Showing posts with label Review. Show all posts
Showing posts with label Review. Show all posts

Fringe Review: Immortality

      Email Post       2/15/2011 02:59:00 AM      


“Guess who.”

Oh my god, oh my god, oh my god—and that’s just my reaction to the crawly bugs, which gave me some really horrible nightmares. Everything else? I’m not even sure of what to say: so many developments, so many possibilities, so much dramatic tension.

Review-'Concentrate and Ask Again'

      Email Post       2/09/2011 12:10:00 AM      


Structurally, this episode reminds me of episode 2.18 titled 'White Tulip,' which is one of my all-time favorite Fringe episodes. This one, however, is not thanks to the last three minutes(We'll get to that later.) Do you remember in 'White Tulip' when Walter lectures Peter and Olivia on Einstein's theory of bending time? He folds the paper so that the two ends meet. In 'Concentrate and Ask Again' the two ends-the beginning and the end of the episode-almost meet, if it weren't for those nefarious last three minutes. I didn't catch it on the first watch, but if you re-watch it, you'll see what I mean.

Nina Sharp calls Olivia to her office to discuss the First People books. I will ask the usual Nina question here. What is Nina's motivation this time? She acts as though she has not read FauxLivia's report. My guess is telling Olivia about William Bell's pursuit of the Frist People books is her excuse to wiggle her way into trying to find out Olivia's reaction to FauxLiv's comments on Peter Bishop . Nina is a power monger and has to know everything, probably so she can find new ways to manipulate people. So she ever so smoothly leads Liv to reveal her take on Faux's new-found feelings for Peter, and gets Liv to verbalize that she wonders if maybe Peter feels the same way. A few lines of dialogue later after she tells Nina that FauxLiv is "like her but better," Nina Sharp delivers the first corner of the bending paper I mentioned earlier : "But even so, you don't know what Peter's thinking." Aye, there's the rub. No one knows.

Fringe Reviews Roundup: Concentrate and Ask Again

      Email Post       2/08/2011 05:35:00 PM      

Here are some reviews from around the web, in no particular order, for the Fringe episode Concentrate and Ask Again:

Are there any review we are missing or we should ditch? Which are your favorite reviewers? Let us know!

Fringe Review: Concentrate and Ask Again

      Email Post       2/07/2011 12:31:00 AM      


“Do you know how it feels to be burdened with something that makes it impossible for you to relate to another person?”

What an odd episode. My narratological radar was pinging like crazy before the credits, as we were privy to three different opening scenes. A Tristam Shandy allusion? A structural hint that we may get a red, blue, and yellow universe? Or just an indication that this episode is transitional, drawing out mythological, emotional, and thematic plots that will have important resonances in episodes to come?

Review: Reciprocity

      Email Post       2/01/2011 12:48:00 PM      


“The tiniest changes in our composition result in a drastic change in our behavior.”

What an odd, unexpected episode. That’s not a bad thing. It’s a good thing: Fringe is keeping me on my toes, and it was fun to gradually realize that I was watching a traditional who-done-it with a few chapters from the killer’s point of view interspersed with our detectives attempting to mulder out the mystery.

Review: The Firefly

      Email Post       1/23/2011 12:43:00 AM      


Roscoe: “Are you sure you don’t know what I’m supposed to do for you?”
Walter: “No idea.”

What a delightful episode. I had been a bit worried that Fringe would start to lose its shine now that Bolivia is back in her Bearth. (See what I did there?) But this episode managed to neatly balance on the fine line between mystery of the week and high-powered mythology.

"Ten Reasons We Loved Watching TV in 2010"

      Email Post       12/22/2010 08:52:00 PM      


Ten Reasons We Loved Watching TV in 2010
Griping about the low quality of television content has become a popular pastime over the last few years, but, provided you view the medium with a certain level of discernment, 2010 was a great year for TV. Here are ten reasons why, in no particular order.
by IMDb-Editors last updated - 6 days ago

4/11“ "Fringe" Borrowing from past anthology-style genre shows such as "The X-Files," the developing mythology within "Fringe" grew from weekly explorations of weirdness into a romantic tragedy that explores betrayal, despair, love and forgiveness, all within the framework of parallel universes colliding, each threatening the existence of the other. As complex and creepy as it can seem at times, the reasons "Fringe" continues to fascinate us are fairly simple: at its center, it's about all the ways human emotions can bind, destroy, heal and sustain us. And thanks to John Noble's not-quite-sane genius scientist Walter Bishop, "Fringe" never lets us forget how important it is to take time out for the sweet things in life...like, say, a good bowl of pudding. ”

