for more of him. Both of these items were addressed in this episode.  

2 for 1 His 'N Hers Suit Sale?

One quite successfully.  The other not so.

Fringe Reviews Roundup: One Night In October

      Email Post       10/05/2011 01:44:00 PM      


Here are some reviews from around the web, in no particular order, for the Fringe episode "One Night In October":
Have any favorite reviews, or reviews we should add? Let us know in the comments.

Observiews 4.02 One Night in October

      Email Post       10/03/2011 09:53:00 AM      

Welcome to the Observiews for Season 4 of Fringe. I call them Observiews because they are more visual observations than deep thinking reviews, if that makes sense.

All screen caps are taken from FringeFiles.com. All observations are mine and therefore could be totally off the wall, and/or wrong. I have not read or looked at any recaps or reviews.

2.15 Peter
Olivia: “I don’t even know… how to begin to work this out.” 
That’s what I feel like. This week’s episode was awesome and so full of deep thinking stuff that I’m glad I chose to go the visual route :)
The glyphs have already been spelled out and the Observer has already been sighted so I’ll skip that part.

It’s A Parallel Life! Or: Welcome To Bishopsville

      Email Post       9/29/2011 03:06:00 AM      


Strange, isn't it? Each man's life touches so many other lives. When he isn't around he leaves an awful hole, doesn't he?
- Clarence, Angel, 2nd Class

I know what it's like to have a hole in my life. It's been there as long as I can remember.
- Olivia Dunham, Fringe Division


"Neither Here Nor There" is a title that evokes a few things. First and foremost, the strange here/not here existence of Peter Bishop; the fact that the present timelines have changed; and perhaps most importantly, the little piece of real estate that now exists beneath the Statue of Liberty. Right now, the show's reality is like a Venn Diagram - the two spheres that threatened to smash into each other have now partly merged and that merged sliver is, quite literally, neither here nor there. It's a bridge that owes allegiance to neither side. While watching the episode I was frequently reminded of another story whose bridge was crucial to its story: It's A Wonderful Life.

Observiews 4.01 Neither Here Nor There

      Email Post       9/29/2011 03:03:00 AM      


Welcome to the Observiews for Season 4 of Fringe. I call them Observiews because they are more visual observations than deep thinking reviews, if that makes sense :)

This season, as far as Observiews go, is going to be a little more challenging. Fringe is not available on Hulu (1 day after air date) anymore, so I’m relying on screencaps from FringeFiles.com. I did tape it and will use some of mine but the quality is not that good. So please be patient.

All observations are mine and therefore could be totally off the wall and/or wrong:). I have not read or looked at any recaps or reviews.

I want to start where I left off at the end of last season. If you remember, Peter went in the machine to save both universes. By doing so, he wrote himself out of existence and we were left with our mouths open, at least I was. So…

1.01 "Pilot"

Olivia: “I just want to go back to before.” Broyles: “Dunham, I don’t think you can.”

Well, in a sense we are but it’s slightly different. Let me do a recap before we delve into details.

Fringe Reviews Roundup: Neither Here Nor There

      Email Post       9/26/2011 11:11:00 PM      


Here are some reviews from around the web, in no particular order, for the Fringe episode "Neither Here Nor There":
Have any favorite reviews, or reviews we should add? Let us know in the comments.

Fringe Season 4 Episode 1: Rough Edged Reset

      Email Post       9/25/2011 11:25:00 PM      

Rough-Edged Reset

Neither Here, Nor There

Fringe is back for a fourth season, stoked with a full head of story telling steam. Thanks to the mind breaking removal of Peter from not just a timeline, but existence itself, at the climatic end of Season 3.  Fox fanned those flames even higher with an excellent off season promotional campaign that peaked just before the Season 4 premiere creating a buzz with the slogan, ‘Where is Peter Bishop?’

