Showing posts with label Fringe. Show all posts
Showing posts with label Fringe. Show all posts

Why Fringe Deserves to Win the Critics' Choice Television Award for Best Drama

      Email Post       6/10/2011 03:01:00 PM      



Fringe fans have known for a long time that the show is special. It was the quality of the show and the dedication of its loyal fan base that led to its fourth season renewal. FOX president Kevin Reilly called the fans “some of the most passionate and loyal fans on the planet.”

Fringe fans on Twitter will always remember producer Joel Wyman’s tweet: “Fringe was picked up! Thanks Fringedom!” Thanks to organized efforts like The Fringe Network, fans were also able to Twitter-trend Anna Torv, Fauxlivia, Walternate, and a special hash-tag created for the season finale title, #TheDayWeDied.

It’s now time for fans to show their passion and loyalty once again. Many have expressed disappointment and frustration with the lack of official awards recognition for what they consider the best drama on television.

Fringe is among the list of nominees for the Critics' Choice Television Awards. Presented by the Broadcast Television Journalists Association, it honors the best in television. Dramas that aired between June 1, 2010 and May 31, 2011 were eligible for nomination. The awards ceremony event will occur on June 20, 2011.

Many well-respected television critics adore the show, and they heaped praise upon it for its creativity and risk-taking ventures. Entertainment Weekly’s Ken Tucker even went as far as to write an article explaining to readers why Fringe deserved a fourth season.

Fans need to rally around this nomination, and show the voting committee why Fringe is worthy of a win for Best Drama. As an intensely loyal Cortexifan, I’ll start.

Why is Fringe an Amazing Drama?

Fringe is more than just science-fiction. The show masterfully blends elements of science, emotion, conscience, morality, philosophy, intrigue, action and romance. It is at its very core the story of three people drawn together by extraordinary circumstances. Eventually, these three form what they consider an “odd little family unit.” There is a certain investment that viewers feel for the characters of Olivia, Walter and Peter. Fans care so much about them that they cheer for their victories and cry for their sorrows.

The writing for Fringe does not take the easy route. The show consistently pushes the envelope for excellent storytelling. The choice to alternate between two worlds for several episodes was one of the most satisfying for viewers. Also, an extremely unique love-triangle developed, when other shows would not have dared to attempt it.

Continuity is also a show staple. Fringe evolved this season from a procedural/mythology hybrid, to a full-blown serial drama focusing on the mythology. Events and clues from prior seasons resurface in later episodes. One of the most fundamental this season was the use of a Greek phrase from Season Two that means, “be a better man than your father.”

The showrunners obviously have a plan for the direction of the show. For the viewer paying attention, the payoff is immense. This aspect also makes Fringe one of the shows with the highest replay value. Many fans are re-watching the entire series this summer in order to make new connections with information from season three.

The Critically Acclaimed Third Season

The amazing third season was the best yet, and is highly deserving of the win for Best Drama. After a long summer hiatus, Fringe returned with a bang. It was on fire for the first half of season three and white-hot as the season finished.

At the end of season two, fans were left in shock as F.B.I. agent Olivia Dunham was left behind in the parallel universe, having been switched with the alternate Olivia. Meanwhile, Walter and Peter return to their universe with Olivia’s alternate self.

The story-arc for the first eight episodes partially concerned Olivia’s struggle “Over There.” Viewers were presented with a glimpse of the parallel universe in the Season 2 finale, but this world was made more real in the third season. The viewer was immersed in a world with a few differences from ours. For one thing, the Twin Towers still stand “Over There.”

However, the world is dying due to disturbances caused when Walter from our world came through a tear between universes, and took its Peter Bishop back with him in order to save his life. People “Over There" often deal with vortexes and wormholes. The Fringe Division is part of the Department of Defense. When an unstable anomaly is detected, they are deployed to determine if Amber protocol needs to be initiated. Amber is a gaseous substance that solidifies, thus sealing tears in the universe. Unfortunately, it often catches people as it is dispersed. The viewer sees how desperate the people of this world have become.

Olivia's journey home led to many complications and opportunities for character growth.

The complicated relationship between Peter and Walter Bishop offers a heartening, but also tragic look at one of the best father/son pairs on television. The third season highlighted acceptance and forgiveness on many levels for the two of them.

The relationship between Peter and Olivia reached its apex this season. They are often hailed as one of the most well-progressed television couples. The obstacles that the two of them faced together were unlike any endured by any other romantic pair on television this season. Their relationship developed organically as they found how to forgive, trust, and love one another. Peter made a huge sacrifice in the name of love at the end of the season. When Olivia lost her life, he felt he had nothing left to lose and made a game-changing decision.