10 Best TV Series of 2010:Ken Tucker's Picks

      Email Post       12/21/2010 12:53:00 PM      


The Best of 2010
10 Best TV Series of 2010: Ken Tucker's Picks

2. Fringe
TV's most cleverly arranged drama, full of thrills and strained relationships, laughs and nuanced acting. John Noble, Anna Torv, and the deceptively restrained Joshua Jackson should, in other words, be Emmy nominees, and Fringe deserves more credit for building the enthusiastic audience it has created.
Source:entertainmentweekly.com


The clip above is from the current issue of Entertainment Weekly: Best and Worst 2010.
I smiled when I read it. We all know Ken Tucker is a big Fringe fan. I could just hug him.

Fringe Review: Marionette

      Email Post       12/12/2010 03:47:00 AM      


“She’s taken everything.”

I wondered last week why the Fringe powers that be didn’t use the last episode—specifically, Olivia’s return—as the mid-season finale. It was exhilarating, fast-paced, and nicely concluded one phase of the longer story about the two worlds. Now that I’ve seen “Marionette,” I understand.

Fringe Reviews Roundup: Marionette

      Email Post       12/10/2010 04:00:00 PM      

Click to view full size image
Here are some reviews from around the web for the Fringe episode "Marionette":
UPDATE: More reviews:
    If you find any other good reviews, leave a comment, and I'll add them to the list.

    "Entrada" Into The Vortex

          Email Post       12/08/2010 11:49:00 PM      


    Even if you haven't been watching Fringe since the pilot, you may have noticed that some episodes just stand out more than others. 'Entrada' is one of those. I was not at all surprised to see 'Entrada' was written by executive producers Jeff Pinkner and Joel Wyman. How could I tell? This episode was riveting, smooth, and flowing. Despite all the back and forth action between universes, we viewers could keep up with it.

    In reviewing "Entrada," which is most likely the best Season III episode to date, let's start with its glyph word, "CROSS." There are at least 4 crossing situations in this episode(if you find more let me know.) Peter Bishop finally realizes FauxLivia has crossed him. AlternateBroyles crosses Walternate(yikes!), FauxLivia crosses over to her side, and our poor Olivia crosses back to ours.That's a lot of action in a less than one hour show, and the brilliant thing is Pinkner and Wyman packed more into the episode than just that.

    Fringe Review: Entrada

          Email Post       12/06/2010 01:12:00 AM      


    “It's like nothing ever happened.”

    After a great deal of action in two separate universes, we’re left with sadness: Olivia has to try to fit into a world that has changed; Fauxlivia has to fit into a world that doesn’t know she has changed—or even been gone.

    Fringe Reviews: Entrada

          Email Post       12/03/2010 04:00:00 PM      

    Click to view full size image
    Here are some reviews for the Fringe episode "Entrada"
    If you find any other good reviews, leave a comment, and I'll add them to the list.

    Fringe Review: The Abducted

          Email Post       11/20/2010 05:01:00 PM      


    “I won’t forget what you did here.”

    So now Olivia knows that Broyles knows what she knows. Walternate knows that Olivia knows what he worried she knew. And Peter knows what he didn’t know (despite my theory that he did know): he knows that what he thought he knew is wrong. The question is: when will Fauxlivia know what Peter now knows, and what will she do with that knowledge?

    Fringe Review: 6955 KHz

          Email Post       11/14/2010 06:10:00 AM      


    “If you end up breaking the universe, this time it’s on your head.”

    The First People existed long before dinosaurs. They conceived of time differently than we did, using a complex system of variable-length months to give order to their universe. They also discovered the vacuum cleaner. No, wait: The Vacuum, a device that has the power to create and destroy at the level of the Big Bang. No wonder they didn’t last long.

    Fringe Review: Amber 31422

          Email Post       11/07/2010 12:43:00 AM      

    “Nature doesn’t recognize good and evil. Nature only recognizes balance and imbalance. I intend to restore balance.”

    On my home site (instead of Over Here), a commenter discussing Supernatural recently mentioned that The Vampire Diaries, which I also review, had spoiled him on plot development. On VD, the changes come fast and furious, and missing one episode would probably be like missing about ten Fringe episodes. So even though this episode seems stuck in neutral, I think that we should be okay with that. We have our characters, our worlds (two for the price of one!), and some fairly interesting plots. Fringe isn’t running at a break-neck speed, and I’m okay with that. It’s still way, way better than FlashForward.