And the Fringe showrunners continue to demonstrate they are not afraid to break with convention. We are treated to our initial glimpse of a Captain Kirk - Tholian Webbing style, Peter Bishop in the very first scene.



Don't You Forget About Me!


Fringe Season 3 Blu-ray Unboxing

      Email Post       9/20/2011 08:10:00 PM      


Fringe Season 3 is out today on Blu-ray and DVD. The Blu-ray is available at Amazon for $44.99, and the DVD is $36.99. Both qualify for free shipping.

Best Buy has an exclusive "lenticular" cover (seen below) that shows the Blue or Red universe depending on how you look. However, they are priced $10 more than Amazon, but you do get a $10 Best Buy gift card with purchase.


The 22 episodes are spread over four blu-ray discs, and contains 3 hours of bonus material, including the Blu-ray exclusive "Glimmer to the Other Side". Here is a full summary of the extras from Blu-Ray.com:
The 4-disc Blu-ray release of Fringe: The Complete Third Season isn't exhaustive -- two audio commentaries and an hour of extras doesn't amount to much -- but it does feature a first for a Warner television release: a Maximum Episode Mode Picture-in-Picture experience. Sure, it's only available for one episode, but if future Warner releases follow suit (particularly if more episodes are explored per season), TV fans are in for a real treat.
  • Audio Commentaries: Two audio commentaries are available: "The Plateau" on Disc One, with executive producer Jeff Pinkner, writer/co-executive producer Monica Owusu-Breen and editor Timothy A. Good, and "Lysergic Acid Diethylamide" on Disc Four, with producer Tanya Swerling, editor Luyen Vu and visual effects supervisor Jay Worth. Both tracks are informative, I'll give them that, but the cast is sorely missed. And with twenty-two episodes spread across four discs, a whopping two crew commentaries just doesn't cut it.
  • Maximum Episode Mode: Glimmer to the Other Side (Disc 3, HD, 46 minutes): Executive producers Jeff Pinkner and J.H. Wyman host this single-episode twist on Warner's Maximum Movie Mode formula, and it's a blast; such a blast that it's a shame more episodes don't feature a MEM track. What awaits those who venture into Episode 16, "OS," with the Maximum Episode Mode engaged? Interviews, behind-the-scenes footage, optional production featurettes, special effects breakdowns and more, all courtesy of a dynamic Picture-in-Picture window that sometimes houses the MEM content and sometimes houses the episode itself (so the MEM content can have more room to breathe). It's hands down the best feature in the set.
  • Duality of Worlds (Disc 4, HD, 30 minutes): Explore Walternate's universe in four production featurettes: "The Other You," "Visualizing an Alternate World," "A Machine of Destiny" and "The Psychology of Duality."
  • Constructing an Extra-Sensory Soundscape (Disc 4, HD, 7 minutes): How does the Fringe creative team tamper with your psyche? Through sound effects, music cues and other sonic sleight of hand.
  • Secrets of Fringe: The First People (Disc 4, HD, 2 minutes): An all-too-brief Q&A session with Jeff Pinkner and Jay Worth about The First People and their place in the series.
  • Gag Reel (Disc 4, HD, 3 minutes): Simple, funny and to the point. Just how I like my outtakes.
  • Animating "The Lysergic Acid Diethylamide" (Disc 4, HD, 8 minutes): A look at Episode 19's jump-the-shark animated sequences and the deadlines that propelled it.
  • Network Promos (Disc 4, HD, 6 minutes): Three lengthy promos round out the package.
  • BD-Live Functionality

Which version of Fringe Season 3 did you buy (or plan to buy)?

OD Review of Fringe 322 – The Day We Died

      Email Post       5/14/2011 03:28:00 PM      

AKA - The Day The Music Died

Excerpt from:
Bye, Bye Miss American Pie by Don McLean

Oh, and there we were all in one place,
A generation lost in space
With no time left to start again.
So come on: Jack be nimble, Jack be quick!
Jack Flash sat on a candlestick
Cause fire is the devil’s only friend.