The war between the universes drove the plot for most of the season. Many viewers became attached to both of the worlds, and were frightened by the possibility of one of them being destroyed. The people "Over There" became just as human as the people "Over Here." Fans cared about Fauxlivia, Lincoln Lee, Charlie Francis, Henry Higgins, and the son of Fauxlivia and Peter. Many of the characters hoped for a peaceful resolution that allowed both worlds to survive.



Characters and Actors

This drama has shown steady character growth over each season. This season was the most progressive in fundamental changes for each of the main three characters. All of the cast gave stellar performances. Anna Torv and John Noble especially had to step up their games to play two different versions of the same character.


Walter/Walternate (John Noble)

Walter Bishop experienced a range of emotions this season, and Noble nailed it. Walter had come to terms with the consequences of his actions. He also had to accept that Peter was his own man, and to let him choose his own destiny. Also, Walter came to grips with the fact that he was still a good man. He realized that he could stand on his own, even if he was no longer whole.

Walternate was shown as a man driven to protect his world, no matter what the cost. What had initially started as despair from Peter’s kidnapping, turned into a failed marriage. Walternate made the universal war personal, and it seemed to no longer just be about getting his son back. In the finale episode, set in the future, his display of vengeance was complete as he destroyed what Peter loved most.

Olivia/Fauxlivia (Anna Torv)

Torv convincingly played several roles this season, which has astounded fans and critics alike. She played Olivia, Alternate Olivia, Olivia thinking she’s the other, Fauxlivia pretending to be Olivia, 2026 Olivia, and even did an amazing impression of Leonard Nimoy when his William Bell character possessed her body.

Olivia suffered long and hard this season. She was taken from the man she loved and injected with the memories of another version of herself. All so that Walternate and his scientists could find out how Olivia had the ability to cross between worlds. The season showed the strength and resolve of Olivia Dunham. Her will to survive and get back to Peter saved her life. But when she came home, she learned that her alternate had lived her life, and that Peter had fallen for her in every way. Olivia saw Fauxlivia as “like her, but better,” and this really brought questions about individuality to the forefront. All the while she shut Peter out thinking that he preferred the other Olivia over her. As time progressed, she found that she is her own person, and that Peter loves her for who she is. She came to see herself as something special instead of a broken soul.

The alternate Olivia, also known as Fauxlivia, was a happy-go-lucky gal that became immersed in a covert operation to save her universe. She was cocky, but showed signs of being unsure of herself. Goaded on by the shapeshifter Newton, she crossed her moral line and seduced Peter. She eventually came to see that the people “Over Here” were not the monsters that Walternate had her believe them to be. Peter especially got to her conscience when he told her that he believed there had to be a way to save both worlds. When she returned, she brought “something more" with her. An unplanned pregnancy, with Peter Bishop as the father, turned her world upside down. She became humbled, and with the accelerated birth of her son, she realized the true cost of the war between worlds.

Peter Bishop (Joshua Jackson)

There is only one living Peter Bishop in both of the universes, so Jackson did not have the opportunity to play an alternate version of the character. But he gave impressive performances, many of which were heart-breaking to witness. His scenes in the episodes Entrada, The Firefly, Reciprocity and The Day We Died were some of his best work.

As a child of two worlds, Peter felt like he did not really belong in either. But he came back here for Olivia when she told him, “you belong with me.” Peter really thought that “Olivia’s” slight changes in personality and mannerisms were because she had entered a relationship with him, and she was happy. He did question it, but didn’t pursue his suspicions further. When he discovered the truth, there was doubt that he was angry at himself for dismissing the differences. He was so relieved when his Olivia came home, but pained because he had to tell her the truth. Peter did tell her everything as much as it hurt, because he felt it was the right thing to do.

Although he struggled with it all season, Peter came to accept his destiny regarding the ancient machine which was the key to either creating or destroying universes. However, when faced with the possibility that he made the wrong choice in destroying his home universe, he was willing to change it, no matter the price.

Episodes of Note:

Olivia: The Season opener set up the first eight episodes of the season. Olivia was broken down and injected with her alternate's memories. She escaped, but by the end of the episode, she believed that she was the other Olivia Dunham.

Do Shapeshifters Dream of Electric Sheep: The very last scene had many fans on the edge of their seats. The scene alternates between the death of nemesis Thomas Jerome Newton and Fauxlivia's seduction of Peter.