    Fringe Review 304: Do Shapeshifters Dream of Electric Sheep?

          Email Post       10/17/2010 06:57:00 PM      


    “You’re not his Olivia.”

    Last week, Fringe gave us parallels between our Olivia and a man whose mind had been altered beyond all expectation by scientists. This week, Fauxlivia’s double is the man—that is, the shapeshifter—who becomes so enmeshed in his cover story that he starts to believe it. But will Fauxlivia ever feel the connection with Peter and Walter that Olivia has? Or will her resistance to developing those connections make her subterfuge easier to discover?

    Review of 3.04 'Do Shapeshifters Dream of Electric Sheep?'

          Email Post       10/15/2010 08:58:00 AM      


    Let me start by saying this whole episode reminds me of an excellent movie from 1987 called No Way Out. Have you seen it? Basically, Kevin Costner is a naval officer who gets promoted to work under the Secretary of Defense in the Department of Defense. He is assigned to investigate the death of a young woman who had ties to officials in that department. We find out Costner's character had been having a happy affair with the deceased, and had fallen in love with her. He finds out her 'sugar daddy' and killer was his boss and seeks revenge. Unfortunately, the key piece of evidence is an old Polaroid negative which, eventually when re-constructed, shows Costner in the woman's company and hence the lead suspect. Costner tries desperately to find evidence to name his boss as the poor woman's keeper and killer. And he does. The boss says a KGB operative killed her. By the time the Polaroid's reconstructed, Costner has escaped. In an excellent twist at the end his 'landlord' speaks to him in Russian, revealing there really was a KGB operative in the DOD that no one knew about. Costner had been assigned to have the affair to gather Intel on the Secretary of Defense and the DOD. Costner's told to go back to the Soviet Union but he refuses. Surprisingly they don't kill him for refusing, his Soviet handler says "Where is he going to go?"

    So how does the movie No Way Out relate to Fringe episode 304? First off, Newton had no way out. He had to be terminated in the holding facility so they couldn't get his Intel.(But seriously, couldn't he have just run way?) Secondly, that poor shapeshifter(yes, the executive producers made me have sympathy for this shapeshifter who had grown to love his current 'life.' Reminiscent again of 'Blade Runner,'yes?)had no way out. He disobeyed orders by not shifting. But he knew even if he had he was supposed to get 'rid of all traces' ie., his beloved family, and he said he couldn't do that. Thirdly, FauxLivia had no way out, so she thought. In order to complete her mission she needs Peter Bishop's unwavering trust. She thinks she's going to get that by sleeping with him. Ah, but let's examine the bigger picture here.

    Review Of Episode 3.03 'The Plateau'

          Email Post       10/11/2010 02:36:00 PM      


    Let me start by simply stating that I think this is the best episode of Season 3 so far. Why? The dualism, the chain reactions, and the casting.

    Plateau scenario 1: Walternate, the 'Other Side's Secretary of the Department of Defense, observes our Liv functioning on her first day at work as FauxLiv. He seems pleased, and assures a not-so-confident AltBroyles that soon our Liv will "reach a plateau and her new identity will become fixed." But Walternate did not count on any unknown variables.

    Plateau scenario 2: Milo Stanfield was mentally retarded. His loving sister, Maddie, signed him up for an experimental drug study run by the Ivon Medical Group, a subsidiary of her work, Gregston Electric. In a true miracle, after only one treatment with a new neurotopic(a smart drug) Milo's IQ soared. After five treatments, Milo was thinking in terms of probabilities that even savants like Alternate Agent Astrid Farnsworth found unthinkable(ever see the movie 'Rainman'?). But the medical experts conducting Milo's study did not count on any unknown variables.

    Fringe Review: The Plateau

          Email Post       10/10/2010 02:29:00 AM      


    “Well, that wasn’t supposed to happen.”

    I was not initially impressed by this episode. Don’t get me wrong—it was quite strong, and I still enjoy learning about Over There, about the Fringe Division, about the relationships between Faux/Olivia, Alterna-Francis, and Lincoln Lee. But at first blush this felt like a stand-alone, and Fringe can be so much better than that when it wants to be. So I let it simmer for a while, and then I realized that this isn’t a stand-alone at all: it is a compelling thematic and psychological step in the progression towards…whatever it is we’re progressing towards.
     

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