Showing posts with label Review. Show all posts
Showing posts with label Review. Show all posts

Fringe Reviews Roundup: "The Last Sam Weiss"

      Email Post       5/03/2011 10:30:00 AM      


Here are some reviews from around the web, in no particular order, for the Fringe episode "The Last Sam Weiss":
Have any favorite reviews, or reviews we should add? Let us know in the comments.

Fringe Review: The Last Sam Weiss

      Email Post       5/01/2011 03:29:00 AM      


“Let’s not assume the worst.”

The only thing harder than reviewing the penultimate episode of a Fringe season is attempting to snorkel through molten lava with nothing but a jury-rigged catgut air-tube. In other words, I feel a bit like Wile E. Coyote after he has run off the cliff but hasn’t realized he’s falling yet: we’re in mid-air and only beginning to sense the depth of our plunge.

"Father & Son"-A Review of Episode 320

      Email Post       4/27/2011 11:17:00 AM      



"Now there's a way and I know that I have to go away.
I know I have to go."--Cat Stevens, "Father and Son,"

Almost forty-one years ago a talented English musician, who called himself Cat Stevens, wrote a song that was a musical dialogue between a wise old, loving father, and his antsy, young son, who wanted to run off and join a revolution against the wishes of his father. This song "Father & Son," is a timeless classic of two generations trying to communicate in a bittersweet emotional moment. The above lyrics were screaming to me as I sat down to write this review for episode 320, "6:02AM EST."

On a second watching of this episode, I've upped my rating. This is a very good episode, that is almost as gut-wrenching as any to which Akiva Goldsman has contributed his writing talent. Almost, but not quite.
If you've been following Fringe all along you knew this time was coming, when our poor Walter Bishop would have to willingly let go of his "adopted" son, Peter Bishop, for the greater good. Interestingly, Walter was none too sublte about it: "I would have to sacrifice you to fix the problems I created." Note that Peter started the conversation on this topic:"Walter, we both know there's another way," and that he ended it:"I think this is what I'm supposed to do, but I can't do it without your help." Peter's mind is made up. What a huge turn from just a few episodes ago when he told us he wouldn't set foot inside the machine!

We've been told several times recently by the FOX Broadcasting ads, the showrunners, and even John Noble himself, that this first of the last three episodes is important, and that it is basically part of a three-part finale story arc. Packed into this Fringe timeslot we basically learned the following:


  • AltBrandon is proud to be a part of saving his world(by destroying ours)

  • Peter and our Olivia are truly united at this "end of the beginning"(as the FOX promo calls it)

  • Nina Sharp is actually afraid of something

  • Our team figured out Their team activated our machine very quickly

  • Walter says there's no way to stop the events that will increase exponentially

  • Our Walter thinks Walternate has won

  • Nina tells Olivia what Sam Weiss told her-in summarized form

  • Alternate Lincoln Lee is the only person FauxLivia trusts(besides her mother)

  • Broyles now values Walter's opinions as a person close to him, in addition to as a consultant

  • FauxLivia forces AltBrandon to give her something to get Over Here

  • Sam Weiss knows calculus

  • Astrid tries to comfort Walter and holds his hand as Peter heads to the machine

  • Peter has a very bad fall and the doctors cannot awaken him

  • Sam Weiss tells our Olivia she has to trust him

  • The episode ends full circle with "Over There:Part 2," as FauxLivia ends up in Walternate's cell

  • Kudos to the writers of this episode who must have scratched their heads while trying to incorporate the above points within a 43 minute time period. The pace is quick, and the only criticism I have about it is in the scene where FauxLivia prepares to go off to obtain means from AltBrandon to get Over Here. That scene starts with Faux singing to sweet little Henry(I should have made a bet with all those who didn't think she would name him that!). As she leaves Henry's room Lincoln is looking at a picture of the two of them smiling, Faux's arm around him as she proudly displays a medal. We learn it is a picture of her first commendation for saving Lincoln, her coworker at the time, during a Level 4 vortex incident. FauxLiv makes light of the situation, saying she was just going for his wallet and the $50.00 he owed her. Lincoln tries to reinforce the seriousness of their situation. You get the sense that this is how it's probably been with these two-Lincoln Lee trying to seriously engage her as she pulls away with humor and sometimes sarcasm, sort of a role reversal of the communication style of our Peter & Olivia.