Entrada: Peter was informed that Olivia was trapped in the alternate universe, and that he was sleeping with the enemy. After great struggle and sacrifice, Olivia made it home. But she had no idea that someone else lived her life and loved Peter while she was gone.





Marionette: One of the larger themes for this season has been individuality. What makes us who we are? When a man brought his dead love back to life, did he really bring her back? Because of this, Olivia wondered why Peter could not recognize that the Olivia he was involved with was not her. She told him bluntly after she broke down at the end of the episode, "She wasn't me. How could you not see that?" Shortly followed with a heartbreaking, "I don't want to be with you!"

The Firefly: The mid-season premier marked the return of the mysterious Observer. He asked Walter for some help, and it turned out that the favor involved Peter.

6B: Olivia finally accepted the pain that Peter endured from his mistake, and realized how easy it was for people to be fooled when they are so desperately in love. She took a leap of faith that had many fans smiling at the end. She told Peter, "I want what you want," and led him sweetly by the hand up the Bishops' staircase to his room, and the scene faded to black.

Subject 13: This is a follow-up to the second season's critically acclaimed episode, Peter. It took place six months later. Walter tried to use the universe crossing abilities of his cortexiphan subjects to return Peter to his home universe. One of the subjects was a young Olivia Dunham. An astonishing reveal was made.




Bloodline: A group kidnapped Olivia from "Over There" and accelerated her pregnancy to term. The birth scene had many fans in tears for the suffering of a character that many were not fond of, and that some downright loathed. The fact that it could make viewers feel compassion for someone perceived to be the “evil” twin, is a testament to a great story and excellent writing.

Lysergic Acid Diethylamide: This is an episode that showcases just how far the characters will go to save each other. Peter and Walter use LSD to enter Olivia’s mind in order to release her from the hold of William Bell’s consciousness.

The finale arc (6:02 AM EST, The Last Sam Weiss, The Day We Died)

These three episodes bring season three to an epic close. Questions are answered, and viewers find out the fate of the universes as well as the future of beloved characters.

The finale ending has consistently been among the lists of top cliffhangers for this broadcast season. Prepare to be wowed when watching, and have some tissues ready.



Bloodline, Lysergic Acid Diethylamide, 6:02 AM EST, The Last Sam Weiss and The Day We Died are available to watch at Fox.com.

Here's to winning the Critics' Choice Award for Best Drama!

Vote 'Fringe' Outstanding Drama Series in TVLine's Dream Emmys

      Email Post       6/10/2011 11:57:00 AM      



Emmys 2011: Analyzing the Best Drama Series Race — Including Our 6 Dream Nominees by Team TVLine

This category might as well be called Outstanding cable Drama Series. Between the strong contenders on HBO (Boardwalk Empire, Game of Thrones), AMC (Mad Men, The Killing, The Walking Dead) and FX (Justified, Sons of Anarchy), the broadcast networks will be lucky if they get one show in the running. If they do, that show will likely be the best of the bunch, CBS’ The Good Wife.


Review this slideshow of the major contenders — including TVLine’s Dream Nominees — then vote below for who you think are the six best. And check back Thursday for our preview of the Outstanding Lead Drama Actress race!

Click here to read the entire article, and be sure to vote for Fringe!:6 Dream Nominees, Emmys 2011

'Fringe,' Anna Torv, and John Noble Nominated for Critics' Choice Television Awards

      Email Post       6/07/2011 07:59:00 PM      

Critics' Choice Television Awards: Yet Another Awards Show Arrives to Fete TV

Emmys need not worry about the Critics' Choice Television Awards, but some creative nominations do arise.
9:00 AM 6/6/2011 by Tim Goodman

If you’re thinking that what the world needs now is another awards show, then perhaps you’re a member of the newly formed Broadcast Television Journalists Association, which whipped itself together recently and decided to hold an awards show this month to get a jump on a slightly bigger gathering called the Emmys.

The Broadcast Television Journalists Association (BTJA) is an off-shoot of the Broadcast Film Critics Association and centers mostly on “those who regularly cover television for TV viewers,” meaning these are people you see on TV fawning over – or maybe that’s called covering – people who are on television series. People covering television shows on television don’t seem to do much serious criticism, but the group did decide to add some people who cover television online and, in a nice coup, also got respected critic Matt Roush from TV Guide Magazine.