Oh, and as I watched him on the stage
My hands were clenched in fists of rage.
No Angel born in hell
Could break that Satan’s spell.
And as the flames climbed high into the night
To light the sacrificial rite,
I saw Satan laughing with delight
The day the music died

He was singing,
"bye-bye, Miss American Pie."
Drove my chevy to the levee,
But the levee was dry.
Them good old boys were drinkin’ whiskey and rye
And singin’, "this’ll be the day that I die.
"this’ll be the day that I die."

Sometimes a story can only be fully appreciated when the very last few moments play out. A tell tale sign of a well constructed story. Such is the case with the Season 3 Finale of Fringe - The Day We Died(TDWD). The ramifications of those last few moments are so staggering that one could easily keep going past this episode and head all the way back to the pilot to re-examine everything we have witnessed to date.

This finale marks a watershed moment for the Fringe series. This is very similar to the Season 3 Finale of Lost where an anguished future Jack screams at Kate that, ‘We have to go back.’

So does Fringe.

It Can't Be Worse Than This-A Review Of 3.22

      Email Post       5/14/2011 02:31:00 PM      

"We can cheat the rules of time.
There's no way of telling what the cost might be,
But it can't be worse than this.
It can't be worse than this."

The fun thing about writing the last review of a Fringe episode is that I've had time to sit back after re-watching it, and just let the thoughts and articles I've read about it on the internet incubate in my head. Do you remember the last time you rode a good roller coaster? There were ups and downs, excitement, and perhaps some fear as you traveled into some dark places, some relief as you emerged unscathed into the light. That's what the Season 3 Finale, "The Day We Died"(furthermore to be known as TDWD, here) was like for me.
The episode needs your undivided attention, as it is new territory-dangerous, and yet filled with opportunity, like the Chinese symbol for "crisis."

Fringe Reviews Roundup: The Day We Died

      Email Post       5/09/2011 02:12:00 AM      


Here are some reviews from around the web, in no particular order, for the Fringe episode "The Day We Died":

Have any favorite reviews, or reviews we should add? Let us know in the comments.

Review of Fringe: 3.21 - The Last Sam Weiss

      Email Post       5/04/2011 07:43:00 PM      

The Two Towers aka The Two Machines

Apologies for no review for the previous episode but business travel and the Easter Weekend made it too problematic for me to do one for, '6:02 AM EST.' You can check our FBI podcast for the episode - FBI 3.20 Podcast Review of 6:02 AM EST - to get our thoughts on it.

On the positive side of a delayed review, both ‘6:02’ and ‘The Last Sam Weiss’ can be analyzed together since they form one episode. Overall the last two episodes did not land among my top episodes of the season. Both episodes were somewhat uneven because there was a definite feeling of padding out things before we arrived at that final scene of Peter in a future timeline. ‘The Last Sam Weiss’ was the flabbier of the two episodes with the parallel Peter and Olivia/Sam storylines. These last two episodes could have been combined to make one awesome ninety minute episode.

Riders On The Storm-A Review of 321

      Email Post       5/04/2011 12:02:00 PM      


If anyone ever gave out awards for the most information packed into a Fringe episode,"The Last Sam Weiss" would win. This episode makes your head spin even more than last year's "Over There:Part 2" did. We're introduced to new revelations about Sam Wiess, Olivia, Peter, and *gulp* the future.

I could tell by about 5 minutes into the episode that this was not a Pinker/Wyman/Goldsman creation. It didn't have that smooth feel to it. As I pondered that thought, the "written by" credit appeared at 7:47, informing us "The Last Sam Weiss" was written by the female Fringe writing tag team of Owusu-Breen and Schapker. OK, I thought to myself. This is probably going to P/O hurt in some way...

I wouldn't do this in a review, but there is so much crammed into this chapter that I will list everything we've learned in "The Last Sam Weiss" below.

 

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