    Lincoln asks her to let him come with her, but in her ever dominant role, FauxLivia tells him she needs him to stay there and get baby Henry to her mother's in case she doesn't return. There isn't a whole lot of eye contact as she tells Lincoln he's the only one that she trusts. Then the writers have these questions come out of Lincoln's mouth:"You really think Peter Bishop can stop this? That he can heal both worlds?" And you know that Lincoln and FauxLivia have talked, and you have to wonder how much she's told him, about Peter, about her feelings for Peter, and about the machine. She tells Lincoln she doesn't know but if anyone can talk the Secretary into turning off the machine it would be his son, to which Lincoln nods. Then it's a "See you when you get back" from Lincoln, a decent hug, and FauxLivia's out the door. But like many scenes in this show, it's not enough, and it leaves you wanting more information on this couple and their dysfunctional relationship.


    The good-bye scene between our Olivia and Peter runs parallel to Lincoln and FauxLivia's above in that there is no kiss or shared declaractions of love in front of the gang in the Massive Dynamic hangar, either. Peter stops Olivia with a hand on her arm and you can see that he wants to tell her as he swallows madly, one of his strongest tells. Olivia looks like she is swallowing emotion down as well as she tells him she'll call him from Massive Dynamic in New York. There's a slight shake of Peter's head and our Olivia heads out.



    My favorite scene of this episode is when Walter is in the hospital's chapel. Your mind should instantly recall "White Tulip," when Walter asks God for a sign of forgiveness, and receives it by the end of that episode. It's hard to believe the writers could trump those scenes in 320, but they have, and if this chapel scene doesn't show you John Noble's talents are award-worthy, I don't know what does! "I have no other place to turn," Walter says, and you can feel your stomach start turning as well. The rest of his conversation is posted below:





    I asked you for a sign and you sent it to me. A white tulip. And I'm so grateful! Since then, in moments of deep despair, I have found solace in believing that you have forgiven me. I was willing ot let him go. I was willing to let Peter die. I've changed. That should matter.God, I know my crimes are unforgivable. Punish me. Do what you want to me. And I beg you, spare our world.




    Wow. His words of being willing to let Peter die reminded me of the story in the Bible of Abraham being willing to offer his son Isaac as a sacrifice, which I think is intended here. Both Walters on both sides are willing to sacrifice their son, our Walter for the greater good, Walternate for the consummation of his revenge.





    Also noteworthy in "6:02AM EST" is the sweet Astrid/Peter moment when she asks "You sure you don't want me to call Olivia?" before Peter heads towards the machine. Peter answers her, "If it doesn't work she's gonna find out soon enough." Astrid just looks at him with those huge eyes waiting for him to continue. Peter then swallows and says"Just tell her that-" and Astrid smartly interrupts him, stating that whatever he wants to tell her he can tell her himself."
    We even get a little humor thrown in for good measure in that extended Peter-says- goodbye scene when Peter tells Broyles, "If this works and I save both universes, I want you to consider me officially retired," to which Broyles' face lightens as he replies, "I'll think about it."




    FauxLivia never gets a chance in this episode to get Over Here. Either AltBrandon has duped her or she's not using the canister correctly. The episode ends with deja vu as Walternate walks down a dark, familiar hallway and turns on a light in a holding cell. FauxLivia has now come full circle to sit in our Olivia's same cell. They have a very interesting conversation in which Walternate points out that they are similar in that both of them are willing to leave their son behind in order to risk their life for what they believe to be the greater good. FauxLivia gives us a "heads up" moment when she emphatically tells Walternate she doesn't see how killing billions of people can possibly be in the interest of the greater good. Nice. Definitely signs of redemption of the Alternate Olivia Dunham character here. It's about time.




    Things In This Episode That Point To Other Episodes



    • Sheep-makes me think of how we learned the sheep are gone Over There in 313, "Immortality."