The new group’s nominees, announced today, show some progressively clever improvements over traditional Emmy nominees but also a few stupefying decisions and omissions.

The group has 10 nominees in both the best drama and best comedy category, something the Emmys should seriously consider. There are six nominees in the acting categories, three reality categories (series, competition, host) a “talk show” category that includes daytime entrees, no writing or directing categories and no movies, miniseries, specials or documentaries.

So at least it should be a lot shorter than the Emmys.

The 10 best drama nominees are Boardwalk Empire, Dexter, Friday Night Lights, Fringe, Game of Thrones, The Good Wife, Justified, The Killing, Mad Men and The Walking Dead.That’s a pretty strong list if you’re nominating 10 and, despite the egregious omission of Treme, plus the worthy trio of Men Of A Certain Age, Lights Outand Southland, there’s not much to quibble with.

Read the rest of the article here:hollywoodreporter.com
Use the link to see all the nominations:Critics' Choice Television Awards Nominations

Why I Trust the Writers of Fringe More Than Any Other Writers on Television

      Email Post       6/02/2011 05:12:00 PM      

Why I Trust the Writers of Fringe More Than Any Other Writers on Television
By Sam McPherson Filed June 2nd, 2011

When it comes to picking television shows, you need to choose carefully. You need to pick a show you can get behind, one that you can rely on. It's like choosing a girlfriend, albeit one you only see for an hour a week. It has to be a show you can stand proudly behind, saying "That's my show!" when it wins awards or gets a smattering of critical adoration. It needs to be a show you can tell your friends about, one that you can bring home to your parents. For me, Fringe is that show. And it all goes back to the writing staff of the show, headed up by the wonderful Jeff Pinkner and J.H. Wyman. I trust them more than I trust any other writing staff on television, bar none. That's a pretty big claim, and one I don't make lightly.

What does it take for a TV writing staff to gain my trust? The answer is both simple and complex: the show needs to be something I can rely on. It needs to be a show that's consistently amazing, week after week, while at the same time it needs to be something that commitment to pays off. A show can have consistently good episodes without really going anywhere in terms of overall plot, and conversely can have consistently mediocre episodes that advance the plot light years every week. Oh yeah, and you can't just make up the plot as they go along (LOST, as wonderful and dear as that show is to me, meets the other two criteria but falls a bit short on this last one)...

Ari Margolis Begins Fringe 'Song Of The Day' Contest on Twitter

      Email Post       5/26/2011 01:25:00 PM      

Fringe promo creator extraordinaire, Ari Margolis, has not left us during this lowatus.
As a matter of fact he's been tweeting and sending reply tweets to Fringe fans on Twitter on a regular basis at @jonxproductions.

Ari has started a Twitter Fringe 'Song Of The Day' contest, selecting from fan-submitted entries. Today's winner is 'We're In This Together' by Nine Inch Nails and Fringe ep favorite, Trent Reznor. Use the link below to see the YouTube video.

Ari is encouraging fans to send him suggestions:

Keep sending suggestions for the #Fringe Song Of The Day! There are a lot of
days left to fill!
#Fringe #HiatusMusic

Thanks, Ari, for making the Fringe summer break a little more Fringe-filled!

'We're In This Together' by Nine Inch Nails

Akiva Goldsman's 'Winter's Tale' Film Gets The Green-Green-Green

      Email Post       5/26/2011 09:47:00 AM      

Akiva Goldsman Gets Green Light On 'Winter's Tale' At Warner Bros
By MIKE FLEMING Tuesday February 1, 2011 @ 5:23pm PST

EXCLUSIVE: Akiva Goldsman is set to make his feature directorial debut on Winter's Tale, the 1983 Mark Helprin novel that Goldsman adapted. Warner Bros has set the picture for a spring 2012 start. Goldsman will make the picture after he, Ron Howard and Brian Grazer complete The Dark Tower, the adaptation of the Stephen King novel series for Universal Pictures, which has Javier Bardem in talks to star as mythical gunslinger Roland Deschain. Goldsman wrote that script and is producing The Dark Tower with Grazer and King.

Goldsman, who won the Oscar for scripting A Beautiful Mind, has previously directed episodes of Fringe, on which he's a consulting producer. Helprin's novel is a story that centers around a thief, a dying girl and a flying white horse in 19th Century and contemporary Manhattan. Goldsman sparked to the fantasy element of the tale, and the fact that it is an unabashed love letter to the city where he grew up. The picture is a large scale $75 million effort, and Warner Bros is about to cast up the key roles including Peter Lake, the orphaned mechanic who tries to rob a palatial West Side mansion. And the young dying girl who meets him there, who he becomes determined to save. CAA reps Goldsman.
Source:deadline.com

David Fury Announces on Twitter He's Joining Fringe

      Email Post       5/22/2011 10:07:00 AM      


On May 18th award-winning writer, David Fury, tweeted (@Dfury) that he was a new writer-producer "on a little show called Fringe."