    • Walternate's reference to Oppenheimer-reminds me of our Walter's reference to Oppenheimer in 302, "The Box" when Walter was yelling at Broyles while he was being put under pressure to find out how the box worked

    • Shirtless Peter-reminds me of him standing shirtless at their apartment door in 102 "The Same Old Story."

    • The scene in the field where thsheephandlers disappeared-reminds me of the soccer field in 120, "There's More Than One Of Everything," where Olivia and Charlie found the half a soccer player.

    • Walternate pouring alcohol from a flask-reminds me of Walternate pouring alcohol in 315 "Subject 13."

    • Walternate repeats "Give him the keys and save the girl-reminds me of the Observer and Walter saying the same in 310, 'The Firefly."

    • Peter & Walter drinking a toast-reminds me of Peter& Olivia doing the same in 314, "6B."

    • The circle that appears on the wall at the DOD after AltBrandon puts his palm on it-reminds me very much of the First People's calendar thingy in 306, "6955 kHz."

    • FauxLivia running from guards on Liberty Island-reminds me of 301, "Olivia."

    • FauxLivia running through the Liberty Island basement-reminds me of both 201, "A New Day In The Old Town," and 312, "Concentrate and Ask Again."

    • FauxLivia stuck at the gate-reminds me of our Liv behind one in 116,"Unleashed."

    • FauxLivia in Walternate's holding cell-reminds me of our Liv in the same place in 223, "Over There:Part 2."

    • "You don't know anything about me"-I believe FauxLiv said the same thing to our Liv in 223, "Over There:Part 2."

    • Astrid holding Walter's hand-reminds me of her holding Broyles' hand in 319, "Lysergic Acid Diethylamide."

    • "We don't have alot of time"-similar to David Robert Jones' words to Olivia in 114, "Ability."



    Things That Struck Me About This Episode:



    • "Rocky Mountain Way" by Joe Walsh playing in the bowling alley-Check out the lyrics to that. I guess the writers are trying to tell us something about Sam Weiss.

    • Sam Weiss and his Newton's Cradle-Dennis already gave you the wikipedia link for this. What's interesting is how it started without him touching it. Did Sam start it with his mind, and if he didn't start it moving, who did? Note that the biggest model of the Newton's Cradle in the US was made with bowling balls! Speaking of which, the red bowling ball knocking into the black bowling ball, but not seemingly affecting the blue bowling ball was interesting. According to that wikipedia page, the only thing that will change the course of the movement is a shock wave. Is Peter Bishop the "shock wave" that will affect the momentum? Or our Olivia? Or both of them together?

    • If it's Tuesday, Walter must be cooking while naked-A fun scene when Olivia runs into Walter in the buff. Interestingly, there are stories in the Fringe fandom at fanfiction.net which have incorporated Liv running into a naked Walter in their house written a long time ago.

    • "Tell Walter it's on!"-I don't think Nina means just the machine here.

    • "Explanations are above my pay grade."-That's gotta be eating at Over There Lincoln. How long is he going to put up with that?

    • Alternate Olivia named her son Henry!-That's just so fun.

    • Neither Olivia kissed their man goodbye before they left for work-That's a little cold, don't you think, writers?

    • "It wasn't supposed to be this way."-There's a paralell between September's situation of distracting Walternate 26 years ago and, Milo's discovery in 'The Plateau" that Olivia wouldn't use the inhaler, and what Sam's saying here.

    • The First People's calendar under AltBrandon's palm ID-Exactly how much do they know about the First People Over There?

    • The bottle of Brut aftershave on Sam's empty shelf-So who's the brut in this scenario? Is it supposed to be symbolic of Sam?

    • "The current catch is so powerful. It's unlike anything I've ever seen. And the thought of what that could do to my son...I don't want him to suffer."-Hmm. Will the effects of that tie into the previous references to the "heart" in 220, "Brown Betty"?

    • "If this works, and I save both universes, I want you to consider me officially retired."-From what we've seen in the promos it ain't gonna happen. Sorry, Peter.