David has quite the resume. He wrote for Buffy the Vampire Slayer, Angel, 24, and Lost. He was also a co-executive producer for the first season of Lost.

David and fellow writers won the Writers Guild of America(WGA) award for Best Dramatic Series(for Lost) in 2006. He has also won two Primetime Emmy Awards for Outstanding Drama Series, for Lost in 2005, and for 24 in 2006.

Welcome to Fringe, David Fury! As Walter would say, This is wonderful news!

'Fringe' stars talk past, present & future

      Email Post       5/19/2011 10:36:00 PM      

'Fringe' stars talk past, present & future
May 18, 2011 ι Jarett Wieselman

Last night Anna Torv & John Noble were honored by The Paley Center for Media as the organization presented An Evening with "Fringe" -- where the stars talked to a rapt room full of actors and show devotees about their experiences on Fox's sci-fi phenomenon.

But before they took the stage, Anna & John exclusively talked to PopWrap about the season three finale, what they think it means for their characters and where they hope things go in season four!

PopWrap: Congratulations on a truly incredible season finale -- what did you think of it?


John Noble: I loved it. The script was evolving as we were doing it too – in particular, the ending with Peter evaporating. That was kind of a light thought that came in at one point and just made everyone say, “whoa.” But scripts often evolve like that, especially as they built the trilogy of episodes at the end of this season. So many things were happening, it was kind of mind boggling and very exciting, but kind of insane.

PW: Do you understand what happened?
Anna Torv:
I do, but I’m not quite sure where it’s going.
John: At a psychological level, I absolutely understand it. For Walter/Walternate, I see them as the same man, so psychologically, I do understand. In dreams this happens, in other mental states this happens. So it doesn’t concern me that we do a literal representation that’s in another mind dimension, we all have those things.

PW: What excites you about the potential this universe bridge opens up for season four?
Anna: So much! I don’t know for sure, we haven't talked to the showrunners yet, but I would think this obviously means her baby doesn’t exist. I'm also curious to the concept of, "How much pain has Peter caused Olivia over the last three seasons?" Now, who is she without ever having experienced that? What kind of shifts will the characters make without Peter in our lives? But simultaneously how are we going to find him?

PW: I would imagine it also means you'll be playing both versions of your characters a lot more next year.
John:
I think so too, and that is such a gift as an actor.
Anna: I love it. I’m also excited because we seen a lot of interaction between the characters, which we will now that they’re in the same world. Also, with Lincoln too! I know Seth [Gabel] is coming back!
John: Oh, he's so great!
Anna: It’ll be fun to see him on both sides as well.

PW: That could get messy for Fauxlivia!
John:
Well she hasn’t committed to him yet!
Anna: That’s true! Maybe Olivia will get her back and date Lincoln! She needs some love too [laughs].

PW: Tonight is all about the actorly part of "Fringe" and obviously these dual performances are an excellent example of that. How have you approached it?
John:
I’ve always seen these characters as the psychological parts of the same man. It’s that melding together – now the pressure is on enough that they have to stop compromising and come together. Because, and this is my personal opinion, but to survive this situation, this man needs to be his very best and that’s a combination of Walter and Walternate. That’s the approach I’m taking to it and it seems to be working. But we'll know for sure on Thursday, when we talk to the showrunners about season four.

PW: Oh man, you know that fans are going to be stalking your life on Friday now!
Anna: [laughs]
John: They’ll tell us just enough to keep us tantalized – that’s what they do.

PW: What are you hoping to talk about?
Anna:
In that last speech where Peter talked about who brought the parts back – Astrid or Ella – I’m interested in that. I wonder if we’ll do more back and forth with the future.
John: I’m excited to continue with the different universes, I like that they’re going to work together. That’s always something we’ve wanted to do – not show a black and white world. This way you don’t automatically choose one side. We work really hard to humanize both sides.

PW: Back to the alternates, do you prefer playing one more than the other?
John:
I do. I enjoy Walter more because he’s so random. And as an actor, that means I can do whatever I want and get away with it, whereas Walternate is so stitched up. Walter is a lot more fun.
Anna: It changes, I vacillate. When Faux-livia first came about I was thrilled not to be in the suit, but then I played Olivia Over There and I loved her during that period. It changes.

PW: Favorite episode this season?
John:
I loved the one with Christopher Lloyd. It was such a joy to work with him and he was so good in the role.
Anna: I actually think “Entrada” – I enjoyed that because I had so much fun stuff to do,. You’re always biased towards things like that. It was my favorite episode to make, I don’t know how it would be watching it.

PW: And lastly, this show has really lived and died by the fans -- a very fickle community, it should be said. What kinds of comments have you been hearing from fans?
Anna:
One of the things I love about doing the show is that anyone who stops me on the street, always asks “what’s happening next?” To be a part of something that’s bigger than you is fun because it means that the show you're making is the star.
John: That’s true. When people stop me on the street, it’s so generous and then “what do you know?” [laughs]. We have incredible fans.

"Fringe" airs Fridays at 9pm on Fox -- and for more information on The Paley Center for Media, click here!



Fringe-Finding Season 4

      Email Post       5/18/2011 04:39:00 PM      



Anna Torv, Joshua Jackson, John Noble, Blair Brown, Jasika Nicole and Lance Reddick discuss the season finale and imagine the impossibilities for Season 4.

Fringe T-Shirt: Walter's Sweet Shop

      Email Post       5/18/2011 09:32:00 AM      

T-Shirt-of-the-day site TeeFury has a Fringe themed t-shirt today.

The shirt titled "Walter's Sweet Shop" features a Gene the cow, some Fringe glyphs, and a variety of Walter's favorite foods: Fresh milk, Root Beer Floats, Blue Cotton Candy, Devil Dogs, Gum, Fruit Coctails, Coffee Cake, Blueberry Pancakes, Ginger Ale, and Flan (but sadly no Red Vines...)

The t-shirt is $10 and available today only until midnight EST at TeeFury.com.

*Thanks to Paul D for sending this in!

Fringe Fall 2011 Season 4 Schedule

      Email Post       5/16/2011 10:30:00 AM      

Fox announced their Fall 2011 schedule at today's "upfront", and Fringe will remain at 9:00pm on Fridays (no official season 4 premiere date yet).

There were rumors that JJ Abrams' new show Alcatraz would be the lead-in, but it looks like Fox is going to stick with Kitchen Nightmares at 8:00pm.

Fringe will be up against CSI:NY on CBS, as well as some new competition, with NBC's new fairy-tale crime drama Grimm, and ABC's reality series Shark Tank.

Here is the entire Fox line-up for this fall and spring:

'Fringe':Exec producers Jeff Pinkner, J.H. Wyman answer fan questions about the finale--EXCLUSIVE

      Email Post       5/14/2011 02:53:00 PM      

May 13, 2011
04:45 PM ET

'Fringe': Exec producers Jeff Pinkner, J.H. Wyman answer fan questions about the finale -- EXCLUSIVE
by Jeff Jensen

One week after Fringe’s time-traveling, parallel world-bridging, and thoroughly brain melting season 3 finale, fans of the Fox sci-fi series are still steaming with burning questions. Did Peter (Joshua Jackson) erase himself from history? Who took the doomsday machine back into the paleolithic past? And whatever happened to the Blimp Guy that Olivia (Anna Torv) predicted would one day kill her? We culled our message boards for the most frequently-posed inquiries and then presented them to Fringe masterminds Jeff Pinkner and J.H. Wyman. They were kind enough to respond, even if they acknowledged that for now, there’s little they can actually say. After all: There is going to be fourth season.

It Can't Be Worse Than This-A Review Of 3.22

      Email Post       5/14/2011 02:31:00 PM      

"We can cheat the rules of time.
There's no way of telling what the cost might be,
But it can't be worse than this.
It can't be worse than this."

The fun thing about writing the last review of a Fringe episode is that I've had time to sit back after re-watching it, and just let the thoughts and articles I've read about it on the internet incubate in my head. Do you remember the last time you rode a good roller coaster? There were ups and downs, excitement, and perhaps some fear as you traveled into some dark places, some relief as you emerged unscathed into the light. That's what the Season 3 Finale, "The Day We Died"(furthermore to be known as TDWD, here) was like for me.
The episode needs your undivided attention, as it is new territory-dangerous, and yet filled with opportunity, like the Chinese symbol for "crisis."