    • The calculus equation Sam Weiss wrote down-Integral or differential calculus? Anyone know exactly what that is?

    • Ending the episode with Alternate Olivia in the same cell our liv was in-Priceless!

    After re-watching "6:02AM EST" several times I have come to the conclusion that it is a very good episode. Not epic, but, very, very good. I give it 4.5 out of 5 bottles of Brut.




























    Fringe Reviews Roundup: "6:02 AM EST"

          Email Post       4/27/2011 09:26:00 AM      


    Here are some reviews from around the web, in no particular order, for the Fringe episode "6:02 AM EST":
    Have any favorite reviews, or reviews we should add? Let us know in the comments.

    Fringe Review: 6:02 AM EST

          Email Post       4/24/2011 06:29:00 AM      


    “I think this is what I’m supposed to do.”

    Television shows are made up of many things. Dialogue and actors. Cinematography and score. Overarching plots, character development, and important moments. Great images and great lines. There is also an element of expectation—as viewers, we expect some moments to be presaged by rising music, for instance. Years of suckling on the boob tube makes even the most casual viewer a master of prediction and anticipation.

    That Which "Lysergic Acid Diethylamide" Unearthed

          Email Post       4/20/2011 09:42:00 AM      

    Has your subconscious Fringe ever demanded you to re-watch a particular Fringe episode? Three days before "Lysergic Acid Diethylamide"(henceforth referred to as "LSD") aired my "inner Fringe" demanded I watch an older episode. So I looked through the BluRay menu for Season 2 and got suddenly frustrated, until I found what my inner Fringe wanted in the "extra features" section: "Unearthed." The Fringepedia.net website, which does not follow FOX's official episodic numbering schedule, lists "Unearthed" as episode 211 (the official number is #121), which explains why our Agent Charlie Francis is alive and well in that episode, even though he got killed in episode 201 (see: Fringe Math for more info).

    It took a good 15 minutes into the episode and suddenly I had a feeling I was exactly where I was supposed to be. A high school girl named Lisa Donovan comes back from the dead shouting launch codes for nuclear ICBM missles and the ID code for a Naval petty officer Andrew Rusk.Olivia is asking Lisa Donovan questions. She tells the girl that the ID she shouted belongs to a man named Andrew Rusk, and she asks if that rings any bells? OK, this is starting to sound familiar!Just then Lisa Donovan launches into fluent Russian, which of course, human lexicon Peter Bishop is able to decipher. About two thirds of the way into this episode Walter decides Lisa Donovan is not channeling Rusk psychically, but that "Mister Rusk's entire consciousness was transferred into Lisa." Now the bells are ringing for me! This is all foreshadowing way back in "Unearthed" for Bell's consciousness transferring into our poor Olivia!Two women lying on gurneys (probably the same one) posessed, if you will, by a man's consciousness. Their names even sound the same: Lisa Donovan, and 'Livia Dunham. Wow. Who would've guessed an episode in the Extra Features section would be closely linked to "LSD"? But Lisa Donovan gets a benzodiazepine to start the prosess that purges her man, whereas our Liv gets LSD. Why the difference? I'll get back to that in a bit.

    Fringe Reviews Roundup: "Lysergic Acid Diethylamide"

          Email Post       4/19/2011 10:05:00 AM      


    Here are some reviews from around the web, in no particular order, for the Fringe episode "Lysergic Acid Diethylamide":

    Have any favorite reviews, or reviews we should add? Let us know in the comments.

    Another Review of 3.18, 'Bloodline'-Faux Pause

          Email Post       3/30/2011 03:53:00 PM      

    "OK, this is...seriously messed up." - Alternate Charlie Francis(AKA 'Scarlie') in "Bloodline"

    Some episodes of Fringe are more compelling than others, and , more messed up. And while some Fringe episodes are more messed up, they are still very much in order. Even though episode 3.18, titled, 'Bloodline' takes place Over There, it fits into that category.