Philo Viewing Party Comments

      Email Post       5/11/2011 01:13:00 PM      

For the Fringe season finale "The Day We Died", FringeTelevision partnered up with Philo for a Fringe viewing party.

We would like to get your feedback on the event, and if you think we should do this again in the future.

Also, part of viewing party was a contest for best comment. I have narrowed it down to five:

What do you think is the "best" comment from "The Day We Died" viewing party


An Evening with Fringe-In NY and LA

      Email Post       5/10/2011 08:25:00 PM      


An Evening with Fringe
Tuesday, May 17, 2011
6:30 pm ET
New York

In Person
Anna Torv, “Olivia Dunham”
John Noble, “Dr. Walter Bishop”
Additional panelists to be announced.

Fox’s Fringe, recently renewed for a fourth season, just gets better with age. After starting out as an X-Files-derivative series about an FBI division specifically charged with investigating paranormal mysteries, Fringe (created by J.J. Abrams, Alex Kurtzman, and Roberto Orci) has evolved into a uniquely sublime blend of mind-bending story lines (parallel universes, doppelgangers, a guru who operates out of a bowling alley, etc.); inventive, ambitious artistry (including, most recently, the integration of chunks of animation into an episode—fitting for a series so decisively influenced by comic books); and powerful character drama that, as the A.V. Club has pointed out, infuses the series with “unexpected soulfulness.” The cast, led by Anna Torv, Joshua Jackson, and John Noble, is masterful. Join Torv and Noble for a screening of the finale, followed by a Q&A.

Presented with SAG Foundation

Tickets on sale to Members now; on sale to general public on Wednesday, May 11 at noon.


This Event
Members: $15
General Public: $20


An Evening with Fringe
Thursday, May 19, 2011
7:00 pm PT
Los Angeles
In Person
Anna Torv, “Olivia Dunham”
John Noble, “Dr. Walter Bishop”
Additional panelists to be announced.

Fox’s Fringe, recently renewed for a fourth season, just gets better with age. After starting out as an X-Files-derivative series about an FBI division specifically charged with investigating paranormal mysteries, Fringe (created by J.J. Abrams, Alex Kurtzman, and Roberto Orci) has evolved into a uniquely sublime blend of mind-bending story lines (parallel universes, doppelgangers, a guru who operates out of a bowling alley, etc.); inventive, ambitious artistry (including, most recently, the integration of chunks of animation into an episode—fitting for a series so decisively influenced by comic books); and powerful character drama that, as the A.V. Club has pointed out, infuses the series with “unexpected soulfulness.” The cast, led by Anna Torv, Joshua Jackson, and John Noble, is masterful; join them for a screening, followed by a Q&A.


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Fringe Reviews Roundup: The Day We Died

      Email Post       5/09/2011 02:12:00 AM      


Here are some reviews from around the web, in no particular order, for the Fringe episode "The Day We Died":

Have any favorite reviews, or reviews we should add? Let us know in the comments.

Fringe Review: The Day We Died

      Email Post       5/07/2011 05:35:00 PM      


“I think this is the better way, so you can learn about loss.”

Alternative realities and what-if flash-forwards create a powerful, visceral reaction. We experience these unreal episodes as a sort of cathartic carnivalesque. Carnivalesque, because they are governed by the topsy-turvy misrule of could-be and might-have-been. Cathartic, because we experience the gleeful terror of watching favorite characters dispatched while knowing that their deaths aren’t happening now and might not ever happen.

Fringe Promotional Photo Recap: The Day We Died

      Email Post       5/07/2011 01:03:00 PM      

It is May 20, 2026. A badly injured Peter, now age 45, gets treated at Fringe Medical in New York City and is almost instantly healed. Astrid is there, as is the newly minted Agent Ella Dunham, Olivia's grown-up niece. Olivia is the boss now.

Fringe Photos: Screenshots From "The Day We Died"

      Email Post       5/07/2011 11:06:00 AM      


HD screenshots of Fringe episode "The Day We Died  " are now available at FringeFiles.com.

These screen caps have all been randomly selected, so if there's something that might be missing, you can request a specific Fringe screenshot in these comments.

Promotional photos for "The Day We Died  " are also available at FringeFiles.com.

Fringe Finale Exclusive:WTF Just Happened?!

      Email Post       5/07/2011 08:00:00 AM      

Fringe Finale Exclusive: WTF Just Happened?! Producers Answer (Some) Burning Questions
Matt Webb Mitovich
[Warning: The following story is chockablock with spoilers from Friday night's Fringe season finale. Watch before you read. Seriously.]