    'Bloodline' is not just an episode about more consequences for Fauxlivia, who just 10 episodes prior swaggered back into her own Fringe headquarters "just like nothing ever happened." It's also an episode about enlightenment and emotionality for Special Agent Lincoln Lee, about Lincoln and Scarlie recognizing the synchronicity of FauxLivia's return and AltBroyles' disappearance, and about who is further off the deep end-Walternate, or our Walter? It's also an episode about the relationship between FauxLivia and her mother, Marilyn, and about just how concerned our favorite alt cab driver, Henry, has been about our favorite blond FBI agent.

    Fringe Reviews Roundup: "Bloodline"

          Email Post       3/30/2011 01:50:00 AM      


    Here are some reviews from around the web, in no particular order, for the Fringe episode "Bloodline":

    Have any favorite reviews, or reviews we should add? Let us know in the comments.








    Review of Fringe Episode 3.18 – Bloodline

          Email Post       3/27/2011 08:12:00 AM      

    Connections: Cosmic & Cabbie


    Quickly now – just finished a Snoopy Happy Dance Marathon upon the news that not only has FOX renewed Fringe for a fourth season but also for a full twenty-two episode order! WooT!

    Congrats to the cast and crew!

    Bloodline has to be one of the most layered episodes of Fringe. There is so much going on below the surface here that it would take a major thesis to cover them all.  

    Fauxlivia Encounters A Buddha In The Road!


    Fringe is very much a show of 'why.' The other elements of story telling; how, who, what, where, and when are given to us, in that trademark Fringian Freaky Format that shows the viewer the story in either the most graphic or dramatic way possible. Or with the two mixed together if the occasion calls for it. Often those mechanics are used to manipulate the viewer's thoughts one way while the real 'why' of those scenes is often more complicated than expected. Bloodline is a text book case.

    Fringe - Ep. 3.17 – Stowaway Episode Review

          Email Post       3/23/2011 09:19:00 PM      

    The Bell Tolls For Whom?

    Jumping into a season midstream for a serialized show is never easy. Doing so for a series as complex and layered as Fringe is even more daunting. Always up for a challenge so into the breech I step.

    Before I jump into this review a brief statement of orientation of my views on Fringe is needed. It should help you decide whether you feel my reviews will be worth your while. It is all about providing context because in isolation, words and thoughts can be misconstrued. So consider this opening of a new review restaurant and allow me to walk you through the specialities that I am serving.

    Fringe Reviews Roundup: "Stowaway"

          Email Post       3/22/2011 11:15:00 AM      


    Here are some reviews from around the web, in no particular order, for the Fringe episode "Stowaway":
    Have any favorite reviews, or reviews we should add? Let us know in the comments.

    Fringe Review: Stowaway

          Email Post       3/20/2011 06:01:00 PM      


    “Destiny, fate. Jung called it synchronicity. The interconnectedness of apparently unrelated events. Don’t you think it’s curious we meet a woman unable to die at the exact moment my consciousness returns from the grave?”

    The Theme of the Week is fate. The question of the week is trickier—how much fate happens despite (or because of) our heroes’ actions, and how much does William Bell make happen? Is he really the focus of all this synchronicity?

    Episode Review-'Os'

          Email Post       3/16/2011 09:15:00 AM      


    "What if I fail?"
    "You won't fail, Walter."
    "How can you be so sure?"
    "Because you can't."

    This is a bridging episode between where Fringe was and where it's heading, and the stakes have never been higher for our favorite mad scientist, Walter Bishop.

    Like many in the series so far this is mainly a relationship episode, mostly about that bittersweet relationship that can exist between a father and son.

    I always loved Greek mythology as a kid, so in the fourth scene, Walter's immediate reference to Icarus' flying to close to the sun and falling to the earth made me smile. It also made me alert. It wasn't just the famous Daedalus and Icarus father and son story we were talking about here, but most likely the foreshadowing of another father losing a son.(Yikes!)In a quick recap, Daedalus the designing father and his son, Icarus, were trapped in a labyrinth on the island of Crete by an evil king(long story). Daedalus came up with the idea of crafting a set of wings out of feathers and wax with which he and his son could escape. Before they did, Daedalus warned Icarus not to get too close to the ocean lest his wings get wet and malfunction, and not to get too close to the sun, lest the wax of his wings melt and he fall into the sea. Unfortunately, Icarus got carried away by the magnificence of flight and flew too close to the sun. The wax holding his wings together melted, and Icarus plummeted into the sea and drowned. There's no hard proof yet but I can't shake the feeling that this is foreshadowing of the fate of Peter Bishop sometime in the future of the series, not exactly in the manner of this myth, but similarly none the less.

    Fringe 316 Reviews Roundup: "Os"

          Email Post       3/15/2011 09:08:00 AM      


    This week's episode of Fringe was another "licorice" episode - some people loved the "soul magnet" story line, others... not so much.

    Here are some reviews from around the web, in no particular order, for the Fringe episode "Os":
    Have any favorite reviews, or reviews we should add? Let us know in the comments.

    'Subject 13'-A Review

          Email Post       3/02/2011 11:40:00 AM      


    "I think the children are the key."

    When I first read the spoiler that the writers were going to give us a flashback and explore the Peter/Olivia relationship, I have to admit I was a little skeptical, but they delivered in a big way.

    They also answered a few questions and made us come up with so many more, as is one of Pinkner's/Wyman's goals.

    'Subject 13' is a riveting episode, and as usual, I believe there is a lot of foreshadowing in it regarding Season 4 and maybe even Season 5 (should we be so lucky).

    This is an episode that gives us the history of the P/O dynamic, and informs us of what happened to both sets of Peter's parents, post-'Peter.' First, let me point out that executive producer, Jeff Pinkner, told us months ago that 'Peter' and this episode would be like bookends, giving us the information we needed regarding the before and after Walter Bishop's crazy act of abducting a child from one universe and taking him into another. It should come as no surprise to you that 'Peter' and 'Subject 13' were both written by Jeff Pinkner, Joel Wyman, and Akiva Goldsman, as one can certainly tell from the smoothness of both of these episodes.

    Fringe 315 Reviews Roundup: "Subject 13"

          Email Post       2/28/2011 01:02:00 PM      

    Click to view full size image

    Here are some reviews from around the web, in no particular order, for the Fringe episode "Subject 13":
    Have any favorite reviews, or reviews we should add? Let us know in the comments. 

    Review-'6B'

          Email Post       2/23/2011 11:37:00 AM      


    How do I love thee '6B'? Let me count the ways?

    I can almost picture the writers' brainstorming meeting for this episode. Someone says it'll be a Valentine's week airing and there's discussion about what that means. Inevitably all the forms of love come into conversation and Shakespeare's name is bandied about. Or, knowing the genius of executive producers Jeff Pinkner and JH Wyman, this episode which came to be known as 6B was built into the story arc in rough form way back in Season 1.

    That would definitely not surprise me.

    '6B' is a bittersweet tale of love and loss, and I daresay, probably the heaviest dose of foreshadowing we've been given since 'Brown Betty' in Season 2. Having seen '6B' three times now(that's not much for me) I think this episode was brilliantly written. It's also a none too subtle reminder of where Fringe is right now and where it is headed. The blue universe has a new gigantic elephant in the room we can label the threat of holes, not soft spots as Olivia is corrected by Walter. No one's been giving too much thought as to the decay of our side, until now when the threat looms large and fresh in Brooklyn, a location very close to the first and huge vortex that formed in the East River Over There. I guess we should feel lucky, their vortex began in 1989, so the whole(pun intended) process is beginning more slowly on our side.

    Fringe 314 Reviews Roundup: 6B

          Email Post       2/22/2011 11:24:00 PM      

    Here are some reviews from around the web, in no particular order, for the Fringe episode 6B:
    Are there any review we should add? Post them in the comments. Have any favorite reviews? Let us know!

    Fringe Reviews Roundup: Immortality

          Email Post       2/17/2011 09:51:00 AM      

    Here are some reviews from around the web, in no particular order, for the Fringe episode Immortality:
    Are there any review we are missing or we should ditch? Which are your favorite reviewers? Let us know!
     

    Viral & Official FOX Websites



    FTV Members

    Meta

    Powered by Blogger
    Designed by Spot