Fringe‘s Season 3 finale could have ended with Peter emerging from the Machine, as he and Olivia survey the roomful of doppelgangers he just united. Or, it could have gone a step further and left us with the jarring image of Peter “fizzling” away in the midst of debriefing the Walters on his learning from the future.

But this is Fringe. And the envelope-pushing sci-fier dialed up the WTF to 11 by closing the season with an Observer explaining that no one inside Lady Liberty is batting an eye at Peter’s vanishing because to them — now, having “served his purpose” — he “never existed.”
Source:tvonline.com

OK…. What?

Speaking with executive producers Jeff Pinkner and J.H. Wyman after we previewed the finale, TVLine led with the No. 1 question on our list: Does Joshua Jackson have a Fringe gig come fall? Or should he have been auditioning for pilots? “He’s got a job. He’s still under contract,” Wyman confirms. “We can’t yet reveal what exactly we have in store for him, but he’s definitely not going out for other shows.”



As for those final two scenes, Pinkner said that even the most time paradox-savvy viewers “should be wondering” how it is that Peter vanished from existence, yet said he would be remiss to shed much light on that or what’s in store for Season 4. “The less spoilerage, the better,” he deferred. “The reason to come back and watch is exactly for the questions you’re asking.”

Wyman instead points viewers to this scene: “When Walter in the future says he has figured out a plan to send a message back to the past, he says that bringing Peter’s consciousness forward of course would have consequences.” Or as Future Peter himself remarked when presented with Walter’s plan: “Imagine the repercussions.” Indeed.

But could even the brilliant Walter have surmised that preventing a future doomsday would rob him of being with his son in the past? “One of the things we were playing with this season,” says Pinkner, “is a journey of acceptance for Walter, accepting what the Observers were trying to teach him in ‘Firefly’ – that in order to undo the damage he has done, he may have to be willing to sacrifice Peter.”

To briefly recap the finale episode, before we share more from Wyman and Pinkner: After glimpsing an instant of disorientation, we realize we are observing Peter as he exists in the year 2026, complete with memories of what he made wife (!) Olivia that morning for breakfast. The recovery of a “light bomb” used by a terrorist named Moreau sets in motion a chain of events in which Walter — now “the most reviled” man on the globe, as the deliverer of doomsday — deduces that it is he who will design the Machine and send it into the very distant past via the Central Park wormhole. He hypothesizes that if he can bring Peter’s 2011 consciousness “forward” in time long enough to realize that he must make another choice once in the Machine, both worlds can be saved. Alas, though Walter is spot-on in his assessment, it appears there are in fact “repercussions” to this correction, when Peter fades away from his 2011 existence, never to be remembered.

Now, a few other burning questions the Fringe EPs took on:

If Peter “Never Existed,” Wouldn’t That Mean No Feud Between the Walters, No Machine Activated, No 2026 Doomsday…? In a word, no. “Walter and [William] Bell were always trying to find a way to cross over, even before the Peter [abduction] incident,” Pinkner reminds. “So things may have happened differently.”

What Was “Lost In Detroit,” As Future Peter Alluded To With Broyles? “That’s not something the audience needs to understand just yet,” says Wyman. “It’s obviously something heavily emotional between them – that may or may not be the cause of Broyles losing an eye.”

Was Olivia In Fact the “Beloved Character” Spoiled To Be Dying In the Finale? (Or Was It Gene the Cow?) “In the course of the episode, it was Olivia,” confirms Pinkner, noting that Gene had gone to that great dairy farm in the sky sometime between 2011 and 2026.

Is That It for Big Baddie Moreau? Sadly, yes. Played by Dune‘s Brad Dourif, Moreau and his End of Dayers threat was simply the Case of the Week for Fringe Team ’26.

Have We Also Seen the Last Of Grown-Up Ella (Boardwalk Empire‘s Emily Meade)? Yes, says Wyman — “for the time being.”

Did Fox Execs Have As Many Questions About Fringe‘s Latest Freaky Finale As I Did? “Probably more!” Pinkner says with a laugh. “But everybody is asking the right questions – not questions of confusion but questions of intrigue, of being compelled. We always like it when it’s like that.” Adds Wyman: “We’ve gained a lot of trust over the years [when pitching ideas to the network]. They have now seen the way we operate, how we always have tent posts that we are moving toward and from.”

What did you think, Fringe fans? Did the finale sufficiently blow your mind?
Source:tvline.com
 

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